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Death Cab For Cutie - For What Reason
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13.-Stereolab---Explosante-Fixe
***"Stereolab"*** are an English-French avant-pop band formed in London in 1990.
Led by the songwriting team of ***[Tim Gane](https://cutt.ly/BmFnRwl)*** (guitar and keyboards) and ***[Lætitia Sadie](https://cutt.ly/dmFnYuG)r***(vocals, keyboards and guitar), the group's music combines influences from *krautrock*, *lounge* and *1960s pop music*, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French.
Their lyrics have political and philosophical themes influenced by the ***[Surrealist](https://cutt.ly/imFnOlx)*** and ***[Situationist](https://cutt.ly/ymFnAt5)*** movements.
Although ***"Stereolab"*** found success in the underground music scene and were influential enough to spark a renewed interest in older analogue instruments, they have never had a significant commercial impact. Meaby the key is lost in the interview where ***Gane*** and ***Sadier*** have discussed their musical philosophy - *"to be unique for us was more important than to be good"*.
The ***"Electrically Possessed"*** collection's nine-year span covers nearly half of the band's career - by contrast, the original ***”[Switched On](https://cutt.ly/3m9ifx0)”*** gathered just six months' worth of music - but like the other volumes in the series, it captures the flavor of its era just as completely as ***”Stereolab”*** full-lengths.
Much of the rest of ***”Switched On, Vol. 4”*** consists of limited-edition tour singles that the band recorded at ***Gane*** and ***Laetitia*** computer-based home studio, which they built after they fell in love with digital recording while making 1997's ***”[Dots and Loops](https://cutt.ly/Mm9iHCw)”***.
While there might not be quite as many essential tracks here as on the other ***”Switched On”*** volumes, ***”Electrically Possessed”*** is a reminder that the band were releasing so much good music that it was easy to take it for granted at the time, and it's well worth a listen for fans who may have missed or glossed over these songs when they were first released.
***”Explosante Fixe”*** is the thirteenth song on the band's compilation album, ***”[Electrically Possessed (Switched On Volume 4](https://cutt.ly/rm9oDIH))”***, released on 26 February 2021 under ***"[Duophonic Records](https://cutt.ly/ym2ckxS)"*** and ***"[Warp Records](https://cutt.ly/fm2I5Tp)"***.
It collects the band's rarities spanning from 1999. to 2008., and is the fourth of their ***"Switched-On"*** compilation series.
***
***"Stereolab"*** info:
**[Official](https://cutt.ly/8mQOGE4)** **/** **[Wikipedia](https://cutt.ly/VmQOIoI)** **/** **[Unofficial](https://cutt.ly/tmQSJuL)** **/** **[Allmusic](https://cutt.ly/jmQPueG)** **/** **[Pitchfork](https://cutt.ly/omQPKqT)** **/** **[Last.fm](https://cutt.ly/JmQPVA8)** **/** **[Rateyourmusic](https://cutt.ly/emQAw1X)** **/** **[Discogs](https://cutt.ly/8mQPpky)** **/** **[Bandcamp](https://cutt.ly/YmQAuvN)** **/** **[YouTube](https://cutt.ly/cmQPhgK)** **/** **[Facebook](https://cutt.ly/mmQOB4B)** **/** **[Spotify](https://cutt.ly/WmQPONT)** **/** **[Instagram](https://cutt.ly/TmQO1ZR)** **/** **[Twitter](https://cutt.ly/7mQOMKr)** **/** **[Lyrics](https://cutt.ly/FmQS9fK)** **/** **[Photos](https://cutt.ly/rmQDumG)**
***
More ***"Stereolab"*** **Organism Star** candy:
***[Peng!](https://cutt.ly/Qm9iuZM)*** **/** ***[Switched On](https://cutt.ly/3m9ifx0)*** **/** ***[The Groop Played Space Age Batchelor Pad Music](https://cutt.ly/Jm9ilaA)*** **/** ***[Transient Random-Noise Bursts with Announcements](https://cutt.ly/Em9ib6b)***
**/** ***[Mars Audiac Quintet](https://cutt.ly/xm9iRfJ)*** **/** ***[Refried Ectoplasm (Switched On Volume 2)](https://cutt.ly/Zm31L2T)*** **/** ***[Emperor Tomato Ketchup](https://cutt.ly/um9iOXY)*** **/** ***[Dots And Loops](https://cutt.ly/Mm9iHCw)*** **/** ***[Aluminum Tunes](https://cutt.ly/am9iV6c)*** **/** ***[Cobra And Phases Group Play Voltage In The Milky Night](https://cutt.ly/bm9i2Wp)*** **/** ***[The First Of The Microbe Hunters](https://cutt.ly/Zm9i4DW)*** **/** ***[Sound-Dust](https://cutt.ly/Bm9oray)*** **/** ***[Margerine Eclipse](https://cutt.ly/7m9op14)*** **/** ***[Oscillons From The Anti-Sun](https://cutt.ly/om9ofEs)*** **/** ***[Fab Four Suture](https://cutt.ly/Ym9olIL)*** **/** ***[Chemical Chords](https://cutt.ly/Lm9obcI)*** **/** ***[Not Music](https://cutt.ly/hm9oT4m)***
***
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06.-Compay-Segundo---Y-T-Qu-Has-Hecho
06. Compay Segundo - Y T Qu Has Hecho
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10.-Stereolab---The-Stars-Our-Destination
***"Stereolab"*** are an English-French avant-pop band formed in London in 1990.
Led by the songwriting team of ***[Tim Gane](https://cutt.ly/BmFnRwl)*** (guitar and keyboards) and ***[Lætitia Sadie](https://cutt.ly/dmFnYuG)r***(vocals, keyboards and guitar), the group's music combines influences from *krautrock*, *lounge* and *1960s pop music*, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French.
Their lyrics have political and philosophical themes influenced by the ***[Surrealist](https://cutt.ly/imFnOlx)*** and ***[Situationist](https://cutt.ly/ymFnAt5)*** movements.
Although ***"Stereolab"*** found success in the underground music scene and were influential enough to spark a renewed interest in older analogue instruments, they have never had a significant commercial impact. Meaby the key is lost in the interview where ***Gane*** and ***Sadier*** have discussed their musical philosophy - *"to be unique for us was more important than to be good"*.
Keyboardist ***[Katharine Gifford](https://cutt.ly/rmF3dCP)*** joined the band for the recording of the third album ***"Mars Audiac Quintet's"***, while guitarist ***[Sean O'Hagan](https://cutt.ly/rmF3dCP)*** left the band during recording as a full-time member in order to focus on his band the ***"[High Llamas](https://cutt.ly/smF3zm9)"***.
By the time of this release, ***"Stereolab"*** style was prominent throughout the underground, and began to change their approach. The band had already highlighted the rock and experimental sides of its music, now they concentrated on perfecting its space-age pop.
Sweetly bouncy songs like ***"[Ping Pong](https://cutt.ly/Pm3vBH9)"*** and ***"[L' Enfer des Formes](https://cutt.ly/vm3vN4m)"*** streamline the band's sound without sacrificing its essence, track for track, this may be the group's most accessible, tightly written album.
While it's not as overtly innovative as some of ***”Stereolab”*** earlier albums, ***”MAQ”*** is an enjoyable, accessible forerunner to the intricate, cerebral direction the group's music would take in the mid- and late '90s.
***”The Stars Our Destination”*** is the tenth song on the band’s third album ***”[Mars Audiac Quintet](https://cutt.ly/xm9iRfJ)”***, released on 2 August 1994 and was issued by ***"[Duophonic Records](https://cutt.ly/nmFZnnE)"*** and ***"[Elektra Records](https://cutt.ly/AmFZWIh)"***.
***
***"Stereolab"*** info:
**[Official](https://cutt.ly/8mQOGE4)** **/** **[Wikipedia](https://cutt.ly/VmQOIoI)** **/** **[Unofficial](https://cutt.ly/tmQSJuL)** **/** **[Allmusic](https://cutt.ly/jmQPueG)** **/** **[Pitchfork](https://cutt.ly/omQPKqT)** **/** **[Last.fm](https://cutt.ly/JmQPVA8)** **/** **[Rateyourmusic](https://cutt.ly/emQAw1X)** **/** **[Discogs](https://cutt.ly/8mQPpky)** **/** **[Bandcamp](https://cutt.ly/YmQAuvN)** **/** **[YouTube](https://cutt.ly/cmQPhgK)** **/** **[Facebook](https://cutt.ly/mmQOB4B)** **/** **[Spotify](https://cutt.ly/WmQPONT)** **/** **[Instagram](https://cutt.ly/TmQO1ZR)** **/** **[Twitter](https://cutt.ly/7mQOMKr)** **/** **[Lyrics](https://cutt.ly/FmQS9fK)** **/** **[Photos](https://cutt.ly/rmQDumG)**
***
More ***"Stereolab"*** **Organism Star** candy:
**"Stereolab"** / ***[Peng!](https://cutt.ly/Qm9iuZM)***
**"Stereolab"** / ***[Switched On](https://cutt.ly/3m9ifx0)***
**"Stereolab"** / ***[The Groop Played Space Age Batchelor Pad Music](https://cutt.ly/Jm9ilaA)***
**"Stereolab"** / ***[Refried Ectoplasm (Switched On Volume 2)](https://cutt.ly/Zm31L2T)***
**"Stereolab"** / ***[Emperor Tomato Ketchup](https://cutt.ly/um9iOXY)***
**"Stereolab"** / ***[Dots And Loops](https://cutt.ly/Mm9iHCw)***
**"Stereolab"** / ***[Aluminum Tunes](https://cutt.ly/am9iV6c)***
**"Stereolab"** / ***[Cobra And Phases Group Play Voltage In The Milky Night](https://cutt.ly/bm9i2Wp)***
**"Stereolab"** / ***[The First Of The Microbe Hunters](https://cutt.ly/Zm9i4DW)***
**"Stereolab"** / ***[Sound-Dust](https://cutt.ly/Bm9oray)***
**"Stereolab"** / ***[Margerine Eclipse](https://cutt.ly/7m9op14)***
**"Stereolab"** / ***[Oscillons From The Anti-Sun](https://cutt.ly/om9ofEs)***
**"Stereolab"** / ***[Fab Four Suture](https://cutt.ly/Ym9olIL)***
**"Stereolab"** / ***[Chemical Chords](https://cutt.ly/Lm9obcI)***
**"Stereolab"** / ***[Not Music ](https://cutt.ly/hm9oT4m)***
**"Stereolab"** / ***[Electrically Possessed (Switched On Volume 4) ](https://cutt.ly/Xm305mY)***
***
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05.-Elastica---Smile
***"Elastica"*** were a British rock band formed in London in 1992.
In mid-1992, ex-**Suede** band members **[Justine Frischmann](https://en.wikipedia.org/wiki/Justine_Frischmann)** and **[Justin Welch](https://en.wikipedia.org/wiki/Justin_Welch)** decided to form a group. By the autumn of that year, bassist **[Annie Holland](https://en.wikipedia.org/wiki/Annie_Holland)** and guitarist **[Donna Matthews](https://en.wikipedia.org/wiki/Donna_Matthews)** were added.
Self-titled album ***"Elastica"*** is their debut, released on 14 March 1995 through **[Deceptive Records](https://en.wikipedia.org/wiki/Deceptive_Records)**.
It was not just Elastica's post-punk lecture of 16 songs in 40 minutes, but also a piece of music that consistently shines in a rocking and melodic way.
The riffs are angular like early **Adam & the Ants**, the melodies tease like **Blondie**, and the entire band is as tough as the **Clash**, yet they never seem anything less than contemporary.
As ***Simone Appolloni*** wrottes, Elastica are something rare in music: a jack of all trades. A band that can sound sweet, bitter, angry, dynamic and tender at the same time.
And sgain, Elastica did it on an ultra-short 40 minutes session! So, the band’s first studio artwork is simply an ancestral triumph of style.
***”Smile”*** is fifth song on debut Elastica’s album ***“[Elastica](https://open.lbry.com/Elastica---Elastica:53b8e23dc163a348f67fdeae3077f2116fa98c7c)”***, release under the **”[Deceptive](https://www.discogs.com/label/7410-Deceptive)”** record label.
***
***Elastica*** info:
**[Wikipedia](https://en.wikipedia.org/wiki/Elastica)** / **[Discogs](https://www.discogs.com/artist/232940-Elastica-2)** / **[AllMusic](https://www.allmusic.com/artist/elastica-mn0000797431)** / **[Facebook](https://www.facebook.com/ElasticaOfficial)** / **[YouTube](https://www.youtube.com/elasticaofficial)** / **[Britpop Memories](https://britpopmemories.wordpress.com/)**
***
More ***"Elastica"*** **Organism Star** candy:
**Elastica** / ***"[The Menace](https://lbry.tv/@OrganizamStar:8/Elastica---The-Menace:c)"***
***
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HAPPY
10.-Happy-Mondays---Cob-20
***”Happy Mondays”*** are an English rock band formed in [Salford](https://en.wikipedia.org/wiki/City_of_Salford) in 1980. The band's original line-up was ***[Shaun Ryder](https://en.wikipedia.org/wiki/Shaun_Ryder)*** (vocals), his brother ***[Paul Ryder](https://en.wikipedia.org/wiki/Paul_Ryder)*** (bass), ***Mark Day*** (guitar), ***Paul Davis*** (keyboard), and ***Gary Whelan*** (drums). ***[Mark "Bez" Berry](https://en.wikipedia.org/wiki/Bez_(dancer))*** later joined the band onstage as a dancer/percussionist. ***[Rowetta](https://en.wikipedia.org/wiki/Rowetta)*** joined the band as a vocalist in 1990.
The group's work bridged the Manchester independent rock music of the 1980s and the emerging UK rave scene, drawing influence from funk, house, and psychedelia to pioneer the Madchester sound.
***”Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)”*** was the band’s first album, released in 1987 on **[Factory Records](https://en.wikipedia.org/wiki/Factory_Records)** and was produced by ***[John Cale](https://en.wikipedia.org/wiki/John_Cale)***.
Debut wasn’t absolutely a definitive example of the band’s “party rock” stance and imagery: instead, it was an amateurish brand of generic disco music with reverberated drums, **[New Order](https://en.wikipedia.org/wiki/New_Order_(band))** fixation and highly amateurish vocals.
Instead of being a “non-stop party” compilation, this album is more suited to a soundtrack of a nocturnal hangover outside a squalid narco-traffic-invaded improvised nightclub in the periphery of Milan or Manchester. More depressing and degenerated than anything else ***([Simone Appolloni](https://www.allmusic.com/profile/gybo_96))***.
***”Cob 20”*** is tenth song on **”Happy Mondays”** first release, ***”[Squerrel and G-man](https://lbry.tv/@OrganizamStar:8/Happy-Mondays---Squerrel-and-G-man:9)”***.
***
***Happy Mondays*** info:
**[(Un)Official](http://www.happymondays.de/)** / **[Wikipedia](https://en.wikipedia.org/wiki/Happy_Mondays)** / **[Discogs](https://www.discogs.com/artist/12097-Happy-Mondays)** / **[AllMusic](https://www.allmusic.com/artist/happy-mondays-mn0000553483/discography)** / **[YouTube](https://www.youtube.com/channel/UCFA_VbU7a_Wxcav8o55l7YA)** / **[Facebook](https://bit.ly/2YZWvyI)** / **[Twitter](https://twitter.com/happy_mondays)**
***
More ***"Happy Mondays"*** **Organism Star** candy:
**Happy Mondays** / ***"[Bummed](https://lbry.tv/@OrganizamStar:8/Happy-Mondays---Bummed:7)"***
**Happy Mondays** / ***"[Hallelujah](https://open.lbry.com/Happy-Mondays---Hallelujah:c2325b9bfb9a60731b0587e05d122aad86abaf85)"***
**Happy Mondays** / ***"[Pils n Thrills And Bellyaches](https://open.lbry.com/Happy-Mondays---Pils-n-Thrills-And-Bellyaches:a05c34e004edd1119451b2b8a4402417d95647e9)"***
**Happy Mondays** / ***"[Yes Please](https://lbry.tv/@OrganizamStar:8/Happy-Mondays---Yes-Please:f)"***
**Happy Mondays** / ***"[Uncle Dysfunktional](https://lbry.tv/@OrganizamStar:8/Happy-Mondays---Uncle-Pysfunktional:d)"***
***
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04.-Buffalo-Daughter---Don't-Punk-Out
04. Buffalo Daughter - Don't Punk Out
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09.-Oysterboy---Tęskno
09. Oysterboy - Tęskno
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THE S
The-Smiths---The-Smiths
***"The Smiths"***were an English rock band formed in Manchester in 1982. Consisting of vocalist ***[Morrissey](https://cutt.ly/7vnQKtF)***, guitarist ***[Johnny Marr](https://cutt.ly/XvnQXo2)***, bassist ***[Andy Rourke](https://cutt.ly/yvnQVIJ)***, and drummer ***[Mike Joyce](https://en.wikipedia.org/wiki/Mike_Joyce_(musician))***,
critics consider the band one of the most important to emerge from the British independent music scene of the 1980s.
Based on the songwriting partnership of Morrissey and Marr, the Smiths' focus on a guitar, bass, and drum sound, and fusion of 1960s rock and post-punk, were a rejection of the synthesiser-based dance-pop of the time. The friction between Morrissey and Marr resulted in a flurry of singles and albums over the course of three years that provided the blueprint for British guitar rock in the following decade.
***”The Smiths”*** is the band's self titled debut studio album, released on 20 February 1984 by **”[Rough Trade Records](https://cutt.ly/YvnQ9fS)”**. On the surface, the sound wasn't radically different from traditional British guitar pop, but it was actually an astonishing subversion of the form, turning the structure inside out.
Morrissey had a distinctively ironic, witty, and literate viewpoint whose strangeness was accentuated by his off-kilter voice, which would move from a croon to a yelp in a matter of seconds, pop, and Marr's ringing, layered guitars were catchy and melodic.
While the production of ***”The Smiths”*** is a little pristine, the songs are vital and alive, developing a new, unique voice within pop music.
1. **[Reel Around the Fountain](https://cutt.ly/Uv62bVH)**....00:00
2. **[You’ve Got Everything Now](https://cutt.ly/Jv62RlB)**....05:58
3. **[Miserable Lie](https://cutt.ly/nv62Gwa)**....09:58
4. **[Pretty Girls Make Graves](https://cutt.ly/8v62JKG)**....14:26
5. **[The Hand That Rocks the Cradle](https://cutt.ly/Bv62ZV2)**....18:09
6. **[This Charming Man](https://cutt.ly/Ev62BG1)**....22:48
7. **[Still Ill](https://cutt.ly/Sv621MB)**....25:30
8. **[Hand in Glove](https://cutt.ly/Sv69eHA)**....28:51
9. **[What Difference Does It Make](https://cutt.ly/Wv629nU)**....32:14
10. **[I Don’t Owe You Anything](https://cutt.ly/Ev6288m)**....36:04
11. **[Suffer Little Children](https://cutt.ly/hv626vY)**....40:09
***
***"The Smiths"*** info:
**[Official](https://cutt.ly/hvoP3Po)** / **[Unofficial](https://cutt.ly/wvoA20L)** / **[Wikipedia](https://cutt.ly/3voPUdu)** / **[Discogs](https://cutt.ly/6voPNHt)** / **[AllMusic](https://cutt.ly/KvoPG2T)** / **[Facebook](https://cutt.ly/QvoP59Y)** / **[YouTube](https://cutt.ly/KvoAuOH)** / **[Instagram](https://cutt.ly/EvoScCn)** / **[Twitter](https://cutt.ly/ZvoShMs)** / **[Soundcloud](https://cutt.ly/TvoAxoX)**[Spotify](https://cutt.ly/fvoAd8W)** / **[Lyrics](https://cutt.ly/KvoSotd)** / **
***
More ***"The Smiths"*** **Organism Star** candy:
**"The Smiths"** / ***[Hatful of Hollow](https://cutt.ly/Jv4iqET)***
**"The Smiths"** / ***[Meat Is Murder](https://cutt.ly/9v4iy07)***
**"The Smiths"** / ***[The Queen Is Dead](https://cutt.ly/Kv4iaVi)***
**"The Smiths"** / ***[Strangeways, Here We Come](https://cutt.ly/kv4sNpP)***
**"The Smiths"** / ***[The World Won’t Listen](https://cutt.ly/Kv4s9yu)***
**"The Smiths"** / ***[Louder Than Bombs](https://cutt.ly/qv4s5YE)***
**"The Smiths"** / ***[Rank](https://cutt.ly/Av4fkrH)***
***
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LUSH
Lush---Baby-Talk
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***"Lush" Biography***
One of the first bands to have been described with the *"shoegazing"* label, were an English alternative band formed in ***[London](https://cutt.ly/GQCIBch)*** in 1987. The original ***“Lush”*** line-up consisted of ***[Miki Berenyi](https://cutt.ly/4QCI0hj)*** (vocals, guitar), ***[Emma Anderson](https://cutt.ly/pQCI94G)*** (vocals, guitar), ***[Steve Rippon](https://cutt.ly/5QCObEV)*** (bass) and ***[Chris Acland](https://cutt.ly/aQCI4A2)*** (drums).
***[Phil King](https://cutt.ly/gQCOh1X)*** replaced ***Rippon*** in 1991. ***Meriel Barham***, the original lead vocalist left almost immediately, eventually joining ***“[Pale Saints](https://cutt.ly/NQC1jGo)”***. When a replacement could not be found, guitarist ***Miki*** stepped up to the mic.
The band, initially named the ***"Baby Machines"***, were inspired by the garage rock scene of the ***"[Nuggets](https://cutt.ly/hQC0sUW)”*** series", ***"[Cocteau Twins](https://cutt.ly/bQC0hPF)"***, ***"[Siouxsie and the Banshees](https://cutt.ly/cQC0c8G)"***, the ***"[Beach Boys](https://cutt.ly/bQC0S95)"*** and the ***''[Byrds](https://cutt.ly/hQC0G0V)``***.
Meshing dreamy, feedback-drenched guitars with airy, catchy melodies, ***“Lush”*** earned a cult following within the British and American undergrounds with its first *EPs*, yet the group never quite attained the critical respect given to its peers ***“[My Bloody Valentine](https://cutt.ly/VQC0BPf)”*** and ***“[Ride](https://cutt.ly/HQC09p2)”***. Even so, ***“Lush”*** lasted longer than any other of their contemporaries, developing sharp pop skills as their career progressed.
By the time of their final album, 1996's ***"[Lovelife](https://cutt.ly/HQC09p2)"***, they had converted themselves into a power *pop band* with *dream pop* overtones, which resulted in the greatest chart success of their career. That success was dealt a blow when drummer ***Chris Acland*** committed suicide in the fall of 1996, effectively bringing the band to an end.
> Thanks to ***[Robin Guthrie’s](https://cutt.ly/oQBpMhZ)*** connections, in 1989, the band signed to ***“[4AD](https://cutt.ly/WQBpAgw)”*** and released their first recording ***“Scar”***, a six-track mini-album. Originally intended to be a three-track single release, ***“Scar”*** was produced by ***[John Fryer](https://cutt.ly/rQBpUPm)*** and the band themselves and recorded at London's ***Blackwing Studios***.
>
> The album was described as having a distinctive style, somewhere between ***“Cocteau Twins”*** and ***“[Sonic Youth](https://cutt.ly/OQBpnLj)”***, as well as a mix of angelic vocals over subtle guitar trash, of melodies over chaotic rhythms, of haunting whispers over spitting feedback.
# ***"The Song Info***
***“Baby Talk”*** is the first song from ***“Lush”*** debut mini-album ***“[Scar](https://cutt.ly/5QBJjwP)”***, released on 9 October 1989 on ***“[4AD](https://cutt.ly/WQBpAgw)”***, and recorded at London's ***“[Blackwing Studios](https://cutt.ly/vQBaoUi)”***.
# ***"Lush" Info***
**[Light from a dead star](https://cutt.ly/qQCU849)** **/** **[Lushapalooza](https://cutt.ly/oQCOVZa)** **/** **[Wikipedia](https://cutt.ly/KQCENuB)** **/** **[AD](https://cutt.ly/sQCUQxa)** **/** **[AllMusic](https://cutt.ly/qQCEV0p)** **/** **[Pitchfork](https://cutt.ly/1QCRtFd)** **/** **[Last.fm](https://cutt.ly/TQCRwt9)** **/** **[Discogs](https://cutt.ly/nQCE0q3)** **/** **[Facebook](https://cutt.ly/2QCE2ku)** **/** **[Twitter](https://cutt.ly/nQCTETl)** **/** **[Instagram](https://cutt.ly/HQCE9ge)** **/** **[YouTube](https://cutt.ly/2QCE36x)** **/** **[Spotify](https://cutt.ly/pQCRj0C)** **/** **[Lyrics](https://cutt.ly/oQCTd0z)**
# ***More "Lush" Organizam Star Candy***
- ***Lush - ["Spooky"](https://cutt.ly/xQBKoCu)***
- ***Lush - ["Split"](https://cutt.ly/QQBXFck)***
- ***Lush - ["Lovelife"](https://cutt.ly/nQBKh2r)***
- ***Lush - ["Blindspot ep"](https://cutt.ly/UQBBvaU)***
# ***"Organizam Star" Recommendations***
- ***Airiel - ["Molten Young Lovers"](https://cutt.ly/kQZttVr)***
- ***Cocteau Twins - ["Victorialand"](https://cutt.ly/UvLHZOe)***
- ***Autumn's Grey Solace - ["Within The Depths Of A Darkened Forest"](https://cutt.ly/SQB6vzk)***
- ***Republica - ["Republica"](https://cutt.ly/Ib1PZIB)***
- ***Elastica - ["The Menace"](https://cutt.ly/MQB6GzV)***
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# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
Transaction
Created
1 year ago
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audio/mpeg
English