Tracklisting: Topple the Pillar Thrown Headlong In Banishing Strange Corridors Called Into Form Overwhelmed With Pleasure No Dawn in Sight Fool's Feast Crawl
Reward on Moozar : http://reward-my-music.com/9066 Available for pre-order here:
http://digital.panicmachine.com/album/diamond-dust-blowback
The second single from what is part of the larger project that has to do with some stuff with some graveyard footage, actors, poetry, fiction art and more...
The dreaded GOTHRONOMICON has been brought to us and is being translated by mute scribes and the content held therein tested by fearless and skilled mages, though a few have been lost between space... We have a tip on where to find the Gothrapocrypha and some info on what it will take to obtain it. We hope to get this process on film.
The plan with these singles is to release one or two songs at a time, with a lot of extras. This is part of the process of creating the next album. Those who collect the singles are helping fund operations. More than that, with the singles is a ton of exclusive material, including art, short stories, and videos, to mention a few. The more we can bring in, the more ambitious we can get with packaging, collaborative partners and more. The more you buy, share, stream on Spotify or wherever you like to get your music, play on your radio shows, podcasts and spin in clubs, the better what we create will be. If you do play our music on your show, podcast etc. let us know so we can spread your links around.
Keep an eye on this space and on PANICMACHINE, for much is in store and updates should be coming early and often.
P. Emerson Williams
Head Necrofuturist,
Veil of Thorns
2012ev
credits
releases 24 July 2012
P. Emerson Williams - Vox, Bass
Ferenc Teglas - Piano, Digital Armatures
Aidan McGoran - Guitars
...
https://www.youtube.com/watch?v=CvKCgTQ9hkM
Video for the song "Faith", from the album "Birthed". The album marked a transformation that formed a creative arc that completed with the release of "Necrofuturist".We have made the album available once again, with new cover and a fuller remastered sound.
This release marked a new approach for Veil of Thorns, laying a foundation that we are building on to this day.Within the tracks on "Birthed", a CD by Veil Of Thorns, you can hear parallels to industrial bands such as Pig, Razed in Black and Nine Inch Nails and, more often than not, you can hear the pure creativity of P. Emerson Williams. Anything created by this man, the brain behind Choronzon (black metal tinged with experimental, ambient and industrial edges) , you would expect to be eclectic and creative. It's his trademark.
Herein you'll encounter thick, pummeling, distorted spears of electro/guitar industrial, D&B, goth, dirgey slow industrial moodiness, etc., etc., etc., etc., in fact, etcetera ad infinitum. What's persistent in Williams' smooth, creative and original fusion of various elements is the sustained tone and mood, like that of a soul resigned to nihilistic fate.
None of Emerson's creations are quite like anything else, even when you're hearing touches of something else in there. His fierce originality score another point for the underground.
Review by: Kristofer Upjohn, http://www.chaindlk.com
1 Starry Skies
2 Falling To Earth
3 Raining Down
4 bleedingacidcasualty
5 Enshroud
6 sanctify
7 Faith
8 Souls
9 In Your Goodness
10 Birthed
11 We Are
...
https://www.youtube.com/watch?v=DZZHomtn5Nc
VEILOFTHORNS.com
2013 sees the release of the 13th Veil of Thorns album titled Para-Abnormal. Fans of the retro-futuristic Cognitive Dissonance and the tribal gothic fever dreams of the twin albums Necrofuturist and Salon Apocalypse will welcome the way Para-Abnormal synthesizes these disparate threads of Veil of Thorns art. This is post-punk with a defiant heart, its world decidedly dystopian but the souls dwelling hterein face this world undaunted. Cold camera eyes are on every inch, infrastructure collapsing, but the survivors are having a party in the ruins.
The solidity and assuredness of the drums supplied by James Curcio (Hoodoo Engine, Babalon, subQtaneous) and P. Emerson Williams coaxed many strange sounds from an electric-acoustic 12 string guitar. The process of writing on Para-Abnormal was a very spontaneous one, with grooves inspiring syncopated guitar parts and lyrics the cut-up impressions of a world gone mad.
...
https://www.youtube.com/watch?v=nbgIR0vF_54
From the Veil of Thorns album Eschaton & Celebration out now on PANICMACHINE
http://www.veilofthorns.com
http://digital.panicmachine.com/album/eschaton-celebration
Eschaton (Noun) - From Ancient Greek ἔσχατον
(eskhaton), neuter singular of ἔσχατος (eskhatos, "last").
(New Testament) day at the end of time following
Armageddon when God will decree the fates of all
individual humans according to the good and evil of their
earthly lives. (literally) the last; used in theology to refer
to the world's state during the posthistoric era of God's
overt (apocalyptic) reign, immediately preceding the end
of the world.
Celebration (Noun) - The formal performance of a solemn
rite, such as Christian sacrament - The observance of a
holiday or feast day, as by solemnities - The act, process of
showing appreciation, gratitude and/or remembrance,
notably as a social event.- A social gathering for
entertainment and fun; a party.
Veil of Thorns are known for covering much ground
sonically and conceptually. There is the punk-noir and
lyrical meditations on being an outsider and lubrication of
the wheels of empire on Vampire Wars. There is the
musical hall of mirrors and dispatches from the charred
fields of the apocalypsis of the act of artistic creation found
on the twin albums Necrofuturist and Salon Apocalypse.
Eschaton & Celebration opens up to an experience of the
final stage of apocalypse. This is a journey into the heart of
chaos that indeed does celebrate the end of everything
familiar in cultural, spiritual and physical reality itself.
P. Emerson Williams -- Vocals, Guitar, bass, cello, keyboards, programming
Ruddy Bitch -- Drums, Electronic Soundwaves, percussive Manipulations
PANICMACHINE: http://digital.panicmachine.com/album/eschaton-celebration
Spotify: https://play.spotify.com/album/7vyvVS4IJH4utGYfyrgRrr
Rdio: http://rd.io/x/QVWinyIaSKE/
iTunes: https://itunes.apple.com/gb/album/eschaton-celebration/id875269140?affId=1480348
Rhapsody: http://www.rhapsody.com/artist/veil-of-thorns/album/eschaton-and-celebration
Nokia-Ovi: http://music.ovi.com/no/no/t4/Product/Veil-of-Thorns/Eschaton-Celebration/68820680
Wimp: https://wimp.no/wweb/album/30337045
Inner Moonlight
Where the casting was of the night
On my name, hubris, persuasion
Clouded that summit
The majestic filth which ill eclipses miracle
Oh, we will always have the spark
On which the shadows scream
Inner moonlight
Unseeing, dark illusion led
Flitting, never a sin, in knowledge
Art in exploitation
Inner moonlight
Holy, sad story, august and light
And we shared in the promise
A wintertime deceased
Inner moonlight
Decedent's stark fall
Gutters contorted
Waste moon
Aspect of my sown subconscious
Two wounds that are fire to heat
Angel
...
https://www.youtube.com/watch?v=wHUON49EiJI
https://digital.panicmachine.com/album/egregore-manifest-destiny
From the Egregore Manifest Destiny album, 2019
1. I Have Begun
2. Remain In Dream
3. The Unknown Splinters Control
4. Xenocene Transmutation Transmission
5. Synesthesia Vision
6. Through The Underworld
7. Silently
8. Egregore Manifest Destiny
about
Holding our multitudes within a single skin is work, a continual effort touching frantic sacraments and hiding personae as apostates, the industry-policed permission to be seen. Agitators collectively advance insanity, an erudite wider glittered conspiracy. Dissolution is a sacred thing opening out and filling gutters with material we slough off. Xenolithic transmutation transmission protocol is a masquerade of that spiral source mechanistic destiny which has become so pervasive so as to become invisible.
Egregore Manifest Destiny is a concept that hints at how what is within is like that without, and how the interchange between each shapes the other. Pandemic therein slouches our way to peel memory away until its fictions affix to fact. There identified, breath energy, our delineation of sacred unsuspecting earth-born an objectives of that spiral at the source of the only august freedom shatters delight in vengeance.
Undying art eternal crisis what grows in a mania for when in fall, the initial trance of sorrow was but Space-Eaters egress into the sanctum striking constitution of love, bringing a new toxic reality. Oblivion found in retributive scripted visions mouldering, born of a thirst source carved of the promise of lustrous waters, a vision seen through quiet fire. Physical phenomenon ante-chamber in the beautiful fragments of cold Gnosis blinded and trans-dimensional, the terminal thread of our self-created story.
credits
released November 5, 2019
P. Emerson Williams - Vox, Cryptovox, Guitar. Bass, Synth, Cello
Pandora - Drums, Percussion
...
https://www.youtube.com/watch?v=jNB_xW32v6g
Choronzon - Magog Agog
1998 Nocturnal Art Productions
http://itunes.apple.com/us/album/magog-agog/id15878023
http://www.amazon.com/gp/product/B0013PN01M/ref=dm_sp_alb
http://www.emusic.com/album/Choronzon-Magog-Agog-MP3-Download/10854451.html
http://www.last.fm/music/Choronzon/Magog+Agog
Psychedelic Back Metal
1. Intro: Dust
2. Love. Strength: Lies
3. Perdurabo (Magog Agog)
4. Under the Leaves
5. Crimson Awakening
6. Demon
7. Void
8. 333
9. Choronzon
Review in Pit Magazine Issue # 28
Choronzon-Magog Agog-Nocturnal Art Productions
Releases like Magog Agog are far and few between here at Pit. Predictability is fairly common on most metal albums. Te strange, psychotic flair of this one definitely doesnapos;t fit that bill. The first half sounds similar to mechanized aggro-metal, but heavy electronics eliminate a substantial link. The opening track utilizes layering or multi-track technique of instruments and sounds producing a disorienting effect. It almost sounds like a chaotic "test" track,to immediately weed out the nimble minded "brutal" listeners from the adventurous ones. Perdurabo(MagogAgog) follows with aggressive metal tendencies, but warps, explodes and reconstitutes itself from the meshing disarray of sound and structure. Eventually, the material calms down to reveal a black metal musician basking in the electronic light. Be warned! this record is an acquired taste! For the dark eccentric weirdo in the metal crowd only.
-Kurt Hubert
CHORONZON
Blackened Electro Metal from America
Choronzon (USA) is a one-man project under the command of Mr. P. Emerson Williams.
The music of Choronzon is a find blend of Black, Thrash and Industrial, but you also find strong Gothic elements and some out of the ordinary psychedelic/ Ambient elements.
If youapos;ve had anything to do with the goth scene or read any occult oriented magazines in the early nineties you would almost certainly have come acress the art of Peter Emerson Williams, or read interviews with his band, Veil of Thorns. What was less known at the time was the evil Demon he was giving brith to: Choronzon.
P. Emerson Williams had spent the late eightees trying to get a Black Metal band going that was sincere about its occult involvement. Finding nothing but baseball-capped thrashers who were content with aping Exodus, Metallica and Anthrax he decided to withdraw from the world for a while to concentrate on art, Veil of Thorns and perfecting his vision of Metal.
Choronzon was first brought out from the underworld with "Emotional Hunger", a heavily Death-tinged three song affair that had its good points but barely hinted in -92 at what was to follow. It was with the second self-titled demo Williamsapos; vision was brought lightyears closer to realization, and
...
https://www.youtube.com/watch?v=SZtFemFD_zU