Author: Avner Holtzman File Type: epub A moving inquiry into the dramatic life, epic success, and ultimate tragedy of the great Hebrew poet By the time he was twenty-eight, Hayim Nahman Bialik was already considered the National Hebrew Poet. He had only published a single collection, but his deeply personal poetry established a profound link between the secular and the traditional that would become paramount to a national Jewish identity in the twentieth century. When he died unexpectedly in 1934, the outpouring of grief was unprecedented, confirming him as a father figure for the Zionist movement in Palestine, and around the world. Using extensive research and elegant readings of Bialiks poems, Avner Holtzman investigates the poets dramatic life, complex personality, beloved verse, and continued popularity. This clear-eyed and thorough biography explores how Bialik overcame intense personal struggles to become a charismatic literary leader at the core of modern Hebrew culture. **
Author: Michael Yonan
File Type: pdf
While the connected, international character of todays art world is well known, the eighteenth century too had a global art world. Eighteenth-Century Art Worlds is the first book to attempt a map of the global art world of the eighteenth century. Fourteen essays from a distinguished group of scholars explore both cross-cultural connections and local specificities of art production and consumption in Africa, the Americas, Asia, and Europe. The result is an account of a series of interconnected and asymmetrical art worlds that were well developed in the eighteenth century. Capturing the full material diversity of eighteenth-century art, this book considers painting and sculpture alongside far more numerous prints and decorative objects. Analyzing the role of place in the history of eighteenth-century art, it bridges the disciplines of art history and cultural geography, and draws attention away from any one place as a privileged art-historical site, while highlighting places such as Manila, Beijing, Mexico City, and London as significant points on globalized map of the eighteenth-century art world. Eighteenth-Century Art Worlds combines a broad global perspective on the history of art with careful attention to how global artistic concerns intersect with local ones, offering a framework for future studies in global art history.**ReviewThis wide-ranging collection of essays is a significant and welcome contribution to an art history which takes the interplay of local and the global as central concerns. It provides new case studies and invites new ways of thinking together these help us to engage with art outside the frameworks of nations or of cultures, and to move forward the conversation around a deeper and richer understanding of this key period. Craig Clunas, Professor Emeritus of the History of Art, University of Oxford, UKAmbitious in scope and innovative in approach, this volume is an invaluable contribution to scholarship of the eighteenth century. Fourteen essays by leading scholars demonstrate how the art worlds of the period took shape through exchange and circulation, via the mobility of people and things, and in places as varied as markets and mosques. Readers will encounter a fascinating array of material objects, from French commodes and Mughal cups to holy water fonts in California missions. Lively and insightful, Eighteenth-Century Art Worlds offers a model for understanding the complex interrelations of the local and the global. Wendy Bellion, Professor and Sewell Biggs Chair in American Art, University of Delaware, USAA sophisticated exploration of art-making and its circulation, Eighteenth Century Art Worlds invites new thinking about trade and pleasure, taste and empire. This fascinating collection of essays-on artworks and people who traveled through East Asia, the Spanish Americas, the Swahili Coast, and European capitals-fundamentally shifts the conversation on the geography of art. For those who care about the foreign and the global in early modernity this is important reading. Dana Leibsohn, Alice Pratt Brown Professor of Art, Smith College, USAAbout the AuthorStacey Sloboda is Paul H. Tucker Professor of Art at the University of Massachusetts Boston, USA. Michael Yonan is Associate Professor of Art History at the University of Missouri, USA.
Author: Evelyn Wolfson
File Type: pdf
Book by Wolfson, Evelyn **From School Library Journal Grade 5-7-Chinese Mythology provides useful historical background to mythical and historical dynasties. Ten stories about creation, prehistory, and various legends include popular and lesser-known tales. Legends taken from various philosophies are presented. Wolfsons simple yet occasionally bland retelling of a combination of nine familiar and rare tales would be useful in an instructional setting. Each tale is preceded by an introduction and followed by academic questions with answers and expert commentary. Tales from the Tsimshians, Salish, Maidu, Cherokees, Blackfeet, Cheyennes, Hopi, Anishinabes, and Micmacs result in a wide span of coverage. Bocks black-and-white illustrations provide no enhancement to the tales. Both books are compact and strictly organized, allowing students to cover broad ground quickly. Unfortunately, they lack textual zest and illustrative flair, making their use purely an intellectual exercise rather than a memorable delight. Nancy Call, Santa Cruz Public Libraries, Aptos, CA 2001 Reed Business Information, Inc.
Author: Mohammed Hamdouni Alami
File Type: pdf
In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. By examining the arts of the Fatimids, focusing on painting and architectural works such as the first Fatimid mosque in al-Mahdiyya, Tunisia, Hamdouni Alami offers analysis of the debates surrounding the ethics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance **About the Author Mohammed Hamdouni Alami is an associate researcher in the Archaeological Research Facility at the University of California, Berkeley. He was formerly a professor of architecture and art history at the Ecole Nationale DArchitecture in Rabat and holds a Ph.D. from the University of California, Berkeley. He is the author of Art and Architecture in the Islamic Tradition Aesthetics, Politics and Desire in Early Islam (I.B.Tauris, 2010, 2013).
Author: Sanford C. Goldberg
File Type: pdf
To what extent are meaning, on the one hand, and knowledge, on the other, determined by aspects of the outside world? Internalism and Externalism in Semantics and Epistemology presents eleven specially written essays exploring these debates in metaphysics and epistemology and the connections between them. In so doing, it examines how issues connected with the nature of mind and language bear on issues about the nature of knowledge and justification (and vice versa). Topics discussed include the compatibility of semantic externalism and epistemic internalism, the variety of internalist and externalist positions (both semantic and epistemic), semantic externalisms implications for the epistemology of reasoning and reflection, and the possibility of arguments from the theory of mental content to the theory of epistemic justification (and vice versa).About the AuthorSanford C. Goldberg is at the University of Kentucky.
Author: Adam Jortner
File Type: pdf
In the decades following the Revolution, the supernatural exploded across the American landscapefabulous reports of healings, exorcisms, magic, and angels crossed the nation. Under First Amendment protections, new sects based on such miracles proliferated. At the same time, Enlightenment philosophers and American founders explicitly denied the possibility of supernatural events, dismissing them as deliberate falsehoodsand, therefore, efforts to suborn the state. Many feared that belief in the supernatural itself was a danger to democracy. In this way, miracles became a political problem and prompted violent responses in the religious communities of Prophetstown, Turtle Creek, and Nauvoo. In Blood from the Sky, Adam Jortner argues that the astonishing breadth and extent of American miracles and supernaturalism following independence derived from Enlightenment ideas about proof and sensory evidence, offering a chance at certain belief in an uncertain religious climate. Jortner breaks new ground in explaining the rise of radical religion in antebellum America, revisiting questions of disenchantment, modernity, and religious belief in a history of astounding events thatas early Americans would have saidneeded to be seen to be believed. **
Author: Edward T. Hall
File Type: pdf
An anthropologists comparative communications theory American, Japanese, German, English, French, Arab, and issues of public space important to city planners and cultural critics.Includes for Example Culture as communication Spacing mechanisms in animals Population control The stickleback sequence Malthus reconsidered The die-off on James Island Predation and population Crowding and social behaviour in animals Calhouns experiments Psysiological consequences of the sink Agressive behavior The sink that didnt develop The biochemistry of crowding Exocrinology The perception of space distance receptors - eyes, ears and nose Visual and auditory space The chemical basis of olfaction Olfaction in humans Perception of space - the immediate receptors - skina and muscles Hidden zones in American offices Thermal space Tactile space Visual space Vision as synthesis The seeing mechanism Stereoscopic vision Art as a clue to perception Contrast of contemporary cultures Art as a history of perception Literature as a key to perception The anthropology of space an organizing model Fixed-feature space Semifixed-feature space Informal space The dynamism of space Intimate distance Personal distance Social distance Public distance Why four distances? Proxemics in a cross-cultural context Germans, English and French The Germans and Intrusions The Private Sphere Proxemics in a cross-cultural context Japan and the Arab World Cities and culture The need for c..**
Author: Karen Sullivan
File Type: pdf
The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is unrealistic, critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truthand a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perceptionor even the hopeof a beauty and truth in the world that realist genres deny. **Review The Danger of Romance is written with beautiful clarity and the elegant erudition one associates with Sullivans work. I do not know of any other book that moves among so many medieval writers to detail theological and moral understandings of the nature of the marvelous and the miraculous, the relationship between truth and imagination, and the value of exemplarity. Sullivans book shows that such questions are part of medieval literary history and that they can articulate broad understandings of literary culture and of what literature does and can do. The range of this book is truly impressive. (Peggy McCracken, University of Michigan) Sullivan shifts the terms of the debate in arguing that fiction is not about the suspension of disbelief but an exercise of belief. In her masterful and airtight defense of literature, the Middle Ages come off as the true Age of the Enlightenment compared to our own Age of the Internet. (Zrinka Stahuljak, University of California, Los Angeles) Zeroing in with philosophical precision on the bond between truth and trust, Sullivan offers a spirited defense of romance against realists who spurn its vain fictions and romantics who may love it too blindly. The Danger of Romance achieves its finest insights by following Merlin, Arthur, Lancelot, and the Grail to reveal how Arthurian romance contains its own critique even as it exuberantly represents the power of imagination. (Matilda Bruckner, Boston College) About the Author Karen Sullivanis the Irma Brandeis Professor of Romance Culture and Literature at Bard College.She is the author ofThe Interrogation of Joan of Arc and ofTruth and the HereticCrises of Knowledge in Medieval French Literature,the winner of the Modern Language Associations Aldo and Jeanne Scaglione Prize for French and Francophone Studies.
Author: D. Hudson
File Type: pdf
Thinking through Digital Media Transnational Environments and Locative Places speculates on animation, documentary, experimental, interactive, and narrative media that probe human-machine performances, virtual migrations, global warming, structural inequality, and critical cartographies across Brazil, Canada, China, India, USA, and elsewhere. **Review Thinking Through Digital Media brings readers into close contact with transnational environments, ecological interfaces, and machinic performances. Hudson and Zimmermann combine strengths as media curators and digital theoreticians to analyze over 130 art projects. Positing glocal cyberplace over universal cyberspace, they highlight politically collaborative media performances to foreground the digital explosion of critical micropublics happening across the globe. This expansive book serves as an energetic intellectual platform for transnational environments and locative places. Timothy Murray, Curator, Rose Goldsen Archive of New Media Art, Cornell University, USA Thinking through Digital Media makes a very welcome intervention into the way scholars approach digital media. The field of digital film studies is expanding rapidly. However, few of these works provide a clearly mapped way of understanding this massive body of digital work in relation to existing categories and concepts scholars use to analyze film as aesthetic and ideological objects. This book charts new territory by using emerging new media artists and their work to explore questions that form a fundamental part of filmmedia studies. Gina Marchetti, University of Hong Kong By bringing together examples of installation art, internet art, live multimedia performances, locative media, and digital compositing with the work of international theorists who attempt to conceptualize the phenomenologies of these new media, this book will be an extremely useful resource for students, professors, and laypersons investigating the ever-increasing role that new media play in our society. Jan-Christopher Horak, Director, University of California, Los Angeles, Film and Television Archive, USA About the Author Author Dale Hudson Dale Hudson is Associate Teaching Professor and Curator of Film and New Media at New York University Abu Dhabi, United Arab Emirates. Author Patricia R. Zimmermann Patricia R. Zimmermann is Professor of Screen Studies, Ithaca College, USA and Co-director of the Finger Lakes Environmental Film Festival