【Kero MyPlay Saxophone】 一條手巾仔 沈文程 陳盈潔 台語 老歌 一条手巾仔 沈文程 陈盈洁 台语 老歌 Saxophone 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment #Kero #薩克斯風 #一條手巾仔 原曲 https://www.youtube.com/watch?v=LLUfYHMMRtI&ab_channel=%E5%AD%A4%E7%8D%A8%E6%B5%81%E6%B5%AA ----- 一條手巾仔 為按怎你要離開 請你不通擱再傷悲 甘是棄嫌阮的過去 請你不通黑白懷疑 既然你決定要離開　就要保重你自己 你送我一條手巾仔　我會永遠帶在身邊 無論千年也是萬年　請你不通放忘記 沈文程（1955年6月6日－）出生於臺灣臺東縣卑南鄉（父親為漢人、母親為魯凱族，是台灣知名男演員、主持人和男歌手，畢業於空軍機械學校（今空軍航空技術學院）。 陳盈潔（1953年10月15日－），臺灣資深女歌手，出生新竹縣關西鎮，外婆是關西馬武督的泰雅族人。 具有客家人與泰雅族血統，有一個姊姊和一個弟弟、妹妹。 ... https://www.youtube.com/watch?v=HsW2t-xgZWk

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Bartok Rhapsody for Piano Solo Sz.26 BB.36a 巴爾托克 鋼琴 狂想曲 作品26 巴尔托克 钢琴 狂想曲 作品26 Bartók Rapsodia para piano バルトーク ラプソディ ピアノ piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Bartok #Rhapsody #Piano 00:00 Adagio molto 14:12 Poco allegretto Rhapsody, Op. 1, Sz. 26, BB 36, is a composition for piano by Hungarian composer Béla Bartók. It was finished in 1904. A year later, he wrote a version for piano and orchestra. The catalogue number of this composition is Op. 1, Sz. 26. The initial full-length composition for piano eventually received a catalogue number BB 36a, whereas the second version, with piano and orchestra, received a catalogue number BB 36b. The Rhapsody for piano was a very important work, especially for the fact that it was at that time when Bartók decided to begin his third list of compositions. In this stage, he decided to embark on a new period in his artistic career where he would mainly explore folk music from Romania and Hungary. This turned out to be the pivotal work from which he developed a new direction for both his compositional style and his preoccupations as an artist. The Rhapsody was completed in late 1904 and was dedicated to Emma Gruber, who later became the wife of Zoltán Kodály. Drafts for the composition are not extant. The virtuoso piano writing of the work's "elaborate textures and sectional contrasts" relates to the model of Franz Liszt. After five revisions and updates, Bartók also released a version for piano and orchestra in 1905 and a version for two pianos. In 1907, Bartók also composed a fourth version of the same piece, which was shortened by almost half of the total length of the composition. The composition is in one movement and takes 21 minutes to perform, even though the shortened version takes only half of the total duration. Critics have frequently stated that the loose structure calls for two contrasting sections; however, it is not marked as such in the score. According to some critics, Bartók used a Lisztian style, with very elaborate and vast chords and long and vastly ornamented scales and arpeggios. The composition starts with a fourteen-minute Adagio molto, which goes on to a second section, marked Poco allegretto. When Bartók decided to submit the composition as an entry in the composers' category of the Anton Rubinstein Competition in Paris, 1905, it received no official recognition. Critics have acknowledged that this was a first step for his later compositions. Critics have also praised the Lisztian character of the composition, even though the style that he would later develop is diluted. Reviewer Michael Morrison said: "This Rhapsody must be assessed as a finely crafted but derivative effort, whose length may not be fully justified".

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Bach Goldberg Variations BWV 988 Aria da Capo 巴哈 郭德堡變奏曲 作品988 巴哈 郭德堡变奏曲 作品988 Bach Variaciones Goldberg BWV 988 バッハ ゴルトベルク変奏曲 Piano 鋼琴 ピアノ Keyboard キーボード 大鍵琴 Harpsichord Cembalo チェンバロ Clavecín Classical music Música clásica クラッシック 古典音樂 古典音乐 #Bach #Variation #Goldberg Bach Goldberg Variations playlist https://www.youtube.com/watch?v=VWLYG3cKves&list=PLu81SiUmmTCCpxMFAJmGSnXXdlBiU44Mp 《哥德堡變奏曲》（德語：Goldberg-Variationen，BWV 988），是約翰·塞巴斯蒂安·巴赫的一部晚期鍵盤作品，1741年出版。全曲32段，全部演出需40-80分鐘。作曲家本人給此曲定的原題是《為雙層羽管鍵琴所作的一段詠嘆調及其一些列變奏組成的鍵盤練習曲》 這部作品長期不受人們重視，直到20世紀前半葉。女大鍵琴家旺達·蘭多芙絲卡的公開演奏及錄音。之後，1955年加拿大鋼琴家格倫·古爾德將其選作自己的第一張錄音作品。而現在，這首曲子被視為巴赫作品中最重要的變奏曲。全作品包括主題，30個變奏，主題反覆。每三個變奏為一組，每組最後一曲為卡農曲（從一度至九度卡農），如V1-V2-V3（V3是一度卡農曲），V4-V5-V6（V6 二度卡農曲），V7-V8-V9（V9 三度卡農曲），V10-V11-V12（V12 四度卡農曲）等等。 The Goldberg Variations, BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work. Aria da Capo A note-for-note repeat of the aria at the beginning. Williams writes that the work's "elusive beauty ... is reinforced by this return to the Aria. ... no such return can have a neutral Affekt. Its melody is made to stand out by what has gone on in the last five variations, and it is likely to appear wistful or nostalgic or subdued or resigned or sad, heard on its repeat as something coming to an end, the same notes but now final." Bach Goldberg Variations BWV 988 Aria Variatio 1. a 1 Clav. Variatio 2. a 1 Clav. Variatio 3. Canone all'Unisono. a 1 Clav. Variatio 4. a 1 Clav. Variatio 5. a 1 ô vero 2 Clav. Variatio 6. Canone alla Seconda. a 1 Clav. Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga Variatio 8. a 2 Clav. Variatio 9. Canone alla Terza. a 1 Clav. Variatio 10. Fughetta. a 1 Clav. Variatio 11. a 2 Clav. Variatio 12. a 1 Clav. Canone alla Quarta in moto contrario Variatio 13. a 2 Clav. Variatio 14. a 2 Clav. Variatio 15. Canone alla Quinta. a 1 Clav.: Andante Variatio 16. Ouverture. a 1 Clav. Variatio 17. a 2 Clav. Variatio 18. Canone alla Sesta. a 1 Clav. Variatio 19. a 1 Clav. Variatio 20. a 2 Clav. Variatio 21. Canone alla Settima Variatio 22. a 1 Clav. alla breve Variatio 23. a 2 Clav. Variatio 24. Canone all'Ottava. a 1 Clav. Variatio 25. a 2 Clav.: Adagio Variatio 26. a 2 Clav. Variatio 27. Canone alla Nona. a 2 Clav. Variatio 28. a 2 Clav. Variatio 29. a 1 ô vero 2 Clav. Variatio 30. a 1 Clav. Quodlibet Aria da Capo ... https://www.youtube.com/watch?v=foH-7QUGng8

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Mendelssohn Songs Without Words Book 5 Op.62 Lieder ohne Worte No.3 62-3 Trauermarsch Funeral march Andante maestoso 孟德爾頌 無言歌 作品62 孟德尔颂 无言歌 作品62 Mendelssohn Canciones sin palabras Op.62 メンデルスゾーン 無言歌 Op.62 Piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Mendelssohn #Songs #Words Book 5, Op. 62 No.1 62-1 Andante espressivo No.2 62-2 Allegro con fuoco No.3 62-3 Trauermarsch Funeral march Andante maestoso No.4 62-4 Allegro con anima No.5 62-5 Venetianisches Gondellied Venetian Boat Song Andante con moto No.6 62-6 Frühlingslied Spring Song Allegretto grazioso Songs Without Words (Lieder ohne Worte) is a series of short lyrical piano songs by the Romantic composer Felix Mendelssohn, written between 1829 and 1845. His sister Fanny Mendelssohn and other composers also wrote pieces in the same genre. The eight volumes of Songs Without Words, each consisting of six songs (Lieder), were written at various points throughout Mendelssohn's life, and were published separately. The piano became increasingly popular in Europe during the early nineteenth century, when it became a standard item in many middle-class households. The pieces are within the grasp of pianists of various abilities and this undoubtedly contributed to their popularity. This great popularity has caused many critics to under-rate their musical value. The first volume was published by Novello in London (1832) as Original Melodies for the Pianoforte, but the later volumes used the title Songs Without Words. The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of "Songs Without Words" was new. Mendelssohn's sister Fanny wrote a number of similar pieces (though not so entitled) and, according to some music historians, she may have helped inspire the concept. The title Song Without Words seems to have been Felix Mendelssohn's own invention. Book 5 was dedicated to Clara Schumann. ... https://www.youtube.com/watch?v=Pu7pvepqeOY