【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き  Bach BWV 878 Well-Tempered Clavier Book II BWV870-893 No.9 Prelude and Fugue E major 巴哈 十二平均律 鍵盤曲集 巴哈 十二平均律 键盘曲集 Bach El clave bien temperado バッハ 平均律 クラヴィーア曲集 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Bach #Well-Tempered #Clavier 00:00 Prelude 02:27 Fugue  Book I No. 1: Prelude and Fugue in C major, BWV 846 No. 2: Prelude and Fugue in C minor, BWV 847 No. 3: Prelude and Fugue in C♯ major, BWV 848 No. 4: Prelude and Fugue in C♯ minor, BWV 849 No. 5: Prelude and Fugue in D major, BWV 850 No. 6: Prelude and Fugue in D minor, BWV 851 No. 7: Prelude and Fugue in E♭ major, BWV 852 No. 8: Prelude in E♭ minor and Fugue in D♯ minor, BWV 853 No. 9: Prelude and Fugue in E major, BWV 854 No. 10: Prelude and Fugue in E minor, BWV 855 No. 11: Prelude and Fugue in F major, BWV 856 No. 12: Prelude and Fugue in F minor, BWV 857 No. 13: Prelude and Fugue in F♯ major, BWV 858 No. 14: Prelude and Fugue in F♯ minor, BWV 859 No. 15: Prelude and Fugue in G major, BWV 860 No. 16: Prelude and Fugue in G minor, BWV 861 No. 17: Prelude and Fugue in A♭ major, BWV 862 No. 18: Prelude and Fugue in G♯ minor, BWV 863 No. 19: Prelude and Fugue in A major, BWV 864 No. 20: Prelude and Fugue in A minor, BWV 865 No. 21: Prelude and Fugue in B♭ major, BWV 866 No. 22: Prelude and Fugue in B♭ minor, BWV 867 No. 23: Prelude and Fugue in B major, BWV 868 No. 24: Prelude and Fugue in B minor, BWV 869 Book II No. 1: Prelude and Fugue in C major, BWV 870 No. 2: Prelude and Fugue in C minor, BWV 871 No. 3: Prelude and Fugue in C♯ major, BWV 872 No. 4: Prelude and Fugue in C♯ minor, BWV 873 No. 5: Prelude and Fugue in D major, BWV 874 No. 6: Prelude and Fugue in D minor, BWV 875 No. 7: Prelude and Fugue in E♭ major, BWV 876 No. 8: Prelude and Fugue in D♯ minor, BWV 877 No. 9: Prelude and Fugue in E major, BWV 878 No. 10: Prelude and Fugue in E minor, BWV 879 No. 11: Prelude and Fugue in F major, BWV 880 No. 12: Prelude and Fugue in F minor, BWV 881 No. 13: Prelude and Fugue in F♯ major, BWV 882 No. 14: Prelude and Fugue in F♯ minor, BWV 883 No. 15: Prelude and Fugue in G major, BWV 884 No. 16: Prelude and Fugue in G minor, BWV 885 No. 17: Prelude and Fugue in A♭ major, BWV 886 No. 18: Prelude and Fugue in G♯ minor, BWV 887 No. 19: Prelude and Fugue in A major, BWV 888 No. 20: Prelude and Fugue in A minor, BWV 889 No. 21: Prelude and Fugue in B♭ major, BWV 890 No. 22: Prelude and Fugue in B♭ minor, BWV 891 No. 23: Prelude and Fugue in B major, BWV 892 No. 24: Prelude and Fugue in B minor, BWV 893 《平均律鍵盤曲集》(Das Wohltemperierte Klavier)，作品號BWV 846–893，是一組由約翰·塞巴斯蒂安·巴赫為鍵盤獨奏樂器而創作的音樂。最初，巴赫於1722年創作了一組在全部二十四個大小調上的前奏曲與賦格，標題上寫著「為使好學的音樂青年從中獲益，特別是供熟悉此類技巧的人消遣」。巴赫後來於1742年又創作了同樣形式的第二組樂曲，但標題僅為「二十四首前奏曲與賦格」。現在，這兩組作品通常作為第一卷和第二卷被合稱作「平均律鍵盤曲集」。《平均律鍵盤曲集》被廣泛看作是西方古典音樂歷史上最具影響力的作品之一。 * Note:  1. There are 24 pieces in both Book I & 2, totaling 48 pieces. (BWV846-893).  2. Each of the 24 pieces is in a different key. 3. Each piece consists of a prelude & a fugue. The Well-Tempered Clavier, BWV 846–893, is two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time clavier, meaning keyboard, referred to a variety of instruments, most typically the harpsichord or clavichord but not excluding the organ). The modern German spelling for the collection is Das wohltemperierte Klavier . Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later Bach compiled a second book of the same kind, which became known as The Well-Tempered Clavier, Part Two. Modern editions usually refer to both parts as The Well-Tempered Clavier, Book I (WTC I) and The Well-Tempered Clavier, Book II (WTC II), respectively. Some modern sources regard the collection as being among the most important works in the history of classical music. Each set contains twenty-four pairs of prelude and fugue. The first pair is in C major, the second in C minor, the third in major, the fourth in minor, and so on. The rising chromaticpattern continues until every key has been represented, finishing with a B minor fugue. The first set was compiled in 1722 during Bach's appointment in Köthen); the second followed 20 years later in 1742 while he was in Leipzig. ... https://www.youtube.com/watch?v=sra-Zau3pqY

【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Beethoven Piano Sonata No.20 in G major Op.49 No.2 49-2 貝多芬 鋼琴 奏鳴曲 第20號 G大調 作品49-2 贝多芬 钢琴 奏鸣曲 第20号 G大调 作品49-2 Beethoven Sonata para piano n.º 20 en sol mayor ベートーヴェン ピアノ ソナタ 第20番 ト長調 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Beethoven #Piano #Sonata 00:00 I Allegro ma non troppo 04:22 II Tempo di Menuetto The Piano Sonata No. 19 in G minor, Op. 49, No. 1, and Piano Sonata No. 20 in G major, Op. 49, No. 2, are short sonatas by Ludwig van Beethoven, published in 1805 (although the works were actually composed a decade earlier in early to mid 1797[1]). Both works are approximately eight minutes in length, and are split into two movements. These sonatas are referred to as the Leichte Sonaten to be given to his friends and students. The Piano Sonata No. 20 was possibly written around the time Beethoven composed the Third and Fourth sonatas, but because it was published in Vienna in 1805, nearly a decade after it was actually written, it was assigned then-current opus and sonata numbers, which classified it alongside works from the composer's middle period. Very similar circumstances caused Beethoven's Piano Concerto No. 2 to appear as his second, even though it predated the first. Beethoven often suppressed works in his early years, either revising them later for publication or determining that they were not fit. In fact, he withheld many early works from publication for life. In the case of these two sonatas, it was Kaspar van Beethoven, the composer's brother, who decided they were worthy of publication. Against the composer's will, he presented them to a publishing house, thus allowing posterity to hear works that might otherwise have been lost or destroyed. Sonata No. 20 This sonata is a relatively simple work, featuring less sophistication than most of the other piano sonatas. Strangely, there are no dynamic indications in the autograph or first edition. It is considered the easier of the two "easy sonatas", and is also considered the easiest of all the Beethoven piano sonatas. First movement The first movement involves two themes, starting with a stately theme based heavily on a G major triad and moving on to a more playful and lively second theme. Both themes undergo only minimal development before the recapitulation, making for a simplified sonata form. Second movement The second movement of the Piano Sonata No. 20 shares a melodic theme with the Minuet of the Op. 20 Septet. Because the Septet was the later piece (1799–1800), Beethoven's suppression of the sonata and reuse of one of its themes suggests that he perhaps planned to scrap the piano work altogether. But the composer was known to recycle melodies, in some instances several times (for example, the Eroica Variations). This movement is cast in the form of a rondo, with the main rondo theme being, essentially, a minuet; the minuet features a charming melody that, along with its accompanying material, is repeated several times, varying somewhat in appearance, but remaining simple and unsophisticated. ... https://www.youtube.com/watch?v=GTtAWgAbunQ

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Faure Nocturne No.1 Op.33 No.1 33-1 in E flat minor 佛瑞 夜曲 第1號 作品33-1 降E小調 佛瑞 夜曲 第1号 作品33-1 降E小调 Fauré Nocturno n.º 1 Op.33-1 en mi bemol minor フォーレ 夜想曲 第1番 変ホ短調 piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Faure #Nocturne #Fauré The nocturnes, along with the barcarolles, are generally regarded as the composer's greatest piano works. Fauré greatly admired the music of Chopin, and was happy to compose in forms and patterns established by the earlier composer. Morrison notes that Fauré's nocturnes follow Chopin's model, contrasting serene outer sections with livelier or more turbulent central episodes. The composer's son Philippe commented that the nocturnes "are not necessarily based on rêveries or on emotions inspired by the night. They are lyrical, generally impassioned pieces, sometimes anguished or wholly elegiac." Nocturne No. 1 in E♭ minor, Op. 33/1 (c.1875) Nectoux rates the first nocturne as one of the best of the composer's early works. It is dedicated, like Fauré's song "Après un rêve", to his friend and early patron Marguerite Baugnies. Morrison calls the piece "cloistered and elegiac." Though published as the composer's Op. 33/1 in 1883, it was written considerably earlier. It opens with a slow, pensive melody, followed by a more agitated second theme and another melody in C major, and ends with the return of the opening theme. The pianist and academic Sally Pinkas writes that the work contains many hallmarks of Fauré's style, including "undulating rhythms, syncopation of the accompaniment against the melody and layered textures are already in evidence." Faure 13 Nocturnes Nocturne No. 1 in E♭ minor, Op. 33/1 (c.1875) Nocturne No. 2 in B major, Op. 33/2 (c.1880) Nocturne No. 3 in A♭ major, Op. 33/3 (c.1882) Nocturne No. 4 in E♭ major, Op. 36 (c.1884) Nocturne No. 5 in B♭ major, Op. 37 (c.1884) Nocturne No. 6 in D♭ major, Op. 63 (1894) Nocturne No. 7 in C♯ minor, Op. 74 (1898) Nocturne No. 8 in D♭ major, Op. 84/8 (1902) Nocturne No. 9 in B minor, Op. 97 (1908) Nocturne No. 10 in E minor, Op. 99 (1908) Nocturne No. 11 in F♯ minor, Op. 104/1 (1913) Nocturne No. 12 in E minor, Op. 107 (1915) Nocturne No. 13 in B minor, Op. 119 (1921) ... https://www.youtube.com/watch?v=9YSgNhIViDo

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Bach Well-Tempered Clavier BWV846-869 No. 6: Prelude and Fugue in D minor, BWV 851 巴哈 十二平均律 鍵盤曲集 巴哈 十二平均律 键盘曲集 Bach El clave bien temperado バッハ 平均律 クラヴィーア曲集 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Bach #Well-Tempered #Clavier 00:00 Prelude 01:35 Fugue Book I No. 1: Prelude and Fugue in C major, BWV 846 No. 2: Prelude and Fugue in C minor, BWV 847 No. 3: Prelude and Fugue in C♯ major, BWV 848 No. 4: Prelude and Fugue in C♯ minor, BWV 849 No. 5: Prelude and Fugue in D major, BWV 850 No. 6: Prelude and Fugue in D minor, BWV 851 No. 7: Prelude and Fugue in E♭ major, BWV 852 No. 8: Prelude in E♭ minor and Fugue in D♯ minor, BWV 853 No. 9: Prelude and Fugue in E major, BWV 854 No. 10: Prelude and Fugue in E minor, BWV 855 No. 11: Prelude and Fugue in F major, BWV 856 No. 12: Prelude and Fugue in F minor, BWV 857 No. 13: Prelude and Fugue in F♯ major, BWV 858 No. 14: Prelude and Fugue in F♯ minor, BWV 859 No. 15: Prelude and Fugue in G major, BWV 860 No. 16: Prelude and Fugue in G minor, BWV 861 No. 17: Prelude and Fugue in A♭ major, BWV 862 No. 18: Prelude and Fugue in G♯ minor, BWV 863 No. 19: Prelude and Fugue in A major, BWV 864 No. 20: Prelude and Fugue in A minor, BWV 865 No. 21: Prelude and Fugue in B♭ major, BWV 866 No. 22: Prelude and Fugue in B♭ minor, BWV 867 No. 23: Prelude and Fugue in B major, BWV 868 No. 24: Prelude and Fugue in B minor, BWV 869 Book II No. 1: Prelude and Fugue in C major, BWV 870 No. 2: Prelude and Fugue in C minor, BWV 871 No. 3: Prelude and Fugue in C♯ major, BWV 872 No. 4: Prelude and Fugue in C♯ minor, BWV 873 No. 5: Prelude and Fugue in D major, BWV 874 No. 6: Prelude and Fugue in D minor, BWV 875 No. 7: Prelude and Fugue in E♭ major, BWV 876 No. 8: Prelude and Fugue in D♯ minor, BWV 877 No. 9: Prelude and Fugue in E major, BWV 878 No. 10: Prelude and Fugue in E minor, BWV 879 No. 11: Prelude and Fugue in F major, BWV 880 No. 12: Prelude and Fugue in F minor, BWV 881 No. 13: Prelude and Fugue in F♯ major, BWV 882 No. 14: Prelude and Fugue in F♯ minor, BWV 883 No. 15: Prelude and Fugue in G major, BWV 884 No. 16: Prelude and Fugue in G minor, BWV 885 No. 17: Prelude and Fugue in A♭ major, BWV 886 No. 18: Prelude and Fugue in G♯ minor, BWV 887 No. 19: Prelude and Fugue in A major, BWV 888 No. 20: Prelude and Fugue in A minor, BWV 889 No. 21: Prelude and Fugue in B♭ major, BWV 890 No. 22: Prelude and Fugue in B♭ minor, BWV 891 No. 23: Prelude and Fugue in B major, BWV 892 No. 24: Prelude and Fugue in B minor, BWV 893 * Note: 1. There are 24 pieces in both Book I & 2, totaling 48 pieces. (BWV846-893). 2. Each of the 24 pieces is in a different key. 3. Each piece consists of a prelude & a fugue. The Well-Tempered Clavier, BWV 846–893, is two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time clavier, meaning keyboard, referred to a variety of instruments, most typically the harpsichord or clavichord but not excluding the organ. The modern German spelling for the collection is Das wohltemperierte Klavier . Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later Bach compiled a second book of the same kind, which became known as The Well-Tempered Clavier, Part Two. Modern editions usually refer to both parts as The Well-Tempered Clavier, Book I (WTC I) and The Well-Tempered Clavier, Book II (WTC II), respectively. Some modern sources regard the collection as being among the most important works in the history of classical music. Each set contains twenty-four pairs of prelude and fugue. The first pair is in C major, the second in C minor, the third in major, the fourth in minor, and so on. The rising chromatic pattern continues until every key has been represented, finishing with a B minor fugue. The first set was compiled in 1722 during Bach's appointment in Köthen; the second followed 20 years later in 1742 while he was in Leipzig. ... https://www.youtube.com/watch?v=L9b85dA6pKE