One of my favorite Ivan Lins songs, Iluminados. Beautiful melodies and harmonies. Came to my head while I was practicing last night. You guys know this song? let me know in the comments. ... https://www.youtube.com/watch?v=laZ4a6Hzq_M
Live at "Jazz nos Fundos" - June 5th - São Paulo-SP-Brazil.
Gabriel Santiago - Electric Guitar
Russell Haight - Tenor Sax
Simon Wiskowski - Alto Sax
Wayne Salzmann II - Drums
André Santos - Acoustic Bass
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https://www.youtube.com/watch?v=IBDPJ2zr6-I
Lot's of fun this weekend with my band @Monks Jazz Club in Austin, Texas. This is an excerpt from the performance, playing my piece On The Way Home. You can watch the full performance on Monks YT Channel.
Great times!
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https://www.youtube.com/watch?v=O9HKEA_KdNU
Having fun with a new tune that just came out.. What do you think of this one? let me know in the comments!
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while waiting on a recording session, I decided to record this beautiful piece, composed by the great Brazilian Composer Pixinguinha.
Filmed on iPhone 4 using the app 8mm
Mixed using the plugin iZotope Vinyl.
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https://www.youtube.com/watch?v=TEiTnS35EG8
Having fun on an old tune of mine, Toma La Dá Cá (Giving & Taking)
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Composed by Justin Vasquez
Gabriel Santiago - Acoustic Guitar and Vocals
Justin Vasquez - Soprano Saxophone
Sidiel Vieira - Acoustic Bass
Thiago "Big" Rabello - Drums
Recorded live on November 2013 at Parede-Meia Studios - São Paulo, Brazil
Recording Engineer: Thiago Rabello
Assistant Engineer: Seiti Mamura
Mix: Thiago Rabello & Gabriel Santiago
Mastering: Maurício Gargel
Photography, Video & Design: Dani Gurgel - Da Pá Virada
Gabriel Santiago plays ®NOVAES Signature Guitars
Thiago rabello plays with drumsticks by Vic-Firth
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https://www.youtube.com/watch?v=PEW7q0TQipQ
How Do You Balance Voice Leading x Color? In this episode I talk about how to balance two approaches one can use on dealing with harmony: a more "triadic", strongly based on voice leading and inversions and a more colorful, abstract, dense approach with upper structure chords and things like that. Finding the balance is where is at. Let me know your comments and suggestions, Enjoy!
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In this episode of the podcast I address a common concept that I use to create harmony without the vertical aspect of the chord structures - What I call Implied Harmony, when the notion of harmony is achieved by way of only layer against the other, through any kind of voice movement (parallel, oblique etc) or also via repeated/ostinato figures, which can also imply harmony as a result of its movement. Do you guys utilize that approach on your harmonies as well? let me know in the comments!
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https://www.youtube.com/watch?v=-ftlf_Cs3Q4