The only true tactic that ever worked for me in the beginning and has allowed me to periodically get invited to collaborate with curators and exhibit my work was that I started applying to any open-call that I could find online and that fit my work.
A great website that has worked for me was [CuratorSpace](https://www.curatorspace.com/) — focusing primarily on the UK.
From linen canvases to plaster and genes, the share amount of mediums available to artists today is historically speaking at its very peak. While some prefer analog ways of expressing themselves, others like to work digitally. But have you ever considered commercials as a viable medium for your work?
Because you could be making the most wonderful umbrellas the world has ever seen, but if you decide sell them in the Atacama dessert, you might just start believing that no-one needs and umbrella, while the guy in front of Notre Dame sells hundreds of cheap chines-made ones to tourists, the second it starts to rain in Paris.
If in 2007 blogs were all the rage and almost anybody that was somebody online had one, today it’s podcasts. And with platforms like [Anchor.fm](https://anchor.fm/) offering free hosting and distribution, there really are no more excuses from getting on the bandwagon yourself!
While each person is different in almost innumerable ways, we all follow the same basic modes of operation and have the same needs, so knowing these needs and understanding them on a deep level doesn’t just make us immensely better artists, but also incredibly proficient spectators.
And to excel in art, one has to be both.
During a conversation I had with a friend of mine about a show I got invited to in the summer, she mentioned ROI and how her goal was to produce the most effective show with the least amount of capital. And while the last 15 years or so have been predicated on me making as much as possible for as little as I could afford, something clicked and it really got me thinking.
Religions have defined cultures and people since the beginning of time; man time, not time time — unless you ask a theologian. They will tell you that both are pretty much the same and that ancient man rode dinosaurs and made babies the same way sponges do; asexually through budding. This is when a small piece of sponge is broken off but is still able to survive and grow into another sponge, and surprisingly this fact is able to explain the genesis story quite effectively if you really think about it.
Jokes aside though, today’s blunder is focused on the essential functions of religion — especially its ability to placate the basic fear, that all of us humans carry inside ourselves, but rarely speak of. The fear of death.
With the commoditisation of paintings, sculptures and other wall furniture that one can buy on Etsy, a question pops up: Are we artists or artisans?
I think our main concern as creatives should be to first have a nice little talk with ourselves over some coffee and maybe a bagel if you don’t care about your carb intake and figure out the basics of what our craft is all about.
We creatives are curious by nature, which makes us lifetime learners; constantly trying out new things and always expanding our skillset. Everyday we find something new, some spot of life where we haven’t ventured before and usually the first thought that comes to my mind, when in such a place, is how can I understand this or that? How can I conquer this newly found interest and grow?
Contrary to common belief, art is not a material thing. There are no traits that an object has to posses to be deemed a work of art. But, that doesn’t mean that art does not need to be embodied in an object.