Constitutional Dialogues: Interpretation as Political Process
Author: Louis Fisher Who makes constitutional law? Is constitutional doctrine the monopoly of the courts? In accessible and persuasive prose Louis Fisher explains that constitutional law is not solely or even primarily the Supreme Court's final word but rather a richly political convergence of separate interpretations. With a broad range of examples, he argues that constitutional principles emerge from a dialogue among all three branches of government--executive, legislative, and judicial. Important contributions also come from the states and the general public. Fisher identifies executive and legislative initiatives in many areas of constitutional significance. Where there is litigation, the Court generally upholds these initiatives or may avoid making a constitutional decision by using threshold devices. On those rare occasions when the Supreme Court exercises judicial review and strikes down a presidential or congressional action, it is usually only a matter of time before the proposal is revived and the dialogue begins again.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Luisa A. Igloria
When Luisa Igloria cites Epictetusas soon as a thing has been seen, it is carried away, and another comes in its placeshe introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. I was raised / to believe not only the beautiful can live on / Parnassus, she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe.
Author: Peter W. Williams
This cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialists and financiers, left a deep and lasting mark on American urban culture. Their sense of public responsibility derived from a sacramental theology that gave credit to the material realm as a vehicle for religious experience and moral formation, and they came to be distinguished by their participation in major aesthetic and social welfare endeavors.Williams traces how the church helped transmit a European-inflected artistic patronage that was adapted to the American scene by clergy and laity intent upon providing moral and aesthetic leadership for a society in flux. Episcopalian influence is most visible today in the churches, cathedrals, and elite boarding schools that stand in many cities and other locations, but Episcopalians also provided major support to the formation of stellar art collections, the performing arts, and the Arts and Crafts movement. Williams argues that Episcopalians thus helped smooth the way for acceptance of materiality in religious culture in a previously iconoclastic, Puritan-influenced society.
Author: Rigoberto González
In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto Gonzalez commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. This frank new collection masterfully combines accounts from Gonzalezs personal life with reflections on writers who have influenced him. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer.Widely acclaimed for giving a voice to the Chicano GLBT community, Gonzalezs writing spans a wide range of genres: poetry, fiction, nonfiction, and bilingual books for children and young adults. Introduced by Womens Studies professor Maythee Rojas, Retablos collects thirteen pieces that together provide a narrative of Gonzalezs life from his childhood through his career as a writer, critic, and mentor.In Red-Inked Retablos, Gonzalez continues to expand his oeuvre on mariposa (literally, butterfly) memory, a genre he pioneered in which Chicano/a writers openly address [non-traditional] sexuality. For Gonzalez, mariposa memory is important testimony not only about reconfiguring personal identity in relation to masculinity, culture, and religion. Its also about highlighting values like education, shaping a sex-positive discourse, and exercising agency through a public voice. Its about making the queer experience a Chicano experience and the Chicano experience a queer one. In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto Gonzalez commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. This frank new collection masterfully combines accounts from Gonzalezs personal life with reflections on writers who have influenced him. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer.Widely acclaimed for giving a voice to the Chicano GLBT community, Gonzalezs writing spans a wide range of genres: poetry, fiction, nonfiction, and bilingual books for children and young adults. Introduced by Womens Studies professor Maythee Rojas, Retablos collects thirteen pieces that together provide a narrative of Gonzalezs life from his childhood through his career as a writer, critic, and mentor.In Red-Inked Retablos, Gonzalez continues to expand his oeuvre on mariposa (literally, butterfly) memory, a genre he pioneered in which Chicano/a writers openly address non-traditional sexuality. For Gonzalez, mariposa memory is important testimony not only about reconfiguring personal identity in relation to masculinity, culture, and religion. Its also about highlighting values like education, shaping a sex-positive discourse, and exercising agency through a public voice. Its about making the queer experience a Chicano experience and the Chicano experience a queer one.
Author: Michael J. Cohen
Cohen examines the struggle leading to the creation of the state of Israel, placing British evacuation of Palestine in the context of Britain's postwar weakness. The author describes the policies and character of each of the major actors in his story--Bevin. Truman. Ben-Gurion, and the Mufti of Jerusalem.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Alan C. Mitchell
Scarcely any book of the New Testament (with the possible exception of Revelation) is so perplexing as the Letter to the Hebrews. Not really a letter, but a sermon with some features of a letter added to it, not really by its putative author,Paul, but by an anonymous Christian who wrote some of the most elegant Greek in the Bible, not really addressed to the Hebrews, but to Christians, probably in Rome 'this is the work that Alan Mitchell explains in this commentary.Many scholars have written fine commentaries on Hebrews, and Mitchell stands on their shoulders, noting where he proposes alternate interpretations. Mitchell pays particular attention to the reliance of the author of Hebrews on the Greek Old Testament (the Septuagint). He also compares the language of Hebrews with similar usage and ideas of first-century Hellenistic Jewish authors, notably Flavius Josephus and Philo of Alexandria. Furthermore, he situates Hebrews against the background of the tradition of Hellenistic Moral Philosophy, where that is appropriate. Mitchell thus locates Hebrews in its proper thought-world, something that is essential for the modern reader in dealing with some of the thornier questions raised by this biblical book. Chief among these are the role of sacrificial atonement, the question of second repentance, and the spiritual and moral formation of the Roman Christians who were its recipients.Like al the volumes in the Sacra Pagina series, this work examines the text in detail, with careful attention to the words and phrasing, and then brings those individual insights together into a coherent summary. The bibliography and special lists appended to each chapter cover the best of recent scholarship on the Letter to the Hebrews.Alan C. Mitchell, PhD, is associate professor of New Testament Studies and Christian Origins at Georgetown University and is director of the Annual Georgetown University Institute on Sacred Scripture. He is a member of the Society of Biblical Literature, the Catholic Biblical Association, and the Society for the Study of the New Testament.
Author: Robert C. Davis
The master ship builders of seventeenth-century Venice formed part of what was arguably the greatest manufacturing complex in early modern Europe. As many as three thousand masters, apprentices, and laborers regularly worked in the city's enormous shipyards. This is the social history of the men and women who helped maintain not only the city's dominion over the sea but also its stability and peace. Drawing on a variety of documents that include nearly a thousand petitions from the shipbuilders to the Venetian governments as well as on parish records, inventories, and wills, Robert C. Davis offers a vivid and compelling account of these early modern workers. He explores their mentality and describes their private and public worlds (which in some ways, he argues, prefigured the factories and company towns of a later era). He uncovers the far-reaching social and cultural role played by women in this industrial community. He shows how the Venetian government formed its shipbuilders into a militia to maintain public order. And he describes the often colorful ways in which Venetians dealt with the tensions that role provokedincluding officially sanctioned community fistfights on the city's bridges. The recent decision by the Italian government to return the Venetian Arsenal to civilian control has sparked renewed interest in the subject among historians. Shipbuilders of the Venetian Arsenal offers new evidence on the ways in which large, state-run manufacturing operations furthered the industrialization process, as well as on the extent of workers' influence on the social dynamics of the early modern European city.