【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Rimsky-Korsakov 4 Romances Op.4 No.4 4-4 Quietly Evening Falls (Тихо вечер догорает) 林姆斯基 高沙可夫 浪漫曲 作品4 林姆斯基 高沙可夫 浪漫曲 作品4 Rimski-Kórsakov 4 Romanzas Canciones リムスキー＝コルサコフ 4つの歌 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Rimsky #Romance #Song Rimsky-Korsakov 4 Romances Op.4 No.1 4-1 What is My Name to Thee? (Что в имени тебе моем?) No.2 4-2 The Messenger (Гонец) No.3 4-3 In the Dark the Nightingale is Silent (В тëмной роще замолк соловей) No.4 4-4 Quietly Evening Falls (Тихо вечер догорает) ... https://www.youtube.com/watch?v=dBLYyqqQlzU

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Albeniz Piano Suite Española No. 1 Op.47 No.4 47-4 Cádiz (Canción) 卡迪斯 薩埃達舞曲 カディス（カンション） Espagnola Spanish 阿爾班尼士 西班牙 組曲 第1號 作品47 阿尔班尼士 西班牙 组曲 第1号 作品47 Isaac Albéniz Suite española Op. 47 アルベニス スペイン組曲 Piano 鋼琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Albeniz #Spanish #Española Suite española has 8 pieces. No.1 47-1 Granada (Serenade) 格拉納達 小夜曲 グラナダ セレナータ No.2 47-2 Cataluña (Courante) 卡塔魯納 庫拉達舞曲 カタルーニャ（コランダ） No.3 47-3 Sevilla (Sevillanas) 塞維亞 塞維亞納舞曲 セビーリャ（セビリャナス） No.4 47-4 Cádiz (Canción) 卡迪斯 薩埃達舞曲 カディス（カンション） No.5 47-5 Asturias (Leyenda) 阿斯圖拉斯 傳說 アストゥリアス（伝説） No.6 47-6 Aragón (Fantasía) 阿拉貢 幻想曲 アラゴン（ファンタジア） No.7 47-7 Castilla (Seguidilla) 卡斯特拉 塞吉迪里亞舞曲 カスティーリャ（セギディーリャ） No.8 47-8 Cuba (Nocturno) 古巴 夜曲 キューバ（カプリッチョ） Isaac Albéniz’s Suite española, Op. 47, is a suite for solo piano. It is mainly composed of works written in 1886 which were grouped together in 1887, in honour of the Queen of Spain. Like many of Albeniz’s works for the piano, these pieces depict different regions and musical styles in Spain. The work originally consisted of four pieces: Granada, Cataluña, Sevilla and Cuba. The editor Hofmeister republished the Suite española in 1912, after Albéniz's death, but added Cádiz, Asturias, Aragón and Castilla. The other pieces had been published in other editions and sometimes with different titles (Asturias was originally the prelude from the suite Chants d'Espagne). The four pieces that Hofmeister added do not exactly reflect the geographical region to which they refer. A clear example of this is Asturias (Leyenda), whose Andalusian Flamenco rhythms have little to do with the Atlantic region of Asturias. Opus 47, the number assigned by Hofmeister, does not have any chronological relation to any of Albéniz’s other works, since the opus numbers of the pieces were randomly assigned by publishers and Albéniz himself. Despite the spurious nature of the Suite española, however, it has become one of the most performed of Albéniz's piano works, a favorite of both pianists and audiences. In these works the first title refers to the geographical region portrayed, and the title in parentheses is the musical form or dance from that region. From Granada in Andalusia there is a Serenata, from Catalonia a Curranda or Courante, from Sevilla a Sevillanas and from Cuba (which was still part of Spain in the 1880s) a Notturno in the style of a habanera, from Castile a seguidillas, from Aragon a Fantasia in the style of a jota, and from Cadiz a saeta. This last example, like Asturias (Leyenda), is geographically inaccurate. In the works constituting the Suite española, the first title makes reference to the region that each piece represents and the subtitle in brackets indicates the musical form of the dance of the region. The suite has been orchestrated by other hands, including a well-known version by Rafael Frühbeck de Burgos. Arrangements of individual works and indeed the entire suite are often played in concert by classical guitarists. In fact, "Granada", "Sevilla", "Cadiz" and "Asturias" are more often heard on guitar than in their original piano versions; all four have been staples of the guitar literature since early in the 20th century. "Cataluña" and "Cuba" became solo guitar staples in the 1980s. The remaining pieces, "Aragón" and "Castilla," have been transcribed for guitar solo but are more often heard in multiple-guitar transcriptions. ... https://www.youtube.com/watch?v=BiD5UytWn8g

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Mendelssohn Songs Without Words Book 5 Op.62 Lieder ohne Worte No.5 62-5 Venetianisches Gondellied Venetian Boat Song Andante con moto 孟德爾頌 無言歌 作品62 孟德尔颂 无言歌 作品62 Mendelssohn Canciones sin palabras Op.62 メンデルスゾーン 無言歌 Op.62 Piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Mendelssohn #Songs #Words Book 5, Op. 62 No.1 62-1 Andante espressivo No.2 62-2 Allegro con fuoco No.3 62-3 Trauermarsch Funeral march Andante maestoso No.4 62-4 Allegro con anima No.5 62-5 Venetianisches Gondellied Venetian Boat Song Andante con moto No.6 62-6 Frühlingslied Spring Song Allegretto grazioso Songs Without Words (Lieder ohne Worte) is a series of short lyrical piano songs by the Romantic composer Felix Mendelssohn, written between 1829 and 1845. His sister Fanny Mendelssohn and other composers also wrote pieces in the same genre. The eight volumes of Songs Without Words, each consisting of six songs (Lieder), were written at various points throughout Mendelssohn's life, and were published separately. The piano became increasingly popular in Europe during the early nineteenth century, when it became a standard item in many middle-class households. The pieces are within the grasp of pianists of various abilities and this undoubtedly contributed to their popularity. This great popularity has caused many critics to under-rate their musical value. The first volume was published by Novello in London (1832) as Original Melodies for the Pianoforte, but the later volumes used the title Songs Without Words. The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of "Songs Without Words" was new. Mendelssohn's sister Fanny wrote a number of similar pieces (though not so entitled) and, according to some music historians, she may have helped inspire the concept. The title Song Without Words seems to have been Felix Mendelssohn's own invention. Book 5 was dedicated to Clara Schumann. ... https://www.youtube.com/watch?v=fioAqY9NcpI

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Liszt S.484 Bunte Reihe (24 Stücke von Ferdinand David) No.2 484-2 Erinnerung 李斯特 五彩的序列 作品484 リスト ブンテ・ライエ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Liszt #Bunte #Reihe No.1 484-1 Scherzo No.2 484-2 Erinnerung No.3 484-3 Mazurka No.4 484-4 Tanz No.5 484-5 Kinderlied No.6 484-6 Capriccio No.7 484-7 Bolero No.8 484-8 Elegie No.9 484-9 Marsch No.10 484-10 Toccata No.11 484-11 Gondellied No.12 484-12 Im Sturm No.13 484-13 Romanze No.14 484-14 Allegro No.15 484-15 Menuett No.16 484-16 Etude No.17 484-17 Intermezzo No.18 484-18 Serenade No.19 484-19 Ungarisch No.20 484-20 Tarantelle No.21 484-21 Impromptu No.22 484-22 In russischer Weise No.23 484-23 Lied No.24 484-24 Capriccio ... https://www.youtube.com/watch?v=hHx__D_rSRM