Author: Phillip Williams File Type: epub This gorgeous debut is a debut in chronology only. . . . Need is everywherein the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave.Adrian Matejka Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore ones ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences. From Agenda I. While two women kissed in their house I watched a jury hide bullets in a Black boys body, all rigor mortis and bass line. I landed in Chicago, a lead box. The airport showed CNN and a Black mother could not be heard over gate changes, bistro jazz. Subtitles gathered and faded like gossip while I made my mouth vacant in my hometown. I carried a fever of insufferable noise that skin, illuminated by a hoodie, held close, a forced kin. Phillip B. Williams has authored two chapbooks Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in Callaloo, Poetry, the Southern Review, West Branch , and others. Phillip received his MFA in Writing as a Chancellors Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.
Author: Adriaan Viruly
File Type: epub
Dit is een van de bekendste boeken van Adriaan Viruly. En niet zonder reden. Was zijn eerste boek nog voorzien van de ondertitel Van de Soesterbergse vlieghei en het trotse predikaat lt.vlieger A. Viruly, toen zijn derde boek verscheen had hij de overstap gemaakt naar de KLM en de voor militaire vliegers indertijd keiharde landsgrenzen ver achter zich gelaten. Een live verslag van de belevenissen op de Indie-route sprak aan, want Nederland was trots op zijn toenmalige langste luchtlijn ter wereld! Die trots nam bijna on-Hollandse vormen aan toen in december 1933 de Pelikaan zijn beroemde versnelde Kerstvlucht maakte. Op dat moment waren al vier drukken van het boek verschenen. Vanaf de vijfde druk kon een extra hoofdstuk worden toegevoegd, Goed zoo, Pelikaan!, en in die vorm beleefde het boek opnieuw een aantal herdrukken. Het enorme enthousiasme dat deze vlucht had losgemaakt wordt goed geillustreerd door het feit dat met het oog op de bezitters van de eerste vier drukken van het boek het aanvullende hoofdstuk over de Pelikaan apart werd uitgegeven! Voor zover mij bekend een unicum in de geschiedenis van de Nederlands luchtvaart. Een aantal lezers zal dit hoofdstuk mogelijk bekend zijn voorgekomen. In het dagblad De Telegraaf had Viruly namelijk in een serie artikelen, lopend van 2 tot 9 januari 1934, aan de hand van het navigatieboek en verscheidene gesprekken met de bemanningsleden verslag gedaan van de wederwaardigheden van de vlucht. Goed zoo, Pelikaan! is in feite een enigszins herschreven weergave van ongeveer de helft van die artikelen, met de nadruk op het spannendste, laatste, etmaal van de terugvlucht. Voor een integrale herdruk van de reeks artikelen konden de lezers trouwens terecht bij het boek De wereldrecordvlucht van de Pelikaan , Een greep uit de pers in spannende dagen aldus de ondertitel, samengesteld door H.H.J. Pol. Overigens geeft het als schoolboek uitgegeven Met de KLM naar Indie, dat hij samen met J.M. de Feijter schreef en dat eveneens in 1933 verscheen, ook een heel aardige beschrijving van de dagelijkse gang van zaken op de Indie-route, met daarnaast veel aandacht voor de bezienswaardigheden onderweg.
Author: Michael O'Neill
File Type: pdf
Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelleys writing as it explores his involvement in processes of dialogue and influence. Shelley recognizes that poetic individuality is the reward of connectedness with other writers and cultural influences. A great Poem is a fountain forever overflowing with the waters of wisdom and delight, he writes, and after one person and one age has exhausted allits divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight (A Defence of Poetry). He is among the major Romantic poetic exponents and theorists of influence,because of his passionately intelligent commitment to the onward dissemination of ideas and feelings, and to the unpredictable ways in which poets position themselves and are culturally positioned between past and future. The book has a tripartite structure. The first three chapters seek to illuminate his response to representative texts, figures, and themes that constitute the triple pillars of his cultural inheritance the classical world (Plato) Renaissance poetry (Spenser and Milton) Christianity and, in particular, the concept of deity and the Bible. The second and major section of the book explores Shelleys relations and affinities with, as well as differences from, his immediate predecessors andcontemporaries Hazlitt and Lamb Wordsworth Coleridge Southey Byron Keats (including the influence of Dante on Shelleys elegy for his fellow Romantic) and the great painter J. M. W. Turner, with whom he is often linked. The third section considers Shelleys reception by later nineteenth-centurywriters, figures influenced by and responding to Shelley including Beddoes, Hemans, Landon, Tennyson, and Swinburne. A coda discusses the body of critical work on Shelley produced by A. C. Bradley, a figure who stands at the threshold of twentieth-century thinking about Shelley.
Author: Wendy Gan
File Type: pdf
Wendy Gans Comic China investigates the circumstances and motivations of cross-cultural humor. How do works that trade in laughter shape our understanding of Western discourses about China? Is humor meant to be inclusive or exclusive? Does it protect or challenge the status quo? Gan suggests that the simple, straightforward laugh may actually be a far more intricate negotiation of power relations. Gan unpacks texts by authors who had little real contact with China as well as writers whose proximity to China influenced their representations. Looking beyond the familiar canon of serious modernist texts and the Yellow Peril classics of popular fiction, Gan analyzes turn-of-the-twentieth-century musical comedies set in the Far East, Ernest Bramahs chinoiserie-inspired tales, and interwar travel writing. She also considers the comic works of the missionary Arthur Henderson Smith, the former Maritime Customs Officer J.O.P. Bland, and the Shanghai journalist and advertising man Carl Crow. Though it includes humor that is less than complimentary to the Chinese, Comic China reminds us that laughter is tied to our common humanity. Gan navigates the humor used in comic depictions ultimately to find, not superiority or ridicule, but common ground. **
Author: PAD/D
File Type: pdf
This is issue 6-7.The mission of the artists collective PADD or Political Art Documentation and Distribution (1980-1986) was, according to its first newsletter, to provide artists with an organized relationship to society, to demonstrate the political effectiveness of image making, and to provide a framework within which progressive artists can discuss and develop alternatives to the mainstream art system. During its short existence the group published a newsletter, organized monthly public programs, networked with other political activists and artists groups, created art for demonstrations, and developed an archive of social and political art that is now located at the Museum of Modern Art in NYC. See Greg Scholettes essay a href=httpgregorysholette.comwritingswritingpdfs14_collectography.pdf target=_blankA Collectography of PADDa in writings and see a href=httpwww.moma.orgresearchlibrary target=_blankwww.moma.orgresearchlibrarya. For a complete archive of PADD newsletters click a href=httpwww.darkmatterarchives.net?page_id=72 target=_blankherea
Author: Rachel Sussman
File Type: pdf
The Oldest Living Things in the World is an epic journey through time and space. Over the past decade, artist Rachel Sussman has researched, worked with biologists, and traveled the world to photograph continuously living organisms that are 2,000 years old and older. Spanning from Antarctica to Greenland, the Mojave Desert to the Australian Outback, the result is a stunning and unique visual collection of ancient organisms unlike anything that has been created in the arts or sciences before, insightfully and accessibly narrated by Sussman along the way. Her work is both timeless and timely, and spans disciplines, continents, and millennia. It is underscored by an innate environmentalism and driven by Sussmans relentless curiosity. She begins at year zero, and looks back from there, photographing the past in the present. These ancient individuals live on every continent and range from Greenlandic lichens that grow only one centimeter a century, to unique desert shrubs in Africa and South America, a predatory fungus in Oregon, Caribbean brain coral, to an 80,000-year-old colony of aspen in Utah. Sussman journeyed to Antarctica to photograph 5,500-year-old moss Australia for stromatolites, primeval organisms tied to the oxygenation of the planet and the beginnings of life on Earth and to Tasmania to capture a 43,600-year-old self-propagating shrub thats the last individual of its kind. Her portraits reveal the living history of our planetand what we stand to lose in the future. These ancient survivors have weathered millennia in some of the worlds most extreme environments, yet climate change and human encroachment have put many of them in danger. Two of her subjects have already met with untimely deaths by human hands. Alongside the photographs, Sussman relays fascinating and sometimes harrowing tales of her global adventures tracking down her subjects and shares insights from the scientists who research them. The oldest living things in the world are a record and celebration of the past, a call to action in the present, and a barometer of our future.
Author: Manuel Delanda
File Type: pdf
Examines the concept of an assemblage of heterogeneous components.Gilles Deleuze considered his concept of assemblage to be one of his most important contributions to philosophy. Yet he never developed it consistently and systematically, whether in his own books or those co-authored with Felix Guattari.In this book Manuel DeLanda provides the first detailed overview of the assemblage theory found in germ in Deleuze and Guattaris writings. Through a series of case studies, DeLanda shows how the concept can be applied to economic, linguistic, and military history as well as to metaphysics, science,and mathematics.DeLanda then presents the real power of assemblage theory by advancing it beyond its original formulation. This allows for the integration of communities, institutional organizations, cities, and urban regions, while challenging Marxist orthodoxy with a Leftist politics of assemblages.
Author: Steven G. Smith
File Type: pdf
In Appeal and Attitude, Steven G. Smith offers a multicultural view into issues at the heart of existentialism, hermeneutics, and the phenomenology of religion. By looking closely at the concepts of appeal, or what commands our attention, and attitude, or the quality of the attention we pay, Smith probes into the core of religious ideals to answer questions such as why faith and rationality are compelling and how religious experience becomes meaningful. Smith turns to philosophical and religious texts from Eastern and Western religious and philosophical traditions including Kant, Hegel, Heidegger, Levinas, Derrida, Confucius, and the Bhagavad-Gita. He also engages everyday objects such as stones, birds, boats, and minnows to arrive at normative definitions of supreme appeal and sovereign attitude. This book provides readers at all levels with a thoughtful and widely comparative window into idealism, community, responsibility, piety, faith, and love.
Author: Peter Berresford Ellis
File Type: epub
The Celts were one of the great founding civilizations of Europe and the first North European people to emerge into recorded history, producing a vibrant labyrinth of mythological tales and sagas that have influenced the literary traditions of Europe and the world. The first A-Z reference of its kind, Dictionary of Celtic Mythology is fascinating and accessible guide to the gods and goddesses, the heroes and heroines, the magical weapons, fabulous beasts, and otherworld entities that populate the myths of this rich European culture. Like A Dictionary of Irish Mythology before it, this is a whos who and whats what of the epic Celtic sagas and tales. Predated only by Greek and Latin by virtue of the fact that the Celtic languages were not written until the early Christian era, Celtic mythology is a development from a far earlier oral tradition containing voices from the dawn of European civilization. The peoples of these Celtic cultures survive today on the western seaboard of Europe--the Irish, Manx, and Scots, who make up the Goidelic- (or Gaelic) speaking branch of Celts, and the Welsh, Cornish, and Brentons, who represent the Brythonic-speaking branch. And it is in these languages that their vibrant and fascinating mythology has been recorded and appreciated throughout the world. In his introduction, Ellis discusses the roles of these six cultures, the evolution (or demise) of the languages, and the relationship between the legends, especially the Irish and Welsh, the two major Celtic cultures. From Celtic legends have come not only the stories of Cuchulainn and Fionn MacCumhail, of Deidre of the Sorrows and the capricious Grainne, but the stories of the now world-famous Arthur, and the romantic tragedy of Tristan and Iseult. An easy-to-read handbook, The Dictionary of Celtic Mythology presents a fascinating window to centuries of rich oral and written tradtion from the mists of Europes origins. **From Library Journal Celtic language and mythology, which predates the Greeks and Romans, descends from an ancient oral tradition. Celtic culture was the first to develop a philosophy of immortality. Ellis, author of A Dictionary of Irish Mythology (ABC-Clio, 1991) here dissects the scope of Celtic myth and legend. Comparisons are offered among the six cultures Irish, Welsh, Manx, Scottish, Cornish, and Breton. A very good introduction discusses the roles of the cultures, the evolution (or demise) of the language, and the legends. The entries are thorough and well written. An excellent selected bibliography rounds out this interesting reference. For large mythology collections. - Gail Wood, Montgomery Coll. Lib., Germantown, Md. 1992 Reed Business Information, Inc. Review A very good introduction....Entries are thorough and well written. An excellent selected bibliography rounds out this interesting reference.--Booklist Makes available in convenient form copious information about [this] rich tradition.--Wilson Library Bulletin Accessible....Especially useful to students unfamiliar with the subject....Its easy-to-use format and readable text will make it a welcome resource for students as well as for fans of epics and romances.--School Library Journal Just what I was looking for to accompany required texts--it helps the student organize the unfamiliar....An excellent text for Celtic studies. It helps make sense of the seeming chaos of unfamiliar material.--Jan Anderson, Clackamas Community College
Author: Maria Tatar
File Type: mobi
The tale as old as time, in versions from across the centuries and around the worldpublished to coincide with Disneys live-action 3D musical film starring Emma Watson, Ian McKellen, Ewan McGregor, Audra McDonald, Kevin Kline, Stanley Tucci, Dan Stevens, and Emma Thompson Nearly every culture tells the story of Beauty and the Beast in one fashion or another. From Cupid and Psyche to Indias Snake Bride to South Africas Story of Five Heads, the partnering of beasts and beauties, of humans and animals in all their varietycats, dogs, frogs, goats, lizards, bears, tortoises, monkeys, cranes, warthogshas beguiled us for thousands of years, mapping the cultural contradictions that riddle every romantic relationship. In this fascinating volume, preeminent fairy tale scholar Maria Tatar brings together tales from ancient times to the present and from a wide variety of cultures, highlighting the continuities and the range of themes in a fairy tale that has been used both to keep young women in their place and to encourage them to rebel, and that has entertained adults and children alike. With fresh commentary, she shows us what animals and monsters, both male and female, tell us about ourselves, and about the transformative power of empathy. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. **