Author: David J. Levin
File Type: pdf
What happens when operas that are comfortably ensconced in the canon are thoroughly rethought and radically recast on stage? What does a staging do to our understanding of an opera, and of opera generally? While a stage production can disrupt a work that was thought to be established, David J. Levin here argues that the genre of opera is itself unsettled, and that the performance of operas, at its best, clarifies this condition by bringing operas restlessness and volatility to life. Unsettling Opera explores a variety of fields, considering questions of operatic textuality, dramaturgical practice, and performance theory. Levin opens with a brief history of opera production, opera studies, and dramatic composition, and goes on to consider in detail various productions of the works of Wagner, Mozart, Verdi, and Alexander Zemlinsky. Ultimately, the book seeks to initiate a dialogue between scholars of music, literature, and performance by addressing questions raised in each field in a manner that influences them all. **
Author: Koester, Craig R.
File Type: pdf
In this landmark commentary, Craig R. Koester offers a comprehensive look at a powerful and controversial early Christian text, the book of Revelation. The author provides richly textured descriptions of the books setting and language, making extensive use of Greek and Latin inscriptions, classical texts, and ancient Jewish writings, including the Dead Sea Scrolls. Rather than viewing Revelation as world-negating, Koester focuses on its deep engagement with social, religious, and economic issues while addressing the books volatile history of interpretation. The result is a groundbreaking study that provides bold new insights and sets new directions for the continued appreciation of this text.
Author: Louis Black
File Type: pdf
Austins thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of filmsold and new, mainstream, classic, and cultat a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movies historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections USA Film History, Hollywood Auteurs, Cinema-Fist Renegade Talents, and Americas Shadow Cinema. Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultureswhether in Austin, New York, or Europehave forwarded the development of film studies as a discipline. **
Author: Catherine Hanley
File Type: pdf
In 1215 a group of English barons, dissatisfied with the weak and despicable King John, decided that they needed a new monarch. They wanted a strong, experienced man, of royal blood, and they found him on the other side of the Channel astonishingly, the most attractive candidate for the crown of England was Louis, eldest son and heir of the king of France. In this fascinating biography of Englands least-known kingand the first to be written in EnglishCatherine Hanley explores the life and times of Louis the Lion before, during, and beyond his quest for the English throne. She illuminates the national and international context of his 1216 invasion, and explains why and how after sixteen fruitless months he failed to make himself King Louis I of England. Hanley also explores Louiss subsequent reign over France until his untimely death on the Albigensian Crusade. Published eight centuries after the creation of Magna Carta and on the 800th anniversary of Louiss proclamation as king, this fascinating story is a colorful tale of national culture, power, and politics that brings a long-forgotten life out of the shadows of history. **
Author: Michele Glazer
File Type: pdf
Michele Glazers poems take on questions of being and value, exploring not just what is, but how it is. The poems trouble bordersbetween self and other, old and young, sick and well, stranger and intimate between physical states in processes of decay and between line and phrase, sentence and interruption, prose and poem, resisting the desire for something irrefutable with an abiding skepticism.The poems are drawn to missteps in perception and in language, those fractures that promise to crack open a surface to yield some other, greater meaning What is looked at is changed what is looked for is gone. From this collision of passion and severity come poems that are strange and darkly beautiful.**
Author: Margaret Urban Walker
File Type: pdf
This is a revised edition of Walkers well-known book in feminist ethics first published in 1997. Walkers book proposes a view of morality and an approach to ethical theory which uses the critical insights of feminism and race theory to rethink the epistemological and moral position of the ethical theorist, and how moral theory is inescapably shaped by culture and history. The main gist of her book is that morality is embodied in practices of responsibility that express our identities, values, and connections to others in socially patterned ways. Thus ethical theory needs to be empirically informed and politically critical to avoid reiterating forms of socially entrenched bias. Responsible ethical theory should reveal and question the moral significance of social differences. The book engages with, and challenges, the work of contemporary analytic philosophers in ethics.Moral Understandings has been influential in reaching a global audience in ethics and feminist philosophy, as well as in tangential fields like nursing ethics research ethics disability ethics environmental ethics, and social and political theory. This revised edition contains a new preface, a substantive postscript to Chapter 1 about the subject of moral philosophy the addition of a new chapter on the importance of emotion in practices of responsibility and the addition of an afterword, which responds to critics of the book.ReviewWalkers book challenges all of us to reflect on how ethics are inextricably connected to psychology, sociology, history adn anthropology. Her book would... be especially appropriate for upper-level moral or feminist philosophy classes where nontraditional approaches to ethics are emphasized.Marcia L. Homiak, Signs, Spring 2001Walker provides a devastating critique of the gender, race, class, and other biases endemic to the theoretical-juridical model assumed in most nonfeminist ethics. Her own expressive-collaborative ethics of responsibility offers a persuasive alternative not only to the theoretical-juridical model but also to the ethics of care as that has been construed in many feminist discussions. Presenting feminist ethics in a somewhat unexpected light, this profound and original book reaches new levels of theoretical insight and moral understanding..Alison M. Jaggar, University of Colorado, BoulderAbout the AuthorMargaret Urban Walker is Lincoln Professor of Ethics and Professor of Philosophy at Arizona State University. She is author of Moral Contexts and Moral Repair Reconstructing Moral Relations After Wrongdoing, and editor of Mother Time Women, Aging and Ethics and Moral Psychology Feminist Ethics and Social Theory, with Peggy DesAutels.
Author: Kevin M. F. Platt
File Type: pdf
Is there an essential Russian identity? What happens when Russian literature is written in English, by such authors as Gary Shteyngart or Lara Vapnyar? What is the geographic home of Russian culture created and shared via the internet? Global Russian Cultures innovatively considers these and many related questions about the literary and cultural life of Russians who in successive waves of migration have dispersed to the United States, Europe, and Israel, or who remained after the collapse of the USSR in Ukraine, the Baltic states, and the Central Asian states. The volumes internationally renowned contributors treat the many different global Russian cultures not as displaced elements of Russian cultural life but rather as independent entities in their own right. They describe diverse forms of literature, music, film, and everyday life that transcend and defy political, geographic, and even linguistic borders. Arguing that Russian cultures today are many, this volume contends that no state or society can lay claim to be the single or authentic representative of Russianness. In so doing, it contests the conceptions of culture and identity at the root of nation-building projects in and around Russia.
Author: Greta Hawes
File Type: pdf
Polybius boldly declared that now that all places have become accessible by land or sea, it is no longer appropriate to use poets and writers of myth as witnesses of the unknown (4.40.2). And yet, in reality, the significance of myth did not diminish as the borders of the known world expanded. Storytelling was always an inextricable part of how the ancient Greeks understood their environment mythic maps existed alongside new, more concrete, methods of charting the contours of the earth. Specific landscape features acted as repositories of myth and spurred their retelling myths, in turn, shaped and gave sense to natural and built environments, and were crucial to the conceptual resonances of places both unknown and known. This volume brings together contributions from leading scholars of Greek myth, literature, history, and archaeology to examine the myriad intricate ways in which ancient Greek myth interacted with the physical and conceptual landscapes of antiquity. The diverse range of approaches and topics highlights in particular the plurality and pervasiveness of such interactions. The collection as a whole sheds new light on the central importance of storytelling in Greek conceptions of space. **