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23 Jun 2021 22:39:18 UTC
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Norman Collier ( edit from Tarby and Friends TV 1980s?)
"Collier was born in Hull, East Riding of Yorkshire, England, into the working-class family of Thomas and Mary (née Dowling) Collier on Christmas Day, 1925, weighing 15 lb 4 oz.[1] He grew up in the centre of Hull as the eldest of eight children.[2]
At age 17, Collier joined the Royal Navy and served as a gunner towards the end of the Second World War. After being demobilised he found work as a labourer. In 1948, while he was visiting Hull's Perth Street West club, an act failed to turn up, and Collier volunteered to fill in. He felt natural on stage and started to work a few local clubs. While working at BP's chemical factory in Salt End, east of Hull, Collier started making his workmates laugh with improvised comic routines during breaks (and all too often outside them). Encouraged by his managers, he started to work the wider northern working club scene, becoming a full-time comic in 1962 and enjoying steady success through the 1960s.
He got his initial break at Hull's Perth Street club when a scheduled comedian failed to show, and Collier raised his hand when an audience volunteer was requested. After a positive experience he decided to seek a career in entertainment. He initially began working the local clubs around Hull and further inland in Goole. It was at one of these clubs that he heard the bingo caller using a microphone that kept cutting out. This inspired the broken microphone routine.
In 1970, he won an BBC series called Ace of Clubs, in which club entertainers were pitted against each other, performing their full routines in front of a panel of judges. Collier easily won the final by a unanimous decision of the panel.
He came to national media attention after a successful appearance at the Royal Variety Command Performance in 1971. Though occasionally appearing on television thereafter, he made his main reputation on the northern club circuit, and was highly regarded by many fellow comics (notably Frank Carson, Les Dawson, and Little and Large, who were regular house guests). Jimmy Tarbuck dubbed him 'the comedian's comedian'."
At age 17, Collier joined the Royal Navy and served as a gunner towards the end of the Second World War. After being demobilised he found work as a labourer. In 1948, while he was visiting Hull's Perth Street West club, an act failed to turn up, and Collier volunteered to fill in. He felt natural on stage and started to work a few local clubs. While working at BP's chemical factory in Salt End, east of Hull, Collier started making his workmates laugh with improvised comic routines during breaks (and all too often outside them). Encouraged by his managers, he started to work the wider northern working club scene, becoming a full-time comic in 1962 and enjoying steady success through the 1960s.
He got his initial break at Hull's Perth Street club when a scheduled comedian failed to show, and Collier raised his hand when an audience volunteer was requested. After a positive experience he decided to seek a career in entertainment. He initially began working the local clubs around Hull and further inland in Goole. It was at one of these clubs that he heard the bingo caller using a microphone that kept cutting out. This inspired the broken microphone routine.
In 1970, he won an BBC series called Ace of Clubs, in which club entertainers were pitted against each other, performing their full routines in front of a panel of judges. Collier easily won the final by a unanimous decision of the panel.
He came to national media attention after a successful appearance at the Royal Variety Command Performance in 1971. Though occasionally appearing on television thereafter, he made his main reputation on the northern club circuit, and was highly regarded by many fellow comics (notably Frank Carson, Les Dawson, and Little and Large, who were regular house guests). Jimmy Tarbuck dubbed him 'the comedian's comedian'."
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also live show from late 2020 at comedy unleashed
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I STA
Jake
I stayed off work all day the day I met you, darling, and instead
We spent the morning in the park and the afternoon in bed
But by the teatime we were hungry, I went to shop for you
The butcher took a fiver for a porterhouse for two
I'll be blowed! I'll be blowed!
The butcher was a twister!
I'll be damned! I'll be damned!
He only gave us change of a quid
I was done, I was done:
The porterhouse was brisket
He says: 'Open up your eyes,' he says
"And learn to do as I did."
'Open up your eyes,' he says
'And learn to do as I did.'
They can do me, do me, darling; I have nothing else to lose
Him and his poxy porterhouse can cheat me if they choose
They can do me, do me, do me, do me, darling, as they do;
The pussyfooting butcherman would laugh aloud if he knew
That since you took my eyes, they do not do as others' do
The day before your birthday I was miserably broke
Mooching up a ginnel, when this military bloke
Comes up and says he'll give us a sub to buy a flower or two for you
He hands me down a shilling and I signs an I.O.U
I'll be blowed! I'll be blowed!
The soldier was a scoundrel!
I'll be damned! I'll be damned!
And the shilling was a dud
I was done, I was done:
I'd joined the sodding army
'With a rifle in your hand,' he says
'You'll do as everyone would
A rifle in your hand and you
Will do as everyone would.'
They can do me, do me, darling; I have nothing else to lose
Him and his piffling rifle can dragoon me if they choose
They can do me, do me, darling, they can do me as they do;
The scoundrel of a corporal would chuckle if he knew
That since you held my hand it does not do as others' do
I was trained at scaling obstacles and marching every day
I got good enough to scale the barracks wall and march away
But the bloodhounds came and got me and they said, if I confessed
The justice of the peace would smile on me and do his best
I'll be blowed! I'll be blowed!
The magistrate was bogey!
I'll be damned! I'll be damned!
He usually gave a year or two
I was done, I was done:
He did his best and gave me twenty
'With a chain about your feet,' he says
'You'll do as others do
A chain about your feet,' he says
'Now do as others do.'
They can do me, do me, darling; I have nothing else to lose
Him and his pettifoggery can shackle me if they choose
They can do me, do me, do me, do me, darling, as they do;
The tricky old juridical would snicker if he knew
That since you kissed my feet they do not do as others' do
A bishop came to see me as I languished in the cell;
Give us a blessing and asked if I was short of anything else
And I said that I was thirsty so he went and got a cup;
Looks at me and nods and I politely drink it up
I'll be blowed! I'll be blowed!
The bishop was a rascal!
I'll be damned! I'll be damned!
And him a bishop if you please
I was done, I was done:
In the cup was holy water
'You're a Christian, now, you are,' he says
'So down upon your knees
Now a proper Christian, so down upon your knees.'
They can do me, do me, darling; I have nothing else to lose
Him and his holy water trick can save me if they choose
They can do me, do me, do me, do me, darling, as they do;
The rascally episcopal would giggle if he knew
That since you touched my knees they do not do as others' do
And then a bony angel, with a hammer and some wings
Came and said that I could see you again if I went to live with him
So I said yes, and so he hit me with his hammer a time or two;
He took me to his mansion, on the doorstep there was you
I'll be blowed! I'll be blowed!
The angel was a bounder!
I'll be damned! I'll be damned!
He took you up the stairs
I was done, I was done:
He threw me down the boilerhouse
'There's one born every minute,' he says
'We keep 'em all in there
One born every minute" he says
'And we keep 'em all down there.'
They can do me, do me, darling; I have nothing else to lose
Him and his crematorium can grill me if they choose
They can do me, do me, do me, do me, darling, as they do
The dangerous old angelface would frown a bit if he knew
That since you took me in I do not do as others do
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1 month ago
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English
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VIDEO
JOHN
GTWNormanandco
John Loftus : https: //en.wikipedia.org/wiki/John_Loftus_(author)
Montagu Norman https: //en.wikipedia.org/wiki/Montagu_Norman,_1st_Baron_Norman
The Dulles Brothers: https://medium.com/dan-sanchez/the-dulles-brothers-and-their-legacy-of-perpetual-war-94191c41a653
Grand Theft World podcast 076 :https://odysee.com/@GrandTheftWorld:9/grand-theft-world-podcast-076-elons-twitter-sheik-down:2
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1 month ago
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video/mp4
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CONTO
contortyourself
"Born and raised in Milwaukee and Brookfield, Wisconsin, Chance attended Michigan State University, then the Wisconsin Conservatory of Music in Milwaukee. There, Chance joined a band named Death, which performed covers of the Stooges and the Velvet Underground before moving toward original songs. At the end of 1975, Chance dropped out and moved to New York City after the dissolution of the band and the death of its singer. He quickly became active in both the free jazz and no wave punk rock scenes.[3] His first band in New York in 1976 was an instrumental quartet with violin, drums and bass called Flaming Youth. After studying for a short time under David Murray, Chance formed The Contortions, who fused jazz improvisation and funky rhythms, with live shows often ending in violence when Chance would confront audience members. The Contortions reached a wider audience with their contribution to the Brian Eno-compiled No New York collection of No Wave acts. The band appeared in Rosa von Praunheim's film Das Todesmagazin in 1979.
While Chance was professionally and romantically linked with No Wave musical luminary Lydia Lunch, the duo created seminal No Wave group Teenage Jesus and the Jerks, whom Chance soon left.
Chance was noted for engaging in physical confrontations, from forcing the audience out of their seats and getting in fist fights with his New York City audience, including rock critic Robert Christgau. At first, this was just an attempt to engage the passive New York audience, but this practice is reported to have somewhat diminished after audiences came to expect the physical confrontations
In 1979, Chance collaborated with Arto Lindsay, Bradley Field, and George Scott on the soundtrack to Diego Cortez's film Grutzi Elvis.
Chance's stage and musical persona were finalized by romantic partner and agent Anya Phillips, who died of cancer in 1981. Frictions between Chance and band members eventually led to a breakup of the Contortions in the fall of 1979.[3] The Contortions released one album, Buy in late 1979, and another album, Off White, under the pseudonym James White and the Blacks in 1980 (featuring Lydia Lunch under the pseudonym Stella Rico). Chance re-formed James White and the Blacks with a completely different lineup that appeared on the 1982 album Sax Maniac which was dedicated to Phillips. The group released one more album, Melt Yourself Down, a very limited Japanese release. ...."
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1 month ago
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video/mp4
English
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YOUNG
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"01. N.I.T.A. 02. Eating Noddemix 03. Choci Loni 04. Radio Silents 05. Music For Evenings 06. Colossal Youth 07. Salad Days 08. Ode to Booker T 09. Searching For Mister Right 10. Credit in the Straight World 11. Brand New Life 12. Wurlitzer Jukebox 13. Include Me Out - Encore: 14. Final Day 15. Cakewalking "
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bunnyteardrops
The complete session recorded by The Teardrop Explodes on 2 October 1979 for the John Peel show on BBC Radio 1 and broadcast on the 15th of that month.
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3. Went Crazy
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The complete session recorded by Echo & The Bunnymen on 15 August 1979 for the John Peel show on BBC Radio 1 and broadcast on the 22nd of that month.
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video/mp4
English
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VIDEO
KLEEN
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"Kleenex (1978–1979)
Under the name Kleenex, the band formed in Zürich in 1978, with an initial line-up that included Lislot Ha (Lieselotte Hafner) on drums, Klaudia Schiff (Klaudia Schifferle) on bass and vocals, and Regula Sing on lead vocals.[1][3] Marlene Marder (Marlene Marti), an acquaintance of the band, filled in on guitar during the encore portion of their first live performance, and thereafter remained in the band as their full-time guitarist.[1][4]
Kleenex financed the recording of their eponymous debut EP, which was released in 1978 in Switzerland by Sunrise, a local label operated by friends of the band. The EP attracted the attention of English disc jockey John Peel, who championed the band on his radio shows, as well as Rough Trade Records, who subsequently signed the band. Kleenex released their debut single "Ain't You" in November 1978, and embarked on a tour of Europe throughout the following year. After the tour, Sing left the band and was replaced by Chrigle Freund.[5] A second single, "You", was issued in 1979, and was the band's last release under the Kleenex name.[3]
LiLiPUT (1979–1983)
The threat of legal action by Kimberly-Clark, who owned the Kleenex trademark, prompted Kleenex to change their name to LiLiPUT. Angie Barrack joined the band on saxophone soon after.[5] As LiLiPUT, the band released two further singles, "Eisiger Wind" (1980) and "Split" (1981), both of which became hits on the UK Independent Singles Chart, the former after being reissued by Rough Trade in 1981. Ha and Barrack left the band around this time, followed by Freund. Astrid Spirit (Astrid Spirig) took over Freund's role as LiLiPUT's lead vocalist, while saxophonist Christoph Herzog and drummer Beat Schlatter also joined the band. After a successful German tour, Herzog and Schlatter departed LiLiPUT, though the latter continued to contribute drumming to studio recordings by the band.
Now consisting of Schiff, Marder, and Spirit, LiLiPUT released their self-titled debut album in 1982. They toured in support of the album and released a new single, "You Did It", in 1983. While Spirit was enthusiastic about a recording a second album, Schiff and Marder, exhausted from touring, expressed their desire to end the band.[4] Spirit offered to take on managerial duties in LiLiPUT in order to ease her tired bandmates' workload. The trio ultimately recorded a second album, Some Songs, which was released in December 1983. By the time of its release, however, LiLiPUT had agreed to split up, as Spirit's pregnancy and desire to focus on motherhood meant that the band could not tour to promote the album.
Post-split activities
Marder wrote the book The Diary of the Guitarist Marlene Marder, Kleenex/LiLiPUT, published in 1985, in which she recounted her experiences as a member of the band. She helped operate a record store for several years, before playing in the band Danger Mice from 1989 to 1992. Marder later started her own artist management agency, helped oversee administration and promotion at a jazz club, and worked for the World Wide Fund for Nature. Schiff has devoted her time to painting.
In 1993, Swiss label Off Course Records released Kleenex/LiLiPUT, a double-disc CD compilation of the band's recordings from 1978 to 1983. Marder was closely involved in coordinating the compilation, which includes tracks sourced from tapes in her possession, while Schiff designed its cover art. The compilation was reissued in the United States by the Kill Rock Stars label in 2001, and subsequently by Mississippi Records as a four-LP box set in 2011.
In 2010, Kill Rock Stars released Live Recordings, TV-Clips & Roadmovie, a CD/DVD compilation of the band's live and televised performances and music videos, as well as other miscellaneous footage shot during the band's tours.
On 15 May 2016, Marlene Marder died at age 61.
Kill Rock Stars and Mississippi Records released First Songs, a compilation of the band's early material, in 2016.
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1 month ago
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video/mp4
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VIDEO
IAN D
IanDury
Ian Dury & The Blockeads, Sight and Sound In Concert 1977. Sex and drugs and rock and roll, I'm partial to your abracadabra: Wake up and make love with me: Clever Trevor: Billericay Dickey: Sweet Gene Vincent: Blockheads:
In my yellow jersey, I went out on the nick. South Street Romford, shopping arcade Got a Razzle magazine, I never paid Inside my jacket and away double quick. Good sense told me, once was enough But I had a cocky eye on more of this stuff With the Razzle in my pocket, Back to have another peek Instead of being sneeky I strolled inside, I put my thieving hand on something rude I walked right out with a silhouette of nudes 'Hold on sonny' said a voice at my side 'I think you've taken one of my books' Passers by gave me dirty looks 'Not me mister' I bravely lied We stopped by the window of a jeweller's shop In my yellow jersey, I went out on the nick. South Street Romford, shopping arcade Got a Razzle magazine, I never paid Inside my jacket and away double quick. Good sense told me, once was enough But I had a cocky eye on more of this stuff With the Razzle in my pocket, back to have another peek Instead of being sneeky I strolled inside, I put my thieving hand on something rude I walked right out with a silhouette of nudes 'Hold on sonny' said a voice at my side 'I think you've taken one of my books' Passers by gave me dirty looks 'Not me mister' I bravely lied We stopped by the window of a jeweller's shop 'If it's money for your lunch, I'd have given you a loan Have you got any form, were you on your own? Round to the station and we'll tell the cops' 'I'm ever so ashamed, it was wicked and rash Here's the book back, and here's the cash I never stole before, I promise I'll stop' 'Crime doesn't pay, you've got honest eyes If we go to the law another thief is born And I'll get the book back, creased and torn So return what you've taken and apologise' I gave him back his nudie book I said I was sorry, I slung my hook With the Razzle in my pocket as the second prize
Ian Dury from Tony Wilson’s Granada TV show ‘So It Goes’, broadcast 11th December 1977.
The Freedom poem by Charlie Mingus & the Bus Driver’s Prayer -
Lead us not into Temple Station but deliver us from Ealing
Close to Home Taken from the New Boots and Panties demos
Ian Dury & The Blockheads - Live At Rockpalast 21/2/78 - Sex And Drugs And Rock 'n' Roll, I'm Partial To Your Abacadabra, Wake Up And Make Love With Me, Clevor Trever, Woman, Fair, Billericay Dickie, Sweet Gene Vincent, Upminster Kid, What A Waste, Plaistow Patricia, Made Mary Cry In A Lonely Bus Shelter, Black Mail Man, ** Introduction of the band, My Old Man, Blockheads
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Created
1 month ago
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video/mp4
English