Author: Leslie Paul Thiele Focusing on the concept of freedom, Leslie Paul Thiele makes Heidegger's philosophical works speak directly to politics in a postmodern world. Neither excusing Heidegger for his political sins nor ignoring their lesson, Thiele nonetheless refrains from polemic in order creatively to engage one of the greatest philosophers of our time. The product of this engagement is a vindication of a democratic and ecological politics firmly grounded in philosophic inquiry.Using Heidegger's understanding of freedom as a point of departure, Timely Meditations lays out the philosophic and political nature and potential of freedom in thought, speech, and deed. This disclosive freedom is contrasted to both modern (positive and negative) and postmodern (Nietzschean and Foucaultian) variations. The result is an original and provocative study that challenges our present understanding of liberty while underlining dangerous collusion with the contemporary forces of technology.Timely Meditations marks an increasingly rare achievement today. For unlike many theorists who attempt to steer a course into the world of postmodern politics, Thiele does so without forsaking philosophic foundations and without abandoning practical hopes and tasks for rhetorical diversions.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Adrienne Brown With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Cities were now able to house and manage the large populations of newly freed blacks and immigrants flocking to their centers following Reconstruction. Beginning with Chicagos early 10-story towers and concluding with the 1931 erection of the 110-story Empire State Building, Adrienne Browns The Black Skyscraper provides a detailed account of how scale and proximity shape our understanding of race.Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscrapers outsized and disorienting dimensions, Brown explores this architectures effects on how race was seen, read, and sensed at the turn of the twentieth century. In lesser-known works of apocalyptic science fiction, light romance, and Jazz Age melodrama, as well as in more canonical works by W. E. B. Du Bois, F. Scott Fitzgerald, Aaron Douglas, and Nella Larsen, the skyscraper mediates the process of seeing and being seen as a racialized subject. From its distancing apexreducing bodies to specksto the shadowy mega-blocks it formed at street level, Brown argues that the skyscraper called attention to the malleable nature of perception. A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.