Author: Edward Kac File Type: pdf Bio art is a new art form that has emerged from the cultural impact and increasing accessibility of contemporary biotechnology. Signs of Life is the first book to focus exclusively on art that uses biotechnology as its medium, defining and discussing the theoretical and historical implications of bio art and offering examples of work by prominent artists.Bio art manipulates the processes of life in its most radical form, it invents or transforms living organisms. It is not representational bio art is in vivo. (A celebrated example is Eduardo Kacs own GFP Bunny, centered on Alba, the transgenic fluorescent green rabbit.) The creations of bio art become a part of evolution and, provided they are capable of reproduction, can last as long as life exists on earth. Thus, bio art raises unprecedented questions about the future of life, evolution, society, and art.The contributors to Signs of Life articulate the critical theory of bio art and document its fundamental works. The writers--who include such prominent scholars as Barbara Stafford, Eugene Thacker, and Dorothy Nelkin--consider the culture and aesthetics of biotechnology, the ethical and philosophical aspects of bio art, and biology in art history. The section devoted to artworks and artists includes George Gesserts Why I Breed Plants, Oron Catts and Ionat Zurrs Semi-Living Art, Marc Quinns Genomic Portrait, and Heather Ackroyd and Dan Harveys Chlorophyll.**
Author: Murray Milgate
File Type: pdf
Few issues are more central to our present predicaments than the relationship between economics and politics. In the century after Adam Smiths Wealth of Nations the British economy was transformed. After Adam Smith looks at how politics and political economy were articulated and altered. It considers how grand ideas about the connections between individual liberty, free markets, and social and economic justice sometimes attributed to Smith are as much the product of gradual modifications and changes wrought by later writers. Thomas Robert Malthus, David Ricardo, James Mill, John Stuart Mill, and other liberals, radicals, and reformers had a hand in conceptual transformations that culminated in the advent of neoclassical economics. The population problem, the declining importance of agriculture, the consequences of industrialization, the structural characteristics of civil society, the role of the state in economic affairs, and the possible limits to progress were questions that underwent significant readjustments as the thinkers who confronted them in different times and circumstances reworked the framework of ideas advanced by Smith--transforming the dialogue between politics and political economy. By the end of the nineteenth century an industrialized and globalized market economy had firmly established itself. By exploring how questions Smith had originally grappled with were recast as the economy and the principles of political economy altered during the nineteenth century, this book demonstrates that we are as much the heirs of later images of Smith as we are of Smith himself.Many writers helped shape different ways of thinking about economics and politics after Adam Smith. By ignoring their interventions we risk misreading our past--and also misusing it--when thinking about the choices at the interface of economics and politics that confront us today.ReviewThis is an important, sound analysis of the interrelation between political and economic theory in the century after Adam Smith. . . . This book exemplifies the best contemporary work on the nexus of political and economic theory. -- ChoiceMilgate and Stimson produce a very careful and detailed analysis of early economists ideas on issues shaping the modern concept of the political order, in the process displaying a rich array of competing ideas. . . . [T]his book provides a striking perspective on classical political economy. The reader will benefit from some prior familiarity with Smith, Malthus, Ricardo and J. S. Mill, along with the Utilitarians. -- Donald Frey, EH.netIn the last decade, scholars have moved away from the interpretation of Smith as a simple economic determinist who espoused lasissez-faire economics, and Milgate and Simpson have advanced their undertaking immensely with this book. -- Donald Stabile, Australian Economic History Review From the Inside Flap[M]asterful. . . . [After Adam Smith] is far more than a historical reconstruction Milgate and Stimson provide new insights about how the complex relations between liberal democratic politics and market institutions might be construed. The books deeply informed reflection on nineteenth century debates about modern capitalism is a major contribution to our understanding of political economy in the liberal democratic tradition.--from 2011 David and Elaine Spitz Prize Award citation[T]horough and stimulating . . . readers unfamiliar with these debates can glean a great deal from [Milgate and Stimson].--Gavin Kennedy, Adam Smiths Lost LegacyThis work represents the best of contemporary scholarship on the history of political, economic, and social thought. A signal contribution of this book is the demonstration of how far Smiths original vision was from the image that has been conveyed in so much of the secondary literature and which has come to inform contemporary views of markets and politics. Milgate and Stimson have provided an indispensable resource for thinking through the issues manifest in the recent revival of concerns with political economy and its significance for democratic theory.--John G. Gunnell, University at Albany, State University of New YorkAfter Adam Smith is a superior piece of scholarship, engagingly written and impressively erudite. Milgate and Stimson are first-rate historians of economic ideas.--Ian Shapiro, Yale UniversityThis is a fascinating and elegant study of the development of political economy and its relationship to political thought. It is a major contribution to economic and political theory, and to the often neglected but hugely important intersections between the two. It tells a compelling and original story, based on extensive scholarship as well as acute competence in economics.--Hannah Dawson, University of Edinburgh
Author: Stanley Aronowitz
File Type: epub
The decline of the American union movementand how it can revive, by a leading analyst of laborUnion membership in the United States has fallen below 11 percent, the lowest rate since before the New Deal. Labor activist and scholar of the American labor movement Stanley Aronowitz argues that the movement as we have known it for the last 100 years is effectively dead. And he explains how this death has been a long time comingthe organizing and political principles adopted by US unions at mid-century have taken a terrible toll. In the 1950s, Aronowitz was a factory metalworker.In the 50s and 60s, he directed organizing with the Amalgamated Clothing Workers and the Oil, Chemical and Atomic Workers. In 1963, he coordinated the labor participation for the March on Washington for Jobs and Freedom. Ten years later, the publication of his book False Promises The Shaping of American Working Class Consciousness was a landmark in the study of the US working-class and workers movements.Aronowitz draws on this long personal history, reflecting on his continuing involvement in labor organizing, with groups such as the Professional Staff Congress of the City University. He brings a historians understanding of American workers struggles in taking the long view of the labor movement. Then, in a survey of current initiatives, strikes, organizations, and allies, Aronowitz analyzes the possibilities of labors rebirth, and sets out a program for a new, broad, radical workers movement.From the Hardcover edition.
Author: Janine Marchessault
File Type: pdf
Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement -- to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants. Marchessault shows that Edward Steichens 1955 Family of Man photography exhibition, for example, and Jacques Cousteaus 1956 underwater film Le Monde du silence ( The Silent World) both gave viewers a sense of the Earth as a shared ecology. The Festival of Britain (1951) -- in particular its Telekinema (a combination of 3D film and television) and its Live Architecture exhibition -- along with Expo 67s cinema experiments and media city created an awareness of multiple worlds. Torontos alternative microcinema CineCycle, Agnes Vardas 2000 film Les Glaneurs et la glaneuse, and Buckminster Fullers World Game (geoscope), representing ecologies of images and resources, encouraged planetary thinking. The transspecies communication platform, the Dolphin Embassy, devised by the Ant Farm architecture collaborative, extends this planetary perspective toward other species and Finnish artist Erkki Kurenniemis Death of the Planet projects a postanthropocentric future.Drawing on sources that range from the Scottish town planner Patrick Geddes to the French phenomenologist Maurice Merleau-Ponty, Marchessault argues that each of these media experiments represents an engagement with connectivity and collectivity through media that will help us imagine a new form of global humanism. **