What If...? – Warner Bros. / Platinum Dunes / K/O Paper Products (Michael Bay's The War for Souls)
In the spring of 2007, it was announced that blockbuster action filmmaker Michael Bay would be producing and directing a feature film adaptation of the Whitley Strieber novel 2012: The War for Souls for Warner Bros. Pictures, whose story follows an academic researcher who opens a portal into a parallel universe and makes contact with his double in order to stop an apocalypse foreseen by the ancient Mayans. Joining Bay as producers would be his Transformers and The Island scribes Roberto Orci and Alex Kurtzman, who were also tasked with penning the film's screenplay. No doubt many of Bay's frequent collaborators would've also joined in, including score composer Steve Jablonsky; costume designer Deborah L. Scott; visual effects supervisor Scott Farrar; film editors Roger Barton, Thomas A. Muldoon and Paul Rubell; production designer Nigel Phelps; and cinematographer Amir Mokri. Alas, with two other similar films in the works around the same time (one of which — a family road comedy from director Tom Dey for Paramount Pictures and Nickelodeon Movies — would ultimately never get made, while the other — from Sony's Columbia Pictures and big-budget disaster film veteran Roland Emmerich — would be released to overwhelmingly successful box office in spite of mixed critical reception), no further news ever came of Bay's take on the 2012 phenomenon and it would forever remain unproduced. Follow me and ponder the question, "What if...?"
In 2009, it was announced that Gary Barber and Roger Birnbaum's Spyglass Entertainment had acquired the rights to develop a remake of visionary director David Cronenberg's acclaimed 1979 body horror film The Brood, about a man and his mentally ill ex-wife, who has been sequestered by a psychiatrist known for his controversial therapy techniques. Telepathically, she communicates with her group of mutant children, instructing them to act out violently. The screenplay was penned by Cory Goodman, whose take on the property aimed to stay true to the original film while still making changes that would enhance the story and update it for a newer generation of moviegoers. Martyrs helmer Pascal Laugier was initially attached to direct, but in December of that year, it was reported that Breck Eisner would be directing instead, fresh off of the remake of George A. Romero's The Crazies. However, the following year, Eisner passed on the project, stating that he loved the original too much to ever attempt to remake it. In a recent interview with Bloody Disgusting, Goodman stated that executives at Spyglass were uncomfortable with the material and didn't quite understand it, having found it "too weird." Follow me and ponder the question, "What if...?"
Music: "Uncle Charlie" – Clint Mansell (Stoker)
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https://www.youtube.com/watch?v=P6PlhCHBGSM
Set to hit theaters next year during Thanksgiving weekend is the long-in-development sequel, Gladiator 2. Directed by Ridley Scott from a screenplay by Peter Craig and David Scarpa, the film takes place twenty-something years after the events of the first film, with the story now following a fully-grown Lucius (Paul Mescal), the nephew of Commodus whose life was saved by the fallen Maximus. Scott will also produce the film with Lucy Fisher, David Franzoni, Laurie MacDonald, Walter F. Parkes, Michael Pruss, and Douglas Wick. The production crew includes special effects supervisor Neil Corbould, costume designer Janty Yates, production designer Arthur Max, and director of photography Dariusz Wolski. A joint-venture production between Scott Free, Parkes+MacDonald Image Nation, and Red Wagon Entertainment, the film will be released on November 22, 2024 by domestically by Paramount Pictures and internationally by Universal Pictures.
Music: "The Wolves" – Harry Gregson-Williams (The Last Duel)
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https://www.youtube.com/watch?v=Nq1kpa-eAiU
In the spring of 2018, it was announced that acclaimed director Ava DuVernay would be helming a film based on the DC comic book series New Gods for Warner Bros. Pictures, intended to serve as an installment in the DC Extended Universe. The initial script was penned by DuVernay alongside Chasing Mavericks scribe Kario Salem, with rewrites by DuVernay in collaboration with famed comic book writer Tom King. The plan was for Darkseid to serve as the film's primary villain, with Granny Goodness and the Female Furies as secondary threats. Characters such as Mister Miracle, Big Barda, and Highfather would also appear in the film. However, after several years of development, Warner Bros. unceremoniously cancelled the project in the spring of 2021, citing Darkseid's appearance in the recently released Zack Snyder's Justice League, wanting time to pass before the character appeared in a film again, despite that film being non-canon to the DCEU. Follow me and ponder the question, "What if...?"
Music: "Life" – Ramin Djawadi (Eternals)
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https://www.youtube.com/watch?v=jGOK9PXzkEo
In the fall of 2011, it was announced that 20th Century Fox had acquired the spec script Narco Sub, an action thriller written by Safe House scribe David Guggenheim, with visionary filmmaker Tony Scott attached to direct. Scott would also serve as a producer through Scott Free Productions alongside Simon Kinberg, and enlisted Unstoppable scribe Mark Bomback to perform a rewrite. However, the following year, Scott tragically passed away and development on the project halted until 2013, when it was reported that The Bourne Identity helmer Doug Liman was in talks to direct, with Scott's brother Ridley taking his place as producer. Kinberg also contributed further revisions to the script alongside Sherlock Holmes collaborator Anthony Peckham. The following year, Antoine Fuqua was set to direct, with Liam Neeson starring in the film, whose story would be set in the dangerous world of drug smuggling, with the title referring to the semi-submersible crafts that South American drug cartels have been using to ship cocaine into the United States without having to deal with land-based authorities. No doubt many of Fuqua's frequent collaborators would've also joined in, including score composer Harry Gregson-Williams, film editors Conrad Buff and John Refoua, production designer Naomi Shohan, and cinematographer Mauro Fiore. Alas, no further news ever came of the project. Follow me and ponder the question, "What if...?"
Music: "The Last Life" – Harry Gregson-Williams (Infinite)
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https://www.youtube.com/watch?v=H_HcuNfj4Bk
A feature film adaptation of the John D. MacDonald novel The Deep Blue Good-by, the first in a twenty-one volume series concerning salvage consultant Travis McGee, had been in development at 20th Century Fox since the early 2000's, with several directors and screenwriters coming and going on the project, including Paul Greengrass, Kario Salem, Robert Schwentke, Dana Stevens, and Oliver Stone. The story sees McGee — a free-living bachelor and reluctant hero, who lives on a houseboat in Florida and makes a living recovering property and money for clients and taking half the fee in return — taking on the job of tracking down a treasure that a soldier escaped with, and subsequently hid, after World War II. In the spring of 2010, it was announced that Leonardo DiCaprio would be starring in the film as McGee, as well as joining as a producer alongside Jennifer Davisson through their Appian Way shingle. Peter Chernin and Jenno Topping would also produce through Chernin Entertainment, with Stone executive producing alongside Amy Robinson. Four years later came reports that James Mangold would be taking over in the director's chair, with Christian Bale replacing DiCaprio in the role of McGee and Dennis Lehane rewriting the screenplay, which Mangold would later further revise along with frequent collaborator Scott Frank. In 2015, news came that Rosamund Pike landed the female lead role in the film and that Peter Dinklage and Nicola Peltz landed supporting roles. No doubt many of Mangold's frequent collaborators would've also joined in, including score composer Marco Beltrami, costume designer Arianne Phillips, film editor Michael McCusker, production designer François Audouy, and cinematographer Phedon Papamichael. However, due to Bale suffering a knee injury later that year, production was shelved, and ultimately, nothing else ever came of the project, with everyone involved moving on to other things. Follow me and ponder the question, "What if...?"
Music: "Main Titles" – Marco Beltrami (Logan)
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https://www.youtube.com/watch?v=g_xjk8VVZrI
Before it was retooled into a micro-budget $5 million horror film for the Blumhouse library, a live-action feature film adaptation of the classic Hasbro board game Ouija had been in development at Michael Bay's Platinum Dunes as a four-quadrant supernatural fantasy adventure in the vein of Indiana Jones, Jumanji, The Mummy, and Pirates of the Caribbean, with certain rules of the game — i.e. never use it alone, never use it in a graveyard, and always say goodbye — figuring into the plot. Elf and The Haunted Mansion scribe David Berenbaum was initially hired to write the script, which would later be retooled by the Tron: Legacy duo of Edward Kitsis and Adam Horowitz. Charlie's Angels helmer McG was hired to direct, having beaten out the likes of Breck Eisner, Pierre Morel, John Moore, Scott Stewart, and Sylvain White for the job. No doubt some of McG's frequent collaborators would've also joined in, including production designer Martin Laing and cinematographer Shane Hurlbut. When Kitsis and Horowitz were too busy with their commitments to ABC's Once Upon a Time, Evan Spiliotopoulos was brought on to rewrite their draft. Further revisions were provided by X-Men: The Last Stand and Mr. & Mrs. Smith scribe Simon Kinberg, who had previously worked with McG on the romantic action comedy This Means War. Kinberg's draft would've cost $125 million to produce; this didn't sit well with the higher-ups at Universal Pictures, which led to the studio abandoning this incarnation in the summer of 2012. The producers then had talks with Paramount Pictures and 20th Century Fox about tackling the film, as the former had established relationships with Bay and Hasbro and the latter had established relationships with McG and Kinberg. Buffy the Vampire Slayer veteran Marti Noxon was also brought on for further rewrites in order to scale the budget down, increase the horror elements, and make the story more intimate. Alas, a big-budget blockbuster take on the property was ultimately not meant to be. Follow me and ponder the question, "What if...?"
Music: "Runner Runner" – Christophe Beck (Runner Runner)
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https://www.youtube.com/watch?v=btcPI_cCy2o
Set to begin filming next Thursday in Budapest, Hungary is the upcoming ninth installment in the Alien franchise, Alien: Romulus. Directed by Fede Álvarez from a screenplay co-written with Rodo Sayagues, the film — said to be a standalone interquel, unconnected to previous installments in the franchise — stars Cailee Spaeny, Isabela Merced, David Jonsson, Archie Renaux, Spike Fearn, and Aileen Wu as a group of young people on a distant world who find themselves in a confrontation with the Xenomorphs. Álvarez will also produce the film, alongside Michael Pruss and series veterans Ridley Scott and Walter Hill, with Brent O'Connor, Elizabeth Cantillon, and Tom Moran serving as executive producers. The production crew includes visual effects supervisor Eric Barba, costume designer Carlos Rosario, production designer Naaman Marshall, and director of photography Galo Olivares. A joint-venture production between 20th Century Studios, Scott Free, Bad Hombre, and Brandywine, the film will be released direct-to-streaming on Hulu next year.
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https://www.youtube.com/watch?v=6j3G3_SH5M8
One of the many unrealized projects of Academy Award-winning directorr Steven Spielberg is a sci-fi drama entitled Chocky, based on the novel of the same name by John Wyndham, which revolves around a twelve-year-old boy named Matthew Gore, whose consciousness is taken over by an extraterrestrial entity. His father David's suspicions are triggered when his son begins to argue with his mysterious imaginary friend. Initially housed at Paramount Pictures, Spielberg and his production company Amblin Entertainment later took it to DreamWorks Pictures, with Disney's Touchstone Pictures handling distribution. No doubt many of Spielberg's frequent collaborators would've also joined in, including score composer John Williams, costume designer Joanna Johnston, film editor Michael Kahn, production designer Rick Carter, and cinematographer Janusz Kamiński. Alas, no further news would ever come of the project. Follow me and ponder the question, "What if...?"
Music: "The Papers" – John Williams (The Post)
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https://www.youtube.com/watch?v=3LHY9YfFcZA
A film adaptation of the popular 1970's television series Kung Fu — which tells the tale of a half-American, half-Chinese orphan who grows up to become a Shaolin priest and martial arts expert — has been in varying stages of development since 2006, with Howard Friedlander and series co-creator Ed Spielman writing the initial draft of the screenplay for Max Makowski, and later brothers Albert and Allen Hughes, to direct for Warner Bros. Pictures and Legendary Pictures. Up-and-coming screenwriter Cory Goodman was subsequently hired to perform a polish on the script. In 2011, it was reported that Bill Paxton would be taking over as director, with further script rewrites by xXx scribe Rich Wilkes and Black Swan scribe John J. McLaughlin. Three years later came the announcement that Universal Pictures would be taking over distribution duties, with Legendary's agreement with Warner Bros. having recently expired, and that gonzo Aussie auteur Baz Luhrmann would be joining the project as director, along with further revising the script. Luhrmann would also produce with his wife and go-to production and costume designer Catherine Martin through their Bazmark Films banner, alongside Legendary's Thomas Tull and Jon Jashni, Scott Mednick, and Vincent Newman. No doubt many of Luhrmann's frequent collaborators would've also joined in, including score composer Elliot Wheeler, film editors Matt Villa and Jonathan Richmond, and cinematographer Mandy Walker. Alas, Luhrmann would eventually move on to instead develop The Get Down for Netflix and direct the long-gestating Elvis. Follow me and ponder the question, "What if...?"
Music: "Chase in the Streets" – Elliot Wheeler (The Get Down)
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https://www.youtube.com/watch?v=c-991Plf4qY