Walks on the Ground: A Tribal History of the Ponca Nation
Author: Louis V. Headman Walks on the Ground is a record of Louis V. Headmans personal study of the Southern Ponca people, spanning seven decades beginning with the historic notation of the Ponca peoples origins in the East.The last of the true Ponca speakers and storytellers entered Indian Territory in 1877 and most lived into the 1940s. In Ponca heritage the history of individuals is told and passed along in songs of tribal members. Headman acquired information primarily when singing with known ceremonial singers such as Harry Buffalohead, Ed Littlecook, Oliver Littlecook, Eli Warrior, Dr. Sherman Warrior (son of Sylvester Warrior), Roland No Ear, and Pee-wee Clark. Headmans father, Kenneth Headman, shared most of this history and culture with Louis.During winter nights, after putting a large log into the fireplace, Kenneth would begin his storytelling. The other elders in the tribe confirmed Kenneths stories and insights and contributed to the history Louis has written about the Ponca.Walks on the Ground traces changes in the tribe as reflected in educational processes, the influences and effects of the federal government, and the dominant social structure and culture.Headman includes childrens stories and recognizes the contribution made by Ponca soldiers who served during both world wars, the Korean Conflict, the Vietnam War, Desert Storm, and the ongoing conflict in the Middle East.
Major depressive disorder is a common medical condition that can be disabling and can persist for months even years Many people experience depression symptoms that resist treatment Although they try various combinations of medications psychotherapy or electroconvulsive therapy their symptoms dont improve What can people who have treatmentresistant depression do to overcome their depression and feel better In Still Down Dr Dean F MacKinnon a psychiatrist at Johns Hopkins Medical School presents nine composite stories drawn from patients he has seen in his twenty years as an expert in treatmentresistant mood disorders The first section of the book features people diagnosed with depression who have not yet received appropriate treatment The next section looks at misdiagnosis focusing on people who feel and appear depressed but who have different mood disorders and need treatment for them Finally Dr MacKinnon describes people who have severe depression that does not respond to any treatment regardless of how finely tuned the treatment might be These people who suffer from true treatmentresistant depression TRD can benefit from a variety of treatments to feel better Dr MacKinnon provides commentary to explain and extend the discussion of the patients and situations in each case He also discusses common obstacles to improvement including overly conservative dosing problems stemming from not adhering to treatment antidepressant failure and high sensitivity to side effects By identifying aspects of the individuals qualities behaviors and experiences that may account for poor response to treatment Still Down points the way for people with TRD and their families to find appropriate diagnoses and the best possible care
Author: Anne Frances Wysocki, Johndan Johnson-Eilola, Cynthia L. Selfe, & Geoffrey Sirc
As new media mature, the changes they bring to writing in college are many and suggest implications not only for the tools of writing, but also for the contexts, personae, and conventions of writing. An especially visible change has been the increase of visual elements-from typographic flexibility to the easy use and manipulation of color and images. Another would be in the scenes of writing-web sites, presentation "slides," email, online conferencing and coursework, even help files, all reflect non-traditional venues that new media have brought to writing. By one logic, we must reconsider traditional views even of what counts as writing; a database, for example, could be a new form of written work. The authors of Writing New Media bring these ideas and the changes they imply for writing instruction to the audience of rhetoric/composition scholars. Their aim is to expand the college writing teacher's understanding of new media and to help teachers prepare students to write effectively with new media beyond the classroom. Each chapter in the volume includes a lengthy discussion of rhetorical and technological background, and then follows with classroom-tested assignments from the authors' own teaching.
Author: D. Rose Elder foreword by Terry E. Miller
Singing occurs in nearly every setting of Amish life. It is a sanctioned pleasure that frames all Amish rituals and one that enlivens and sanctifies both routine and special events, from household chores, road trips by buggy, and family prayer to baptisms, youth group gatherings, weddings, and single girl sings. But because Amish worship is performed in private homes instead of public churches, few outsiders get the chance to hear Amish people sing. Amish music also remains largely unexplored in the field of ethnomusicology. In Why the Amish Sing, D. Rose Elder introduces readers to the ways that Amish music both reinforces and advances spiritual life, delving deep into the Ausbund, the oldest hymnal in continuous use. This illuminating ethnomusicological study demonstrates how Amish groups in Wayne and Holmes Counties, Ohiothe largest concentration of Amish in the worldsing to praise God and, at the same time, remind themselves of their 450-year history of devotion. Singing instructs Amish children in community ways and unites the group through common participation. As they sing in unison to the weighty words of their ancestors, the Amish confirm their love and support for the community. Their singing delineates their common journeya journey that demands separation from the world and yielding to God's will. By making school visits, attending worship services and youth sings, and visiting private homes, Elder has been given the rare opportunity to listen to Amish singing in its natural social and familial context. She combines one-on-one interviews with detailed observations of how song provides a window into Amish cultural beliefs, values, and norms.
Hailed in its first edition as a classic study of New York Citys history and people Graham Russell Gao Hodgess Taxi is a remarkable evocation of the forgotten history of the taxi driver This deftly woven narrative captures the spirit of New York City cabdrivers and their hardscrabble struggle to capture a piece of the American dream From labor unrest and racial strife to ruthless competition and political machinations Hodges recounts this history through contemporary news accounts Hollywood films and the words of the cabbies themselves A new preface recalls the authors five years of hacking in New York City in the early 1970s and a new concluding chapter explores the rise of appbased ridesharing services with the arrival of companies like Uber and Lyft Sharply criticizing the use of the independent contractor model that is the cornerstone of Uber and the gig economy Hodges argues that the explosion of forhire vehicles in Manhattan reversed decades of environmental anticongestion efforts He calls for a return to the careful regulations that governed taxicabs for decades and provided a modest yet secure living for cabbies Whether or not youve ever hailed a cab on Broadway Taxi provides a fascinating perspective on New Yorks most colorful emissaries
Author: John T. Irwin
Weldon Kees is one of those fascinating people youve likely never heard of. What is most captivating about Kees is that he disappeared without a trace on July 18, 1955. Police found his 1954 Plymouth Savoy abandoned on the north side of the Golden Gate Bridge one day later. The keys were still in the ignition. Though Kees had alluded days prior to picking up and moving to Mexico, none of his poetry, art, or criticism has since surfaced either north or south of the Rio Grande. Keess apparent suicide has led critics to compare him to another American modernist poet who committed suicide two decades earlierHart Crane. In comparison to Crane, Kees is certainly now a more obscure figure. John T. Irwin, however, is not content to allow Kees to fall out of the twentieth-century literary canon. In The Poetry of Weldon Kees, Irwin ties together elements of biography and literary criticism, spurring renewed interest in Kees as both an individual and as a poet. Irwin acts the part of literary detective, following clues left behind by the poet to make sense of Keess fascination with death, disappearance, and the interpretation of an artists work. Arguing that Keess apparent suicide was a carefully-plotted final aesthetic act, Irwin uses the poets death as a lens through which to detect and interpret the structures, motifs, and images throughout his poemsas the author intended. The first rigorous literary engagement with Weldon Keess poetry, this book is an astonishing reassessment of one of the twentieth centurys most gifted writers.
Author: Marvin Schick
This is a study of one of the most highly respected tribunals in the history of the English-speaking worldthe United States Court of Appeals for the Second Circuit. Situated in Manhattan, the Second Circuit Court, serving New York, Connecticut, and Vermont, is the most important commercial court in the country. But, like other inferior courts, it has never been studied in depth. Marvin Schick provides a comprehensive analysis. From 1941 to 1951, Learned Hand presided over the Second Circuit as chief judge, and the court bore his stamp. But on its bench sat other men of great competence, judges Thomas W. Swan, August N. Hand, and Harrie B. Chase, as well as Charles E. Clark and Jerome N. Frank, whose constant disagreement characterized much of the court's work. Schick studies the Second Circuit Court from several angles: historical, biographical, behavioral, and case analytical. He tells a history of the court from its origins in 1789. He provides biographical sketches of the six judges who sat during Learned Hand's tenure as chief judge. He analyzes the many decisions handed down by the court, including the precedent setters. He examines the court's decision-making process, especially its unique procedures such as the memorandum system, which requires from the judges preliminary opinions in the cases they hear. A novel feature of this book is the correlation of votes of the Second Circuit judges with subsequent decisions of the Supreme Court. Schick was aided in his study by having access to the private papers of Judge Clark. These thousands of memoranda and letters throw much light on the workings of the Second Circuit Court and reveal the bargaining that went on among the judges in difficult cases. The Clark papers make possible a clearer understanding of the incessant conflict between Clark and Frank and show how this unusual relationship gave vitality to the Second Circuit.
Author: Joshua Hirsch
The appearance of Alain Resnais' 1955 French documentary Night and Fog heralded the beginning of a new form of cinema, one that used the narrative techniques of modernism to provoke a new historical consciousness. Afterimage presents a theory of posttraumatic film based on the encounter between cinema and the Holocaust. Locating its origin in the vivid shock of wartime footage, Afterimage focuses on a group of crucial documentary and fiction films that were pivotal to the spread of this cinematic form across different nations and genres.Joshua Hirsch explores the changes in documentary brought about by cinema verite, culminating in Shoah. He then turns to teh appearance of a fictional posttraumatic cinema, tracing its development through the vivid flashbacks in Resnais' Hiroshima, mon amour to the portrayal of pain and memory in Pawnbroker. He excavates a posttraumatic autobiography in three early films by the Hungarian Istvan Szabo. Finally, Hirsch examines the effects of postmodernism on posttraumatic cinema, looking at Schindler's List and a work about a different form of historical trauma, History and Memory, a videotape dealing with the internment of Japanese Americans during the Second World War. Sweeping in its scope, Afterimage presents a new way of thinking about film and history, trauma and its representation.
Author: Alan Hyde
The most basic assertions about our bodies--that they are ours and distinguish us from each other, that they are private and have boundaries, races, and genders--are all political theories, constructed in legal texts for political purposes. So argues Alan Hyde in this first account of the body in legal thought. Hyde demonstrates that none of the constructions of the body in legal texts are universal truths that rest solely on body experience. Drawing on an array of fascinating case material, he shows that legal texts can construct all kinds of bodies, including those that are not owned at all, that are just like other bodies, that are public, open, and accessible to others. Further, the language, images, and metaphors of the body in legal texts can often convince us of positions to which we would not assent as a matter of political theory. Through analysis of legal texts, Hyde shows, for example, how law's words construct the vagina as the most searchable body part; the penis as entirely under mental control; the bone marrow that need not be shared with a half-sibling who will die without it; and urine that must be surrendered for drug testing in rituals of national purification. This book will interest anyone concerned with cultural studies, gender studies, ethnic studies, and political theory, or anyone who has heard the phrase body constructed in discourse and wants to see, step by step, exactly how this is done.
Author: Jeff Morrison
Detroit is home to amazing architectural sculpture-a host of gargoyles, grotesques, and other silent guardians that watch over the city from high above its streets and sidewalks, often unnoticed or ignored by the people passing below. Jeff Morrison's Guardians of Detroit: Architectural Sculpture in the Motor City documents these incredible features in a city that began as a small frontier fort and quickly grew to become a major metropolis and industrial titan.Detroit developed steadily following its founding in 1701. From 1850 to 1930 it experienced unprecedented population growth, increasing from 21,019 to over 1,500,000 people. A city of giants, Detroit became home to people of towering ambition and vision who gained wealth and sought to leave their mark on the city they loved. This aspiration created a massive building boom during a time when architectural styles favored detailed ornamentation, resulting in a collection of architectural sculpture unmatched by any other U.S. city. Guardians of Detroit is a first-of-its-kind project to explore, document, and explain this singular collection on a building-by-building basis and to discover and share the stories of these structures and the artists, artisans, and architects who created them. Using a 600-millimeter lens and 23-megapixel camera, Morrison brings sculptural building details barely visible to the naked eye down from the heights, making them available for up-close appreciation. The photos are arranged in a collage format that emphasizes the variety of and relationships between each building's sculptural ornamentation. Well-researched text complements the photography, delving into the lives of those who created these wonderful works of architectural art. Guardians of Detroit is an extended love letter to the historic architecture of a city that would become the driving force of America's industrial and economic power. Fans of art, architecture, and hidden gems will love poring over these pages.