Author: Cait P. Searl File Type: pdf Providing an easily readable source of information about the current spectrum of anesthesia and critical care management of patients undergoing thoracic surgery, this book forms part of the successful Core Topics brand. The book provides practical assistance to those commencing careers in thoracic anesthesia and will also to be a useful aide-memoire to those already working in the field. The comprehensive content includes discussion of some of the more contentious issues in the management of thoracic patients as well as giving a flavour of the rapid evolution of new techniques that are of increasing importance in the field, such as lung-assist devices, different modes of ventilation and VAT surgery. Both editors are practising cardiothoracic anesthetistsintensivists at an internationally recognized centre for thoracic surgery, particularly lung transplantation. The contributors are chosen for their clinical expertise and to give a spectrum of opinion across the range of thoracic anesthesia.ReviewAnesthesia providers at all levels will find this book useful for deepening their knowledge. Trainees in anesthesia will realize the greatest benefit, developing and expanding their understanding of thoracic anesthesia. The editors and contributors are recognized experts who have practiced extensively in this field....This is an important source of easily accessible and wide-ranging information in thoracic anesthesia and critical care. All anesthesia providers in the field will find this valuable for their daily practice and preparation for examinations.--Doodys Review Service Book DescriptionProviding practical assistance to those commencing careers in thoracic anesthesia, the comprehensive content includes discussion of some of the more contentious issues in the management of thoracic patients as well as the rapid evolution of new techniques, such as lung-assist devices, different modes of ventilation and VAT surgery.
Author: Cissy van Marxveldt
File Type: epub
vervolg op De HBS tijd van Joop ter Heul. Joop moet bij haar zus en zwager gaan wonen en heeft het niet makkelijk.
Author: Evelyn Toynton
File Type: pdf
Jackson Pollock (19121956) not only put American art on the map with his famous drip paintings, he also served as an inspiration for the character of Stanley Kowalski in Tennessee Williamss A Streetcar Named Desirethe role that made Marlon Brando famous. Like Brando, Pollock became an icon of rebellion in 1950s America, and the brooding, defiant persona captured in photographs of the artist contributed to his celebrity almost as much as his notorious paintings did. In the years since his death in a drunken car crash, Pollocks hold on the public imagination has only increased. He has become an enduring symbol of the tormented artistour American van Gogh.In this highly engaging book, Evelyn Toynton examines Pollocks itinerant and poverty-stricken childhood in the West, his encounters with contemporary art in Depression-era New York, and his years in the run-down Long Island fishing village that, ironically, was transformed into a fashionable resort by his presence. Placing the artist in the context of his time, Toynton also illuminates the fierce controversies that swirled around his work and that continue to do so. Pollocks paintings captured the sense of freedom and infinite possibility unique to the American experience, and his life was both an American rags-to-riches story and a darker tale of the price paid for celebrity, American style.ReviewJournalist and novelist Toynton . . . lends her multifarious talent to the story of the turbulent life of iconic artist Jackson Pollock. . . .Few are better suited to pen such a quotable and inspired contemporary portrait.Publishers Weekly(Publishers Weekly) This is a Vasari-like narrative of Jackson Pollock, and a case study of his depression, his propensity to get into fist fights when drunk, to be taciturn when sober, and to let himself be taken care of by the women in his life. But it is also a story of how he broke the ice, in de Koonings words, enabling American painters to take world leadership in a fresh style of paintinghuge, abstract, emotional, and direct. It is the book to read to find out what he was and was about.ArthurDanto, author of Andy Warhol(Arthur Danto) Toyntons sensitive and incisive book sorts through the wreckage of an imagination out of which so much of contemporary art would go on to assemble itself.Kelly Grovier, Times Literary Supplement(Kelly Grovier Times Literary Supplement 2012-04-06) Book DescriptionEvelyn Toyntons fresh, fascinating portrait of Jackson Pollock explores his work, his influence, and his legend in the context of both art history and the cultural history of mid-twentieth-century America. Jackson Pollock (19121956) not only put American art on the map with his famous drip paintings, he also served as an inspiration for the character of Stanley Kowalski in Tennessee Williamss A Streetcar Named Desirethe role that made Marlon Brando famous. Like Brando, Pollock became an icon of rebellion in 1950s America, and the brooding, defiant persona captured in photographs of the artist contributed to his celebrity almost as much as his notorious paintings did. In the years since his death in a drunken car crash, Pollocks hold on the public imagination has only increased. He has become an enduring symbol of the tormented artistour American van Gogh. In this highly engaging book, Evelyn Toynton examines Pollocks itinerant and poverty-stricken childhood in the West, his encounters with contemporary art in Depression-era New York, and his years in the run-down Long Island fishing village that, ironically, was transformed into a fashionable resort by his presence. Placing the artist in the context of his time, Toynton also illuminates the fierce controversies that swirled around his work and that continue to do so. Pollocks paintings captured the sense of freedom and infinite possibility unique to the American experience, and his life was both an American rags-to-riches story and a darker tale of the price paid for celebrity, American style. **
Author: Adam Giannelli
File Type: pdf
Rain intermits, bus windows steam up, loved ones suffer from dementiain the constantly shifting, metaphoric world of Tremulous Hinge, figures struggle to remain standing and speaking against forces of gravity, time, and language. In these visually porous poems, boundaries waver and reconfigure along the rumbling shoreline of Rockaway or during the intermediary hours that an insomniac undergoes between darkness and dawn. Through a series of self-portraits, elegies, and Eros-tinged meditations, this hovering never subsides but offers, among the fragments, momentary constellations moths all swarming the same light bulb. From the difficulties of stuttering to teetering attempts at love, from struggling to order a hamburger to tracing the deckled edge of a hydrangea, these poems tumble and hum, revealing a hinge between word and world. Ultimately, among lofting waves, collapsing hands, and darkening skies, words themselvesa stutterers maneuvers through speech, a deceased grandfathers use of punctuationbecome forms of consolation. From its initial turbulence to its final surprising solace, this debut collection mesmerizes. **
Author: Oto Luthar
File Type: pdf
The collection of well-researched essays assesses the uses and misuses of history 25 years after the collapse of Soviet hegemony in Eastern Europe. As opposed to the revival of national histories that seemed to be the prevailing historiographical approach of the 1990s, the last decade has seen a particular set of narratives equating Nazism and Communism. This provides opportunities to exonerate wartime collaboration, casting the nation as victim even when its government was allied with Germany. While the Jewish Holocaust is acknowledged, its meaning and significance are obfuscated. In their comparative analysis the authors are also interested in new practices of Europeanness. Therefore their presentations of Slovak, Hungarian, Romanian, Bulgarian, Serbian, Bosnian, Croatian and Slovenian post-communist memory politics move beyond the common national myths in order to provide a new insight into transnational interactions and exchanges in Europe in general. The juxtaposition of these politics, the processes in other parts of Europe, the modes of remembering shaped by displacement and the transnational enable a close encounter with the divergences and assess the potential of the formation of common, European memory practices.
Author: Ina Zharkevich
File Type: pdf
By providing a rich ethnography of wartime social processes in the former Maoist heartland of Nepal, this book explores how the Maoist Peoples War (1996-2006) transformed Nepali society. Drawing on long-term fieldwork with people who were located at the epicentre of the conflict, including both ardent Maoist supporters and reluctant rebels, it explores how a remote Himalayan village was forged as the centre of the Maoist rebellion, how its inhabitants coped with the situation of war and the Maoist regime of governance, and how they came to embrace the Maoist project and maintain ordinary life amidst the war while living in a guerilla enclave. By focusing on peoples everyday lives, the book illuminates how the everyday became a primary site of revolution of crafting new subjectivities, introducing new social practices and displacing the old ones, and reconfiguring the ways that people act in and think about the world through the process of embodied change
Author: Patricia Manning
File Type: pdf
Although the Spanish Inquisition looms large in many conceptions of the early modern Hispanic world, relatively few studies have been made of the Spanish state and Inquisition s approach to book censorship in the seventeenth century. Merging archival and rare book research with a case study of the fiction of Baltasar Gracian, this book argues that privileged authors, like the Jesuit Gracian, circumvented publication strictures that were meant to ensure that printed materials conformed to the standards of Catholicism and supported the goals of the absolute monarchy. In contrast to some elite authors who composed readily transparent critiques of authorities and encountered difficulties with the state and Inquisition, others, like Gracian, made their criticisms covertly in complicated texts like El Criticon.
Author: Anthony Giddens
File Type: pdf
This is a new and revised edition of a book which has already established itself as a basic text in social theory. The first section of the work provides a concise critical analysis of some leading schools of thought in social philosophy, giving particular attention to phenomenology, ethnomethodology and Wittgensteinian thought. Giddens concentrates primarily upon the implications of these various perspectives for an account of human action and its intelligibility. An action approach on its own, however, will not do in human social life, action and structure presuppose one another. The author therefore moves on to provide a series of concepts relevant to understanding the production and reproduction of society. The book concludes with a succinct statement of some new rules of sociological method. Representing the first, and most trenchant, exposition of the principles of structuration theory, this edition also contains a substantial new Introduction in which Giddens replies to some of the more persistent criticisms made of the original version and also addresses some important issues originally discussed only in a cursory way. **
Author: Sylvia Huot
File Type: pdf
Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentationand suppressionof alternative narrative and historical trajectories that might have made Arthurian Britain a very different place. Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. She selects for study the well-known prose Lancelot and the prose Tristan, as well as the lesser known Perceforest, Le Conte du papegau, Guiron le Courtois, and Des Grantz Geants. By asking to what extent views of giants in Arthurian romance respond to questions that concern twenty-first-century readers, Huot demonstrates the usefulness of current theoretical concepts and the issues they raise for rethinking medieval literature from a modern perspective. In her beautifully written Outsiders The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot organizes a wealth of material into a taxonomy of giants and their complex role in medieval French literature. Huot imaginatively uses that mapping to demonstrate the many ways in which the figure of the giant is a cultural fantasy through which medieval writers imagined the limits of personhood. Tracing that fantasy through medieval concepts of race and ethnicity, Huot makes an original and important claim not just about what giants do for medieval writers or their audiences, but also about the vulnerable boundaries of the human that are both put into question and reaffirmed by representations of giant outsiders. Peggy McCracken, University of Michigan **