Anatomy of a Robot: Literature, Cinema, and the Cultural Work of Artificial People
Author: Despina Kakoudaki File Type: pdf Why do we find artificial people fascinating? Drawing from a rich fictional and cinematic tradition, Anatomy of a Robot explores the political and textual implications of our perennial projections of humanity onto figures such as robots, androids, cyborgs, and automata. In an engaging, sophisticated, and accessible presentation, Despina Kakoudaki argues that, in their narrative and cultural deployment, artificial people demarcate what it means to be human. They perform this function by offering us a non-human version of ourselves as a site of investigation. Artificial people teach us that being human, being a person or a self, is a constant process and often a matter of legal, philosophical, and political struggle. By analyzing a wide range of literary texts and films (including episodes from Twilight Zone, the fiction of Philip K. Dick, Kazuo Ishiguros novel Never Let Me Go, Metropolis, The Golem, Frankenstein, The Terminator, Iron Man, Blade Runner, and I, Robot), and going back to alchemy and to Aristotles Physics and De Anima, she tracks four foundational narrative elements in this centuries-old discourse the fantasy of the artificial birth, the fantasy of the mechanical body, the tendency to represent artificial people as slaves, and the interpretation of artificiality as an existential trope. What unifies these investigations is the return of all four elements to the question of what constitutes the human. This focused approach to the topic of the artificial, constructed, or mechanical person allows us to reconsider the creation of artificial life. By focusing on their historical provenance and textual versatility, Kakoudaki elucidates artificial peoples main cultural function, which is the political and existential negotiation of what it means to be a person.**
Author: Melanie Tebbutt
File Type: pdf
This original and fresh approach to the emotions of adolescence focuses on the leisure lives of working-class boys and young men in the inter-war years. Being Boys challenges many stereotypes about their behaviour. It offers new perspectives on familiar and important themes in interwar social and cultural history, ranging from the cinema and mass consumption to boys clubs, personal advice pages, street cultures, dancing, sexuality, mobility and the body. It draws on many autobiographies and personal accounts and is particularly distinctive in offering an unusual insight into working-class adolescence through the teenage diaries of the authors father, which are interwoven with the books broader analysis of contemporary leisure developments. Being Boys will be of interest to scholars and students across the humanities and social sciences and is also relevant to those teaching and studying in the fields of child development, education, and youth and community studies. **
Author: Greg Kats
File Type: pdf
Green buildingsbuildings that use fewer resources to build and to sustainare commonly thought to be too expensive to attract builders and buyers. But are they? The answer to this question has enormous consequences, since residential and commercial buildings together account for nearly 50% of American energy consumptionincluding at least 75% of electricity usageaccording to recent government statistics.This eye-opening book reports the results of a large-scale study based on extensive financial and technical analyses of more than 150 green buildings in the U.S. and ten other countries. It provides detailed findings on the costs and financial benefits of building green. According to the study, green buildings cost roughly 2% more to build than conventional buildingsfar less than previously assumedand provide a wide range of financial, health and social benefits. In addition, green buildings reduce energy use by an average of 33%, resulting in significant cost savings.Greening Our Built World also evaluates the cost effectiveness of green community development and presents the results of the first-ever survey of green buildings constructed by faith-based organizations. Throughout the book, leading practitioners in green designincluding architects, developers, and property ownersshare their own experiences in building green. A compelling combination of rock-solid facts and specific examples, this book proves that green design is both cost-effective and earth-friendly.ReviewBy every measure, green building is an idea whose time is now. Kats ongoing work in this area is part of the reason, and this book will be an invaluable resource to builders, cities and companies on why and how to cost-effectively green their own built worlds.(Rick Fedrizzi president and CEO, USGBC 20090825)Building green offers the potential for important health and economic benefits.As our nation faces the twin mandates to improve health and control costs, analyses such as this one including full benefit accounting are indispensable.(Howard Frumkin director, National Center for ENV Health ATSTR, CDC 20090825)Everyone who is serious about climate change should get this book. Greg Kats brings a deep knowledge of energy and construction to show that the benefits of green construction outweigh the costs and could jump-start a national revolution toward the use of renewable energy sources.(Don Kennedy president emeritus, Stanford University Bing Professor of EnvScience and Policy 20090825) About the AuthorGregory Kats is a managing director of the investment firm Good Energies. He was formerly a managing principal of Capital E, a national clean energy technology consulting firm. Previously he was Director of Financing for Energy Efficiency and Renewable Energy at the U.S. Department of Energy. He is a member of the LEED Steering Committee and serves as Chair of the Energy and Atmosphere Technical Advisory Group for LEED. In 2003 he wrote the first in-depth study of the long-term economic benefits of green buildings, The Costs and Financial Benefits of Green Buildings.
Author: Tyler Cowen
File Type: pdf
Americans agree about government arts funding in the way the women in the old joke agree about the food at the wedding its terrible--and such small portions! Americans typically either want to abolish the National Endowment for the Arts, or they believe that public arts funding should be dramatically increased because the arts cannot survive in the free market. It would take a lover of the arts who is also a libertarian economist to bridge such a gap. Enter Tyler Cowen. In this book he argues why the U.S. way of funding the arts, while largely indirect, results not in the terrible and the small but in Good and Plenty--and how it could result in even more and better. Few would deny that America produces and consumes art of a quantity and quality comparable to that of any country. But is this despite or because of Americas meager direct funding of the arts relative to European countries? Overturning the conventional wisdom of this question, Cowen argues that American art thrives through an ingenious combination of small direct subsidies and immense indirect subsidies such as copyright law and tax policies that encourage nonprofits and charitable giving. This decentralized and even somewhat accidental--but decidedly not laissez-faire--system results in arts that are arguably more creative, diverse, abundant, and politically unencumbered than that of Europe. Bringing serious attention to the neglected issue of the American way of funding the arts, Good and Plenty is essential reading for anyone concerned about the arts or their funding. **
Author: Thomas Elsaesser
File Type: pdf
The French Connection, The Last Picture Show, M.A.S.H., Harold and Maudethese are only a few of the iconic films made in the United States during the 1970s. Originally considered a lost generation, the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of New Hollywood.Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of todays major directorsSteven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckiscould not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.(20040401)ReviewThe Last Great American Picture Show offers a truly dizzying range of options simply for mapping the decade that has come--for better or worse, truth or legend--to acquire a hot retrospective golden glow. . . . The Last Great American Picture Show . . . restores to the decade the sense of fecund chaos that a more linear, journalistic account of the decade risks losing for the sake of imposing some retrospective linearity on what was ultimately remarkable for its incoherence a few historical moments when Hollywood lost the script, forgot the plot, and stood there wondering just how it got there in the first place.--Geoff Pevere, cinema scope(Geoff Pevere Cinema Scope ) About the AuthorThomas Elsaesser is a professor of art and culture at the University of Amsterdam. Alexander Horwath is the director of the Museum of Cinema in Vienna, Austria. Noel King lectures in film studies at the University of Tasmania, Australia.
Author: Hesiod
File Type: epub
A new verse translation of one of the foundational ancient Greek works by the award-winning poet Alicia Stallings. hrHesiod was the first self-styled poet in western literature, revered by the ancient Greeks. Ostensibly written to chide and educate his lazy brother, Works and Days tells the story of Pandoras jar and humanitys place in a fallen world. Blending the cosmic and the earthy, and mixing myth, lyrical description, personal asides, astronomy, proverbs and down-to-earth advice on rural tasks and rituals, it is also a hymn to honest toil as mans salvation. This vibrant new verse translation by award-winning poet A. E. Stallings conveys the clarity and unexpected humour of a founding work of classical literature.**ReviewA. E. Stallings brings Hesiod back to life in her rhyming translation of Works and Days, which mingles farming tips, myths and evocation of the seasons when first the cuckoo cuckoos in the oak. Stallingss lively and learned notes make it a treat * The Times * About the Author Hesiod, a contemporary of Homer, probably lived in the eighth century in Boeotia on the Greek mainland. He is often considered to be the author of both the Theogony and Works and Days, although this has been debated. Alicia Stallings is an American poet and translator. She has published three books of original verse, Archaic Smile, Hapax, and Olives, a finalist for the National Book Critics Circle Award. Her verse translation of Lucretiuss The Nature of Things is published by Penguin Classics.