A product launch film showcasing Huawei's entry into the SmartTV market. We see the shaping forces of nature and technology take hole as the Mate30 mobile device transforms into the Honor Vision TV.
Full project + credits here: tendril.ca/work/huawei/
We are grateful to be working with Daniel Arsham in another awesome project. Daniel is an outstanding artist who uses the concept of time like no one else in this world.
Next, some edits of the content you will see changing over time. Erosions will take from 24h to 72.6 years, depending on the artwork collected �. After that, if we stay here, the reform process will begin.
"400 MPH" - by 400 MPH Team - In the Bonneville salt flats, a chimpanzee named Icarus tries to reach the ultimate limit of 400 mph. He goes through cars and cars to go beyond that incredible frontier.
But will this be enough to satisfy his hunger for speed? For more information, please see the details and links below:
TEAM:
Co-Director: Julia Chaix
Co-Director: Paul-Eugène Dannaud
Co-Director: Lorraine Desserre
Co-Director: Alice Lefort
Co-Director: Natacha Pianeti
Co-Director: Quentin Tireloque
FOLLOW THEM BELOW:
https://www.facebook.com/400MphMovie
https://www.instagram.com/400mph.movi...
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#CGI
#3D
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Type S: Chiaki’s Journey
It’s difficult to say how many people in the world are obsessed with both motor racing and Japanese animation, but one thing we know for sure is that several of these people are employed at The Line Animation Studio LTD. This project lands slap-bang in the centre of the venn diagram of things we love.
We’ve spent the last 10 years honing our skills in the arena of 2D animated action, whilst simultaneously developing processes and tools that seamlessly mix hand-drawn and 3D animation. This was the perfect opportunity to blend those two approaches and showcase our passion and craftsmanship for these hybrid animation techniques.
Framestore is used to working with the latest and greatest technology, so when we were approached by DDB Chicago to showcase the intricate workings of a brand new high-tech toy, we couldn’t wait to dive in. The state-of-the-art accessory? A Miller Lite beer can that doubles as a fully functional video game controller.
Led by Creative Director Anthony Gibbs, Framestore was tasked with bringing the Cantroller to life on screen by deconstructing the device, and offering a look at its inner workings through slick 3D and motion design. The team also added drama to the spot with atmospherics and color grade. The spot features comedian Eric Andre, who will be hosting a video game competition at E3, the Electronic Entertainment Expo, where certain lucky players can win their own Cantroller.
The spot follows two menacing security guards as they drive an armored van down a dark and deserted back alley street and stop at an undisclosed location, where they deliver a sleek unmarked box. As if by magic, the box pops open and fog rolls out to reveal the Cantroller which springs into the air and seamlessly pulls apart to display the masterful tech inside. As the can explodes, graphic annotations and circuitry animate around it, highlighting the various key innovations - Bluetooth, lithium Ion battery, haptic feedback, micro USB charging, and of course, beer. It’s nothing you’d ever expect from a can.
To inject energy into the Cantroller’s movement, the team added clean graphic bezels to frame the components, so that when it broke apart it had real energy without feeling destructive. As the first of its kind, the team had to ensure that Cantroller’s functionality was quickly and easily understood, so successfully hitting the timing and animation beats was crucial. ‘There were so many features to highlight in a relatively short time,’ said Gibbs, ‘striking a balance between maintaining a level of dynamism and allowing enough time to digest the graphics was a fine balance to strike.’
Despite the intensity of the spot, the careful marriage of the photoreal CG and motion graphics resulted in sophisticated and beautiful details. Careful attention was paid to the condensation and water vapour effects, making sure to highlight ice cold Miller Lite beer inside. Andre’s performance tied the piece together, breaking the tense build up of the spot with an energetic call to action for players.
"Stabby" - by Jess Paolo - A hermit crab with an obsession for shiny objects comes across a wedding ring that a young woman lost at the beach. They both find it at the same time and a chase ensues. Will the woman get her beloved ring back? Will the crab outwit her and hold on to his newly-prized possession? Watch to find out how it all goes down! For more information, please see the details and links below:
TEAM:
Director, Story, CFX Supervisor, Modeling, Grooming/LookDev, Surfacing: Jess Paolo
Producer, Character TD, Director of Photography (Camera, Compositing):
Andrew Solari
Story, Layout/Animation Supervisor:
Don (Dongmin) Kim
Layout/Animation Supervisor:
Bijay Chudal
VFX Supervisor:
Kean (Tri Kien) Huynh
Story, Animation, End Credits:
Mimi Komthongchusakul
Animation, Associate Lighting Lead:
Courtney Brewer
Rigging:
Sohee Lee
Modeling, Animation:
Taylor Chan
FOLLOW THEM BELOW:
Jess Paolo (Director, Story, CFX Supervisor, Grooming/LookDev, Modeling, Surfacing):
https://www.instagram.com/jessmpaolo/
https://twitter.com/lunarnaiad
#Shortfilms
#CGI
#3D
#VFX
#VFXBreakdowns
#Reels
#MotionGraphics
Pixar Animation Studios is proud to present “Automaton.” A poetic interlude between a reality and an abstraction, this experimental short was produced by artists from Pixar’s Effects team, working in collaboration to create a startlingly original piece of filmmaking.
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