This is the 2nd in my series chronicling some of the many foreshadowing instances of synchronicity, coincidence & subliminals of the events of 9/11/2001. LOTS MORE HERE: http://goo.gl/ZdYHx ... https://www.youtube.com/watch?v=MpWx5clOkU8

Here Come the Fleas☺ (McDonald/Vorhaus) An obvious single choice, though never a single. Kenny Everett used the first percussive break, after verse one, as a jingle on his radio programme. Brian Hodgson plays the Caribbean gentleman asking for the music to be turned down as he can't hear his own steel band. Very Island Records. Co-Written with John Renn-Mc-Donald. An Electric Storm (1968) Island Records 3D CID1001 510 948-2 LC 0407 PY 899 (c) all titles: Island Music Ltd A Keleidophon Production B.A.S.E. Bedini Audio Spacial Environment The 3D SoundBASE sound process frees the musical image from the phase constraints of conventional stereo, opening up the sound dimensionally and imparting a real sense of depth to the mix. THE WHITE NOISE - AN ELECTRIC STORM Welcome to the world of the frequency shifter, signal generator and azimuth co-ordinator. A world that existed before the dawn of the synthesizer, when a 'sample' was a length of recording tape delicately and skillfully spliced in place. The 1968 White Noise -- An Electric Storm LP became the holy grail amongst collectors of 'Science Dimension' music, a staple ingredient for lovers of cosmic electronic space-rock. White Noise was really one David Vorhaus (b,sc,dip.elec) American born, son of a black-listed film director. He avoided the draft by coming to the UK. Later he became a post graduate doing an electronics degree at the Northern Poly whilst studying classical music playing the double bass. After having attended a lecture by the group Unit Delta Plus, Vorhaus was compelled to combine his love of music with his scientific background and start making his own music. At the time Unit Delta Plus were Brian Hodgson and Delia Derbyshire who were persuaded to collaborate with Vorhaus on his early recordings whilst they continued their day jobs at the BBC's radiophonic workshop, itself a shrine to new electronic music and birthplace of the famous Dr. Who theme. After recording two tracks on a six-revox set up all synchronized by one remote control, (i.e. the mains on/off switch), Vorhaus found himself introduced by chance to Island Records' Chris Blackwell. Chris was so captivated by the white noise experience that he shunned their appeal for a one-off singles deal and demanded that they do a whole album of material. An instant cheque for £3,000 quenched their fears about not earning a quick buck through a hit single and our band of merry pranksters set about building their own sonic laboratory in London's Camden Town out of 'borrowed' gear, home made gizmos and equipment more associated with a science lab than a recording studio. 'Songs' took ages to build, each note being a compilation of various tape edits painstakingly stuck together. After a year Island Records became nervous and ... https://www.youtube.com/watch?v=oFRacpYt5F0

G2, Genesis Tribute band, play Firth Of Fifth at the Riga Bar, Southend Fri APR 11 2008. http://www.g2online.co.uk/showdates.htm ... https://www.youtube.com/watch?v=4Bg_ljn88js

in greedy 'nts