Description: An LA police officer is murdered in the onion fields outside of Bakersfield. However, legal loopholes could keep his kidnappers from receiving justice, and his partner is haunted by overwhelming survivor’s guilt.
The Onion Field is a 1979 American neo-noir crime drama film directed by Harold Becker and written by Joseph Wambaugh, based on his 1973 true crime book of the same name. The film stars John Savage, James Woods and Franklyn Seales, as well as Ted Danson in his film debut.
The film was shot on location in Valencia, Los Angeles, Maricopa and Taft in California. A courtroom of the Superior Court of Los Angeles County was used for the trial scenes. The jury panel was taken to an onion field in Valencia to inspect it as a replica of the scene of the crime.
Wambaugh helped to produce the film and chose the cast and crew, including actor Ted Danson, who made his film debut. Wambaugh reportedly was determined to make a film superior to the 1977 adaptation of his novel The Choirboys, the script of which written by another writer. Wambaugh sued the makers of The Choirboys and his name was removed from the credits.
Woods' performance as Greg Powell was the film's most widely praised element, earning him a Kansas City Film Critics Circle Award and his first Golden Globe nomination.
CAST:
John Savage as Karl Hettinger James Woods as Gregory Powell Franklyn Seales as Jimmy Smith Ted Danson as Ian Campbell Ronny Cox as Sgt. Pierce Brooks David Huffman as District Attorney Phil Halpin Christopher Lloyd as Jailhouse lawyer Dianne Hull as Helen Hettinger Priscilla Pointer as Chrissie Campbell K Callan as Mrs. Powell Sandy McPeak as Mr. Powell Richard Venture as Det. Glenn Bates Lillian Randolph as Nana, Jimmy's Grandma Steve Conte as prison guard John de Lancie as LAPD Lieutenant #2 William J. Sanderson as Young Con Sandy Ward as Pawnbroker Richard Herd as Beat Cop
Description: With his bronco-busting career on its last legs, Junior Bonner heads to his hometown to try his luck in the annual rodeo. But his fond childhood memories are shattered when he finds his family torn apart by his greedy brother and hard-drinking father.
Junior Bonner is a 1972 American Western film directed by Sam Peckinpah. The film focuses on a veteran rodeo rider as he returns to his hometown of Prescott, Arizona, to participate in an annual rodeo competition and reunite with his brother and estranged parents. Many critics consider it to be the warmest and most gentle of Peckinpah's films.
In May 1971, weeks after completing Straw Dogs in England, Sam Peckinpah returned to the United States to begin immediate work on Junior Bonner. The lyrical screenplay by Jeb Rosebrook, depicting the changing times of society and binding family ties, appealed to Peckinpah's tastes. He accepted the project, concerned with being typed as a director of violent action (at the time, The Wild Bunch was his most renowned film and Straw Dogs was in preparation to be released to theaters). Junior Bonner would be his final attempt to make a low-key, dramatic work in the vein of Noon Wine (1966) and The Ballad of Cable Hogue (1970).
Though the film was unwisely promoted as a typical Steve McQueen action vehicle, critical reception was still fairly good, but not enthusiastic. Released amidst a glut of rodeo-themed films, including The Honkers (1972), J.W. Coop (1972) and When the Legends Die (1972), Junior Bonner performed poorly at the box office. It earned rentals of $1.9 million in North America and $900,000 in other countries, recording an overall loss of $2,820,000. Peckinpah would remark, "I made a film where nobody got shot and nobody went to see it."
CAST:
Steve McQueen as Junior 'J.R.' Bonner
Robert Preston as Ace Bonner
Ida Lupino as Elvira Bonner
Ben Johnson as Buck Roan
Joe Don Baker as Curly Bonner
Barbara Leigh as Charmagne
Mary Murphy as Ruth Bonner
Bill McKinney as Red Terwiliger
Dub Taylor as Del
Sandra Deel as Nurse Arlis
Don "Red" Barry as Homer Rutledge
Charles H. Gray as Burt
CREW:
DIRECTOR
Sam Peckinpah
ASST. DIRECTORS
Newt Arnold, Malcolm R. Harding, Frank Baur
PRODUCERS
Steve McQueen, Joe Wizan, Mickey Borofsky
WRITERS
Jeb Rosebrook, Sharon Peckinpah
CASTING
Lynn Stalmaster
EDITORS
Robert L. Wolfe, Frank Santillo
CINEMATOGRAPHY
Lucien Ballard
LIGHTING
Joseph Edesa
ART DIRECTION
Ted Haworth
SET DECORATION
Jerry Wunderlich
SPECIAL EFFECTS
Bud Hulburd
STUNTS
Loren Janes, Michael Gilbert
COMPOSER
Jerry Fielding
SOUND
Richard Portman, Charles M. Wilborn
MAKEUP
Donald W. Roberson, William P. Turner
HAIRSTYLING
Lynn Del Kail
Description: On an island off the coast of Brittany four isolated men collect seaweed. Two young best friends have a quarrel and when one's thumb becomes infected his friend must risk his life on the ocean to bring him to the doctor.
Finis Terræ is a 1929 French silent drama film written and directed by Jean Epstein. The film's title is the old Latin name of the region Finistère, where the story is set, and means "End of the Earth". The film is shot in a documentary-like style, with local non-actors in all roles, and frequent handheld camerawork. Also, Epstein often inserts slow motion footage.
Jean Epstein had discovered the islands of Brittany soon before the production of Finis Terræ, and immediately became fascinated and impressed by both the environment and the local community of fishermen. The film was produced by Société Genérale de films. It was shot on location on the islands Bannec and Ushant, and starred local non-actors. It is supposedly based on actual events.
There is a higher quality bluray release of this film, but because France REFUSES to release any of there classics in Foreign markets, we'll have to settle for this older DVD. The Frogs are such bastards that they won't even share what's theirs that is GOOD.
CAST:
Gibois
Jean-Marie Laot
Malgorn
François Morin
Pierre
Ambroise Rouzic
CREW:
DIRECTOR
Jean Epstein
PRODUCER
Serge Sandberg
WRITER
Jean Epstein
CINEMATOGRAPHY
Louis Née, Gösta Kotulla, Joseph Barthès and Raymond Tulle
COMPOSER
Robert Israel
Description: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular odyssey 25,000 feet below the ocean’s surface where he confronts a mysterious force that has the power to change the world or destroy it.
The Abyss is a 1989 American science fiction film written and directed by James Cameron. The film was released on August 9, 1989, receiving generally positive reviews and grossed $89.8 million. It won the Academy Award for Best Visual Effects and was nominated for three more Academy Awards.
The version here is the theatrical version.
CAST:
Ed Harris as Virgil "Bud" Brigman, Deep Core's foreman and Lindsey's estranged husband.
Mary Elizabeth Mastrantonio as Dr. Lindsey Brigman, designer of the rig and Bud's estranged wife.
Michael Biehn as US Navy SEAL Lieutenant Hiram Coffey, the commander of the Navy SEAL team.
Leo Burmester as Catfish De Vries, a worker on the rig and a Vietnam veteran Marine who is skeptical of the SEALs.
Todd Graff as Alan "Hippy" Carnes, a conspiracy theorist who believes that the NTIs have been covered up by the CIA.
John Bedford Lloyd as Jammer Willis
J.C. Quinn as Arliss "Sonny" Dawson
Kimberly Scott as Lisa "One Night" Standing
Captain "Kidd" Brewer Jr. as Lew Finler
George Robert Klek as Wilhite, a US Navy SEAL
Christopher Murphy as Schoenick, a US Navy SEAL
Adam Nelson as Ensign Monk, a US Navy SEAL
Chris Elliott as Bendix
Richard Warlock as Dwight Perry
Jimmie Ray Weeks as Leland McBride
J. Kenneth Campbell as DeMarco
William Wisher, Jr. as Bill Tyler, a reporter
Ken Jenkins as Gerard Kirkhill
CREW:
DIRECTOR
James Cameron
PRODUCERS
Gale Anne Hurd, Van Ling, Paul Tivers
WRITER
James Cameron
EDITORS
Conrad Buff IV, Howard E. Smith, Joel Goodman and Steven Quale
CINEMATOGRAPHY
Mikael Salomon
PRODUCTION DESIGN
Leslie Dilley
ART DIRECTION
Joseph C. Nemec III, Dan Webster, Ron Cobb, Russell Christian and Peter Childs
SET DECORATION
Anne Kuljian, Thomas P. Wilkins, Andrew Precht and Gershon Ginsburg
VISUAL EFFECTS
Dennis Muren, John Bruno, Hoyt Yeatman, Steve Johnson, Leslie Huntley, Laura Buff, Ned Gorman, Diana Shornstein, Walt Conti and Jeff Burks
COMPOSER
Alan Silvestri
SOUND
Dody Dorn, Blake Leyh, Don J. Bassman, Richard Overton, Kevin E. Carpenter, Robert Renga, Kevin F. Cleary, Lee Orloff and Stuart Copely
COSTUMES
Deena Appel and Deborah Everton
MAKE-UP
Kathryn Fenton
Description: Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
Entranced Earth or Earth Entranced is a 1967 Brazilian Cinema Novo drama film directed by Glauber Rocha. It was shot in Parque Lage and at the Municipal Theatre of Rio de Janeiro. The film is an allegory for the history of Brazil in the period 1960–1966.
Its exhibition was forbidden in Brazil in April 1967 for "tarnishing the image of Brazil" but after protests by both Brazilian and French filmmakers, it was authorized by the Brazilian government to be screened at Cannes and in Brazil. It debuted in the 1967 Cannes Film Festival where it won the FIPRESCI Award. It also won the Golden Leopard award at the Locarno International Film Festival in 1968.
CAST:
Jardel Filho as Paulo Martins
Paulo Autran as Porfirio Díaz
José Lewgoy as Felipe Vieira
Glauce Rocha as Sara
Paulo Gracindo as Don Julio Fuentes
Hugo Carvana as Alvaro
Danuza Leão as Silvia
Joffre Soares as Father Gil
Modesto De Souza as Senator
Mário Lago as Captain
Flávio Migliaccio as Common people man
Thelma Reston as Felício's wife
José Marinho as Jerônimo
Francisco Milani as Aldo
Paulo César Peréio as Student
CREW:
DIRECTOR
Glauber Rocha
PRODUCER
Glauber Rocha
WRITER
Glauber Rocha
EDITOR
Eduardo Escorel
CINEMATOGRAPHY
Luiz Carlos Barreto
ART DIRECTION
Paulo Gil Soares
COMPOSER
Sérgio Ricardo
SOUND
Aloisio Viana
COSTUMES
Paulo Gil Soares, Clóvis Bornay and Guilherme Guimarães
Description: In World War I London, Myra is an American out-of-work chorus girl making ends meet by picking up men on Waterloo Bridge. During a Zeppelin air raid she meets Roy, a naive young American who enlisted in the Canadian army. After they fall for each other, Roy tricks Myra into visiting his family, who live in a country estate outside London, his mother having remarried to a retired British Major. Myra is reluctant to continue the relationship with Roy, he not aware of her past.
Waterloo Bridge is a 1931 American pre-Code drama romance war film directed by James Whale (most famous for the original 1931 Frankenstein, Bride of Frankenstein, and the original The Invisible Man, additionally 1936 musical Showboat.) The screenplay by Benn Levy and Tom Reed is based on the 1930 play Waterloo Bridge by Robert E. Sherwood. Because of its controversial material, censor boards in Chicago, New York City, and Pennsylvania insisted extensive cuts be made to the film. When the Production Code was enforced in July 1934, it became impossible to re-release the original version of Waterloo Bridge. In 1939, MGM bought the rights to the property, and the following year released an adaptation starring Vivien Leigh and Robert Taylor and directed by Mervyn LeRoy (and as Gaby in 1956.) Both remakes were made by Metro-Goldwyn-Mayer, which bought the 1931 version from Universal. Today, the rights to all three films are held by Warner Bros. and their subsidiary Turner Entertainment. This film was one of Bette Davis' first film.
CAST:
Mae Clarke as Myra
Douglass Montgomery (aka, Kent Douglass) as Roy Cronin
Doris Lloyd as Kitty
Frederick Kerr as Major Wetherby
Enid Bennett as Mrs Wetherby
Bette Davis as Janet Cronin
Ethel Griffies as Mrs Hobley
Rita Carlyle as The Old Woman (as Rita Carlisle)
Ruth Handforth as Augusta, the Maid
CREW:
DIRECTOR
James Whale
PRODUCER
Carl Laemmle Jr.
WRITER
Tom Reed
EDITOR
Clarence Kolster
CINEMATOGRAPHY
Arthur Edeson
ART DIRECTION
Charles D. Hall
Note: I was faced with the frustrating issue of technically have a better quality version of this film without subtitles while the only subtitles available online where hardcoded into a compressed version. Unfortunately, the only workable solution was to create this doubled version you are watching now. I wish there was a better way to watch this film, but this will have to do for now (sadly, this will not be the only film I am forced to do this too.)
Description: The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor’s son Ouso expects to succeed his father on the throne, but Otomo, the Emperor’s vassal, prefers Ouso’s stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father’s castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.
Stuart Galbraith IV described the film as a religious epic in the style of director Cecil B. DeMille that featured "virtually every star and bit player on the Toho lot". The Three Treasures was distributed theatrically in Japan by Toho on November 1, 1959. The film was Toho's most profitable film of the year and second highest grossing domestic film of 1959. The film was released in the United States by Toho International Company with English-language subtitles on December 20, 1960. This version of the film was cut to 112 minutes.
CAST:
Toshirô Mifune - Prince Yamato Takeru
Yôko Tsukasa - Princess Oto Tachibana
Akihiko Hirata - Kibino Takehiko
Kyôko Kagawa - Princess Miyazu
Takashi Shimura - Elder Kumaso
Setsuko Hara - Amaterasu, the Sun Goddess
Kumi Mizuno - Azami
Misa Uehara - Princess Kushinada
Kinuyo Tanaka - Princess Yamato
Akira Kubo - Prince Iogi
Akira Takarada - Prince Wakatarashi
Ganjirô Nakamura - Emperor
Eijirô Tôno - Ootomo
Jun Tazaki - Ootomo's Kurohiko
Ken'ichi Enomoto - God of Yaoyorozu
Hideyo Amamoto - Spectator at Gods' Dance
Shizuko Muramatsu - Goddess Izanami
Kichijirô Ueda - Kume's yahara
Akira Sera
Minosuke Yamada
Yoshifumi Tajima
Michiyo Tamaki
Akira Tani
Haruko Sugimura
Yasuhisa Tsutsumi
Katsumi Tezuka
Chieko Nakakita
Nobuko Otowa
Ikio Sawamura
Shôichi Hirose
Hajime Izu
Bokuzen Hidari
Yū Fujiki
Ichirō Arishima
Jun'ichirō Mukai
Yutaka Sada
Toshiko Higuchi
Yoshiko Ieda
CREW:
DIRECTOR
Hiroshi Inagaki
ADD. DIRECTING
Teruo Maru
PRODUCERS
Sanezumi Fujimoto and Tomoyuki Tanaka
EXEC. PRODUCER
Katsutaro Kawakami
WRITERS
Ryūzō Kikushima and Toshio Yasumi
PRODUCTION DESIGN
Hiroshi Ueda and Kisaku Ito
ART DIRECTION
Akira Watanabe
SPECIAL EFFECTS
Eiji Tsuburaya and Akira Watanabe
VISUAL EFFECTS
Eiji Tsuburaya and Sadamasa Arikawa
COMPOSER
Akira Ifukube
Description: Four stories including: “My Robot Baby,” in which a couple must care for a robot baby before adopting a human child; “The Robot Fixer,” in which a mother tries to connect with her dying son; “Machine Love,” in which an office worker android learns that he, too, needs love; and “Clay,” in which an old sculptor must choose between natural death and digital immortality.
Robot Stories is a 2003 American independent anthology science fiction comedy-drama film written and directed by Greg Pak. The film consists of four stories in which human characters struggle to connect in a world of robot babies and android office workers. Robot Stories received much praise for both the direction of the film and the director Greg Pak's talent himself, though subsequently fell out of the public and critical conscious, the the DVD release being OOP and hard to track down.
CAST:
amlyn Tomita as Marcia
Gina Quintos as young Marcia
James Saito as Ray / Groper
Wai Ching Ho as Bernice
Greg Pak as Archie
Julienne Hanzelka Kim as Lydia
Sab Shimono as John
Eisa Davis as Helen
Ron Domingo as Tommy
Cindy Cheung as Grace
Louis Ozawa Changchien as Wilson
Angel Desai as Amanda
Bill Coelius as Bob
Vin Knight as Doug
Karen Tsen Lee as Mrs. Ito
Glenn Kubota as Mr. Ito
John Cariani as Salesman
CREW:
Writer & Director.......................Greg Pak
Producers.......................Kim Ima, Karin Chien, and Greg Pak
Cinematographer.......................Peter Olsen
Editor.......................Stephanie Sterner
Music.......................Rick Knutsen
Costume Design.......................Kitty Boots
Production Designer.......................Shane P. Klein
Hair/Makeup.......................Leo Won
Casting.......................Kim Ima
Sound Design.......................Nelson Nudd
Location Sound.......................Tammy M. Douglas
Assistant Director.......................Curtis A. Smith
Assistant Editor.......................Jaehoon Oh
Animation.......................Dan Kanemoto
Description: A reader tells a sad story to a listener, who only knocks in response.
Ohio Impromptu is a "playlet" by Samuel Beckett.
Written in English in 1980, it began as a favour to S.E. Gontarski, who requested a dramatic piece to be performed at an academic symposium in Columbus, Ohio in honour of Beckett’s seventy-fifth birthday. Beckett was uncomfortable writing to order and struggled with the piece for nine months before it was ready. It was first performed on 9 May 1981 at the Stadium II Theater; Alan Schneider directed with David Warrilow as "Reader" and Rand Mitchell as "Listener".
"It is the first Beckett play to present a Doppelgänger on stage, another Beckett pair, but this time seen as mirror images; it belongs to Beckett’s ghost period, where phantoms that echo the haunting quality of memory and nostalgia in his work are seen or described on stage."
CAST:
Jeremy Irons - Reader / Listener
CREW:
DIRECTOR
Charles Sturridge
WRITER
Samuel Beckett
Part 3 of 16
The Animator's Survival Kit: A Manual of Methods, Principles, and Formulas for Classical, Computer, Games, Stop Motion, and Internet Animators is an instructional book by Academy Award-winning animator and director Richard Williams. The book includes techniques, advice, tips, tricks, and general information on the history of animation.
Animation examples from the book combined with footage from Richard Williams' masterclasses have been put into a 16-volume DVD box set titled The Animator's Survival Kit – Animated. The logo from the book cover was completely animated in the traditional style, taking Williams and his animators 9 months to complete. Williams also included some early drafts of his own work from previous projects.