【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Mendelssohn 3 Etudes for piano Op.Posth.104b No.3 104b-3 Étude in A minor (MWV U 142) 孟德爾頌 3首 練習曲 作品104b 孟德尔颂 3首 练习曲 作品104b Mendelssohn 3 Études メンデルスゾーン 3つの 練習曲 Piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Mendelssohn #Etude #Étude Op.16 3 Fantasies or Caprices for piano (1829) No.1 104b-1 Étude in B-flat minor (MWV U 117) No.2 104b-2 Étude in F major (MWV U 100) No.3 104b-3 Étude in A minor (MWV U 142) ... https://www.youtube.com/watch?v=Aik0PkkX8Rw

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Bach Cantata Wie schön leuchtet der Morgenstern BWV 1 No.1 1-1 Wie schön leuchtet der Morgenstern How beautifully the morning star shines 巴哈 清唱劇 多美麗的晨星! 作品1 巴哈 清唱剧 多美丽的晨星! 作品1 Bach Cuán hermosa brilla la estrella matutina バッハ 暁の星はいと美しきかな Classical music Música clásica クラッシック 古典音樂 古典音乐 #Bach #Cantata #Morgenstern Bach Wie schön leuchtet der Morgenstern, BWV 1 No.1 1-1 Wie schön leuchtet der Morgenstern How beautifully the morning star shines No.2 1-2 Du wahrer Gottes und Marien Sohn You, very son of God and Mary No.3 1-3 Erfüllet, ihr himmlischen göttlichen Flammen Fill utterly, you divine celestial flames No.4 1-4 Ein irdscher Glanz, ein leiblich Licht rührt meine Seele nicht No earthly gloss, no fleshly light could ever stir my soul No.5 1-5 Unser Mund und Ton der Saiten Our mouths and the tones of strings No.6 1-6 Wie bin ich doch so herzlich froh How heartily glad I am indeed d Wie schön leuchtet der Morgenstern ('How beautifully the morning star shines'),[2] BWV 1, is a church cantata for Annunciation by Johann Sebastian Bach. In 1725, when the cantata was composed, the feast of the Annunciation (25 March) coincided with Palm Sunday. Based on Philipp Nicolai's hymn "Wie schön leuchtet der Morgenstern" (1599), it is one of Bach's chorale cantatas. Bach composed it in his second year as Thomaskantor (cantor at St. Thomas) in Leipzig, where the Marian feast was the only occasion during Lent when music of this kind was permitted. The theme of the hymn suits both the Annunciation and Palm Sunday occasions, in a spirit of longing expectation of an arrival. As usual for Bach's chorale cantata cycle, the hymn was paraphrased by a contemporary poet who retained the hymn's first and last stanzas unchanged, but transformed the themes of the inner stanzas into a sequence of alternating recitatives and arias. Wie schön leuchtet der Morgenstern is the last chorale cantata of Bach's second cantata cycle, possibly because the librettist who provided the paraphrases for the middle movements of these cantatas was no longer available. Bach scored the work for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of two horns, two oboes da caccia, two solo violins, strings and continuo. The chorale melody of Nicolai's hymn appears in the opening and closing choral movements of the cantata. All instruments play in the opening festive chorale fantasia, in which the soprano sings the hymn tune, and the two solo concertante violins represent the morning star. An oboe da caccia accompanies the vocal soloist in the first aria. The strings, including the solo violins, return in the second aria. An independent horn part crowns the closing chorale. The original performance parts of the cantata, partly written by the composer, are conserved in Leipzig. Commentators writing about the cantata, such as Carl von Winterfeld in the 19th century and W. Gillies Whittaker in the 20th century, were particularly impressed by its opening chorus. Bach structured the cantata in six movements. Both text and tune of the hymn are retained in the outer choral movements, a chorale fantasia and a four-part closing chorale, which frame a sequence of alternating recitatives and arias. Bach scored the work for three vocal soloists (soprano (S), tenor (T) and bass (B)), a four-part choir, and a Baroque instrumental ensemble of two horns (Co), two oboes da caccia (Oc), two solo violins (Vs), strings consisting of two violin parts (Vl) and one viola part (Va), and basso continuo. A festive scoring like this, including brass, was usually employed on holidays. The duration of the cantata is given as 25 minutes. The first movement, "Wie schön leuchtet der Morgenstern" ('How beautifully the morning star shines'), is a stately, richly coloured chorale fantasia for the chorus. The cantus firmus of the chorale melody is sung in long notes of dotted minims by the sopranos. A substantial orchestral 12-bar ritornello or sinfonia begins the movement, with the solo instruments in the foreground; its wide harmonic range contrasts with the chorale, which remains mostly in the tonic key of F major. Bach achieves "unusual animation" by setting the hymn not in common time but 128. The scintillating semiquaver passagework of two solo concertante violins illustrate the sparkle of the morning star. A baroque pastoral imagery is established by the addition of two other pairs of solo instruments which play pronouncedly below the range of the higher solo violin bariolage, resulting in a transparent multilayered musical texture: the two pairs of horns and oboes da caccia, all associated with the hunt and nature, evoking a bucolic landscape.