# Collateral murder
__5th April 2010 10:44 EST__ WikiLeaks has released a classified US military video depicting the indiscriminate slaying of over a dozen people in the Iraqi suburb of New Baghdad -- including two Reuters news staff.
Reuters has been trying to obtain the video through the Freedom of Information Act, without success since the time of the attack. The video, shot from an Apache helicopter gun-sight, clearly shows the unprovoked slaying of a wounded Reuters employee and his rescuers. Two young children involved in the rescue were also seriously wounded.
The military did not reveal how the Reuters staff were killed, and stated that they did not know how the children were injured.
After demands by Reuters, the incident was investigated and the U.S. military concluded that the actions of the soldiers were in accordance with the law of armed conflict and its own "Rules of Engagement".
Consequently, WikiLeaks has released the classified Rules of Engagement for 2006, 2007 and 2008, revealing these rules before, during, and after the killings.
WikiLeaks has released both the original 38 minutes video and a shorter version with an initial analysis. Subtitles have been added to both versions from the radio transmissions.
WikiLeaks obtained this video as well as supporting documents from a number of military whistleblowers. WikiLeaks goes to great lengths to verify the authenticity of the information it receives. We have analyzed the information about this incident from a variety of source material. We have spoken to witnesses and journalists directly involved in the incident.
WikiLeaks wants to ensure that all the leaked information it receives gets the attention it deserves. In this particular case, some of the people killed were journalists that were simply doing their jobs: putting their lives at risk in order to report on war. Iraq is a very dangerous place for journalists: from 2003- 2009, 139 journalists were killed while doing their work.
The video material has been uploaded to various video hosting sites. Please select below from which source you want to stream or download the video. Please make extensive use of the comment systems that these sites provide to leave your feedback.
---
## More informations
* [Collateral murder by The Sunshine Press](https://collateralmurder.wikileaks.org/)
* [Julian Assange’s High Court fight against extradition](https://www.crowdjustice.com/case/assangeappeal/)
---
# Comment faire un titre simple en ASCII art sans avoir a installer Figlet.
How to make a simple title in ASCII art without having to install Figlet.
En cadeau un petit *alias* pour afficher le nom de ton système si tu l'as installé quand-même.
```zsh
# require figlet !!!
function _ordi(){
# figlet exists
if [[ -e "/usr/bin/figlet" ]]
then
figlet "$(uname -a | awk '{print $2}')"
else
print "Cet alias requiert figlet pour fonctionner ! "
fi
}
alias ordi='_ordi' #=\t\t -> Affiche le nom de l'ordi en ascii art avec figlet.
```
=^.^=
# Conectando al NextCloud de Hispagatos
Vamos a ver como crear montajes WebDAV con la shell para conectarnos al __NextCloud de Hispagatos__ en un entorno [Arch Linux](https://archlinux.org/).
Esto es útil para acceder al cloud de la misma forma que cualquier otro montaje de sistema de archivos remoto.
## Tu cuenta
Necesitas obtener las __credenciales (Habla con rek2)__
Un ejemplo de NEXTCLOUD_SERVER USERNAME PASSWORD sería :
* NEXTCLOUD_SERVER="https://nextcloud.hispagatos.org/"
* USERMANE="rnek0"
* PASSWORD="TuPasswd"
## Instalación de __davfs2__ en Arch Linux
Utiliza tu gestor de paquetes para instalar __davfs2__ , por ejemplo paru.
```bash
paru -S davfs2
```
## Créando los directorios requeridos
Vamos a créar el directorio en __~/NextCloud__ donde haremos el montage, el directorio __~/.davfs2__ es necesario a davfs2 para su buen funcionamiento.
```bash
mkdir ~/NextCloud ~/.davfs2
```
Para no tener que poner tus credenciales cada vez, vamos a utilizar el fichero __secrets__.
```bash
sudo cp /etc/davfs2/secrets ~/.davfs2/secrets
```
```bash
chown rnek0:rnek0 ~/.davfs2/secrets
```
Vamos a éditar el fichero para ponerle esto al final :
```bash
#NEXTCLOUD_SERVER/nextcloud/remote.php/dav/files/USERNAME/ USERNAME PASSWORD
https://nextcloud.hispagatos.org/remote.php/dav/files/rnek0/ rnek0 TuPasswd
```
O asi :
```bash
echo "https://nextcloud.hispagatos.org/remote.php/dav/files/rnek0/ rnek0 TuPasswd" >> /home/user/.dav2fs/secrets
```
## Permisos para secrets
Para que nadie vea tu password. (Si quieres hacerlo con root , hazlo en /etc/davfs2/secrets y no crées el secrets en .davfs2)
```bash
chmod 600 ~/.davfs2/secrets
```
## Declaración de la unidad de disco que sera montada
Editando el __/etc/fstab__
```bash
#NEXTCLOUD_SERVER/nextcloud/remote.php/dav/files/USERNAME/ /home/YOUR_LOGIN_USERNAME/NextCloud davfs user,rw,noauto 0 0 │
https://nextcloud.hispagatos.org/remote.php/dav/files/rnek0/ /home/rnek0/NextCloud davfs user,rw,noauto 0 0
```
## Añadir el user a el grupo network
```bash
sudo usermod -a -G network rnek0
```
## Montando el volumen
```bash
mount ~/NextCloud
```
## Desmontando el volumen
Antes de desmontar el volumen no olvides hacer un __sync__ para syncronizar los cambios en tus datos.
```bash
sync
umount ~/NextCloud
```
## Verificar
```bash
cat /etc/mtab | grep hispagatos
```
## Enlaces
* [Hispagatos](https://hispagatos.org)
* [Arch Linux wiki: davfs2](https://wiki.archlinux.org/index.php/Davfs2)
* [Nextcloud](https://nextcloud.com)
__hi__ !!!
Haz un bonito alias a Hispagatos y aprende más sobre las plataformas abiertas en su ultimo post.
Make an nice alias to Hispagatos and learn more about open platforms.
Some links
* [Hispagatos](https://hispagatos.org/)
* [Gnu bash manual](https://www.gnu.org/software/bash/manual/)
* [Gemini faq](https://gemini.circumlunar.space/docs/faq.html)
* [Bombadillo](https://bombadillo.colorfield.space/)
"Tristram" - Liner Notes - July 19, 2000
"Poor, poor, Tristram. What did such an innocent little village do to deserve such a dark fate? This track originally consisted of only the newer music - the last three minutes of the current selection - until Max here at Blizzard North suggested using the original Diablo town music. As it turned out, both are actually in the game, though the original Diablo track is what greets you first when you return to the hometown of that strange evil which swept through Khanduras.
I would like to consider the original track, presented here in the first 4:45 of the tune, as being a victory of inspiration over limited resources. All of the guitar, flute and ocarina in the original tune was recorded directly into a $150 AKG microphone attached to a Ensoniq ASR-10 sampler with exactly 16 megs of memory.
This tune is the grandfather of the Diablo musical world, first commited to paper in the spring of1995. The main musical themes of Diablo, which can be heard in almost every tune in one way or another throughout both games, make their first appearance in this piece. Though I was originally attempting to capture a medieval sensibility with this tune, it is funny how stylistically far away from the music of that period this particular song is. I would hope that no one thinks I recorded this tune in a few straight takes and finds themselves frustrated when trying to reproduce it.
The track was recorded bar by bar, and originally consisted of at least two dozen chords and phrases which were stitched together in the sampler. Some retuning was done to make those harmonic runs possible, and some of those chords are impossible to perform in a manner which sounds as smooth as the final product. What strikes me when I listen to this track now is, believe it or not, the Peruvian influence. The selection of tunes on my favorite
tape back in 1996 featured many gorgeous waltzes written by the legendary Chabuca Granda, and I spent a fair amount of time trying to emulate the finger-picking style used by the guitarist who accompanied the vocalist on this tape. The newer material was originally intended to be used as the Act 1 music in Diablo 2 way back in 1997, though I ended up finding the pacing a bit too tense and linear for the dreamy feel that makes for ideal shopping music."
- Matt Uelmen