I. Étude No. 1 'Waterfall' in C major (00:00)
II. Étude No. 2 'Chromatique' in A minor (02:00)
III. Étude No. 3 'Tristesse' in E major (03:21)
IV. Étude No. 4 'Torrent' in C# minor (07:46)
V. Étude No. 5 'Black Keys' in G♭ major (09:51)
VI. Étude No. 6 'Lament' in E♭ minor (11:34)
VII. Étude No. 7 'Toccata' in C major (15:41)
VIII. Étude No. 8 'Sunshine' in F major (17:11)
IX. Étude No. 9 'Storm' in F minor (19:34)
X. Étude No. 10 in A♭ major (21:58)
XI. Étude No. 11 'Arpeggio' in E♭ major (24:16)
XII. Étude No. 12 'Revolutionary' in C minor (26:45)
Piano: Vladimir Ashkenazy
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https://www.youtube.com/watch?v=cK53qlIeV7w
I. Allegro ma non troppo, un poco maestoso (0:00)
II. Scherzo. Molto vivace — Presto (13:26)
III. Adagio molto e cantabile (26:45)
IV. Presto (38:44)
Conductor: Giovanni Antonini
Orchestra: Kammelorchester Basel
NFM Choir
Soprano: Regula Mühlemann
Alto: Marie-Claude Chappuis
Tenor: Maximilian Schmitt
Bass: Thomas E. Bauer
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https://www.youtube.com/watch?v=S1jHgeCtc3w
I. Allegro ma non troppo (0:00)
II. Adagio amoroso (3:54)
III. Minuetto e Trio (8:07)
IV. Rondo. Allegretto (9:58)
I composed this piece in dedication to my dear friend Yan Bessani; my boyfriend named it "pastoral" and encouraged me to post it, which I accepted with some hesitation. Although I'm quite satisfied with the result, I'm pretty much aware of the flaws and would love to receive suggestions or constructive criticism. I also dream about hearing this piece played by a real flutist since I composed it!
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https://www.youtube.com/watch?v=WqdAvUVEqLA
I. Ouverture (0:00)
II. Allemande (5:21)
III. Courante (14:54)
IV. Aria (17:58)
V. Sarabande (20:02)
VI. Minuet (25:39)
VII. Gigue (27:02)
Piano: Jeremy Denk
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https://www.youtube.com/watch?v=Op5JzZshHME
I. Adagio (00:00)
II. Menuetto 1 & 2 (2:43)
III. Allegro (6:15)
Piano: Glenn Gould
Mvt 1: Allegro
EXPOSITION
(0:00) Primary Theme (P1).
(0:14) Counter-Theme 1 (P2).
(0:30) Transitional passage.
(0:34) Secondary Theme (S1).
(0:44) Counter-Theme 2 (S2).
(0:50) Counter-Theme 3 (S3).
(0:57) Codetta.
DEVELOPMENT
(1:01) P1 reappears in an unsettled form, then slides into a development of S3.
RECAPITULATION
(1:27) Recap. starts right at modified P2 (maybe because of the short Development Section).
(1:47) S1 + S2 + S3 in the tonic.
(2:16) The absence of P1 in Recap. is compensated by its transformation into this placid Coda, closing the movement in a circular motion.
Mvt 2: Menuetto 1 & 2
MENUETTO 1
(2:43) Theme A in B♭. The dotted figure is M1 and it is used to close the strains.
(3:16) Theme B, vacillating but settling in F.
(3:24) Theme A in the bass.
MENUETTO 2
(3:44) Theme C in E♭. The round sixteenth figure is M2: it keeps recurring across all Counter-Themes.
(4:40) Theme D in B♭. At 4:54, M2 appears as a transition.
(4:56) Theme C.
(5:27) Men. 1 Da Capo.
Mvt 3: Allegro
EXPOSITION
(6:16) Primary Theme (P1). The repeated note is M1.
(6:21) Secondary Theme (S1).
(6:24) Counter-Theme 1 (S2), recalling some aspects of P1.
(6:40) Codetta.
DEVELOPMENT
(6:43) Episode 1: development of P1 through minor tonalities, until
(6:48) M1 takes over.
(6:54) Cadential passage resembling S2.
RECAPITULATION
(6:58) P1.
(7:03) S1 + S2 in the tonic.
(7:19) Modified cadential passage.
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https://www.youtube.com/watch?v=y0qz4S5A7BU