Opera in Postwar Venice: Cultural Politics and the Avant-Garde
Author: Harriet Boyd-Bennett File Type: pdf Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the citys nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms as museums locked in the past and blind to the future. These cliches are here overturned perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono. **Book Description Boyd-Bennett investigates the relationship of music and politics in the aftermath of war and dictatorship. Bringing locality into the study of twentieth-century music by focussing on the Italian and Venetian contexts, she shows how music culture was deeply imbedded in the most pressing social and cultural concerns of the post-war period. About the Author Harriet Boyd-Bennett is Assistant Professor at the University of Nottingham. Prior to this she was Leverhulme Early Career Fellow at Nottingham and Junior Research Fellow at Christ Church, Oxford. She has published widely on music, culture and politics in Italy, modern opera performance and the musical avant-garde.
Author: Paul Virilio
File Type: pdf
The genetic bomb marks a turn in the history of humanity. The accident is a new form of warfare. It is replacing revolution and war. Sarajevo triggered the First World War. New York is what Sarajevo was. September 11th opened Pandoras box. The first war of globalization will be the global accident, the total accident, including the accident of science. And it is on the way. In 1968, Virilio abandoned his work in oblique architecture, believing that time had replaced space as the most important point of reflection because of the dominance of speed. We were basically on the verge of converting space time into space speed... Speed facilitates the decoding of the human genome, and the possibility of another humanity a humanity which is no longer extra-territorial, but extra-human. Crespuscular Dawn expands Virilios vision of the implosion of physical time and space, onto the micro-level of bioengineering and biotechnology. In this cat-and-mouse dialogue between Sylvere Lotringer and Paul Virilio, Lotringer pushes Virilio to uncover the historical foundations of his biotech theories. Citing various medical experiments conducted during World War II, Lotringer asks whether biotechnology isnt the heir to eugenics and the science for racial improvement that the Nazis enthusiastically embraced. Will the endocolonizataion of the body come to replace the colonization of ones own population by the military? Both biographical and thematic, the book explores the development of Virilios investigation of space (architecture, urbanism) and time (speed and simultanaeity) that would ultimately lay the foundation for his theories on biotechnology and his startling declaration that after the colonization of space begins the colonization of the body. **
Author: Tucker, Thomas Deane; Kendall, Stuart;
File Type: pdf
Terrence Malicks four feature films have been celebrated by critics and adored as instant classics among film aficionados, but the body of critical literature devoted to them has remained surprisingly small in comparison to Malicks stature in the world of contemporary film. Each of the essays in Terrence Malick Film and Philosophy is grounded in film studies, philosophical inquiry, and the emerging field of scholarship that combines the two disciplines. Malicks films are also open to other angles, notably phenomenological, deconstructive, and Deleuzian approaches to film, all of which are evidenced in this collection. Terrence Malick Film and Philosophy engages with Malicks body of work in distinct and independently significant ways by looking at the tradition within which Malick works, the creative orientation of the filmmaker, and by discussing the ways in which criticism can illuminate these remarkable films. **Review Terrence Malick Film and Philosophy provides a wonderfully stimulating range of approaches to Malicks films, unlocking the philosophical depths of the most thoughtful auteur of recent decades. The collection engages Malicks cinematic oeuvre with the works of Heidegger and Cavell as might be expected, but also provocatively deploys Deleuze, Hegel, Marx, Schiller, Derrida and Merleau-Ponty alongside esteemed film theorists like Sobchack and Branigan. As such, this book is at the cutting edge of recent developments in film-philosophy, and is essential reading for anyone interested in the subject. It is also a superb exploration of Malicks most important films as writer and director, from Badlands to The New World. Dr David Martin-Jones, Senior Lecturer in Film Studies, University of St Andrews, UK About the Author Thomas Deane Tucker is a professor of Humanities at Chadron State College. He is the author of Derridada Duchamp as Readymade Deconstruction (Lexington Books). Stuart Kendall teaches Critical Studies at the California College of the Arts. He is the author of Georges Bataille (Reaktion Books, Critical Lives) and The Ends of Art and Design (Infrathin Press).
Author: Garance Le Caisne
File Type: epub
Never before has such damning evidence of war crimes and crimes against humanity been revealed in the midst of a conflict. As civil war raged in Syria, we owe the disclosure of this evidence to one man. He goes under the codename of Caesar. This military police photographer was required to document the murder and torture of thousands of Syrian civilians in the custody of the Assad regime. Over the course of two years he used a police computer to copy the photos, and in 2013 he risked his life to smuggle out 53,000 photos and documents that show prisoners tortured, starved and burned to death. In January 2015, in the American magazine Foreign Affairs, President Bashar al-Assad claimed that this military photographer didnt exist. Who took the pictures? Who is he? Nobody knows. There is no verification of any of this evidence, so its all allegations without evidence. Caesar exists. The author of this book has spent dozens of hours with him. His testimony is extraordinary, his photos shocking. The uncovering of the workings of the Syrian death machine that underpins his account is a descent into the unspeakable. In 2014 Caesar testified before the House Foreign Affairs Committee and his testimony provided crucial evidence for a bipartisan bill, the Caesar Syria Civilian Protection Act, that was presented to Congress in 2016. Caesars photos have also been shown in the United Nations Headquarters in New York and at the Holocaust Memorial Museum in Washington D.C. For the first time, this book tells Caesars story. **
Author: Andreas Marneros
File Type: pdf
This book is written by international specialists on bipolar disorders. All fields of this topic are covered the history and the evolution of concepts of bipolar disorders from ancient Greece to modern times. Original quotations of Hippocrates and Aretaeus of Cappadocia, the views of the European founders of modern psychiatry, and modern operational and biological data are considered. The role of personality, temperament, interactions, as well as of neurotransmitter, endocrinological factors and other biological parameters are extensively discussed together with genetic and epidemiological findings. Topics such as soft spectrum disorders, mixed states, schizoaffective bipolars, and long-term prognosis are extensively considered, and the role of modern antipsychotics, antidepressants, and mood stabilizers is another main point of the book. Special aspects of children, adults, and womens disorders are also discussed. The costs of treatment of bipolar disorders are described in their own chapter. In this book can be found a combination of the classical use in literature of bipolar disorders with modern data-oriented use.
Author: Ritchie Robertson
File Type: pdf
This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relations, and on a range of satirical devices. It includes well-known texts (Popes Dunciad, Byrons Don Juan, Heines Atta Troll) and others which are little known (Ratschkys Melchior Striregel, Parnys La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the Querelle des Anciens et des Modernes which questioned the authority of Homers and Virgils epics and it relates their substance to contemporary debates about questions of religion and gender.ReviewGracefully written, formidably learned...and genuinely useful...The chapters on much-studied works (Popes Dunciad, Voltaires Pucelle, Goethes Hermann and Dorothea, Byrons Don Juan) offer new insights, and those on less-known works (J. F. Ratschkys Melchior Striegel, Aloys Blumauers travesty of Virgil, Evariste Parnys La Guerre des dieux, Heinrich Heines Atta Troll) are stunningly informative. --ChoiceAbout the AuthorRitchie Robertson was born in Nairn, Scotland. He studied at Edinburgh University and Oxford University held posts at Lincoln College, Oxford (1979-84) and Downing College, Cambridge (1984-89) before being appointed to his present post as Fellow and Tutor in German at St Johns College, Oxford, in 1989. He is co-editor of the yearbook Austrian Studies (1990-99), and has been Germanic editor of the Modern Language Review since 2000. He was elected a Fellow of the British Academy in 2004.
Author: Cathy J. Schlund-Vials
File Type: pdf
An essential collection that brings together the core primary texts of the Asian American experience in one volume An essential volume for the growing academic discipline of Asian American studies, this collection of core primary texts draws from a wide range of fields, from law to visual culture to politics, covering key historical and cultural developments that enable students to engage directly with the Asian American experience over the past century. The primary sources, organized around keywords, often concern multiple hemispheres and movements, making this compendium valuable for a number of historical, ethnic, and cultural study undergraduate programs. **
Author: Miira Tuominen
File Type: pdf
If we know something, do we always know it through something else? Does this mean that the chain of knowledge should continue infinitely? Or, rather, should we abandon this approach and ask how we acquire knowledge? Irrespective of the fact that very basic questions concerning human knowledge have been formulated in various ways in different historical and philosophical contexts, philosophers have been surprisingly unanimous concerning the point that structures of knowledge should not be infinite. In order for there to be knowledge, there must be at least some primary elements which may be called starting points. This book offers the first synoptic study of how the primary elements in knowledge structures were analysed in antiquity from Plato to late ancient commentaries, the main emphasis being on the Platonic-Aristotelian tradition. It argues that, in the Platonic-Aristotelian tradition, the question of starting points was treated from two distinct points of view from the first perspective, as a question of how we acquire basic knowledge and from the second perspective, as a question of the premises we may immediately accept in the line of argumentation. It was assumed that we acquire some general truths rather naturally and that these function as starting points for inquiry. In the Hellenistic period, an alternative approach was endorsed the very possibility of knowledge became a central issue when sceptics began demanding that true claims should always be distinguishable from false ones.