Enigma Variations, Op. 36, Variation 13 ‘Moderato’ - Sir Edward Elgar
Enigma Variations, Op. 36, Variation 13 ‘Moderato’ by Sir Edward Elgar
Elgar composed his collection of 14 Enigma variations in 1899. He wrote that each variation represented a musical picture of a member of the close circle of friends the composer had. The 13th variation 'Moderato' was not officially allocated to a specific person by Elgar, however it is suspected that it refers to Lady Mary Lygon of Madresfield Court. Lady Lygon was a sponsor of the local music festival. Another possible candidate is Helen Weaver, a woman Elgar was engaged to but who broke of the engagement before leaving for New Zealand.
The Banks of the Green Willow by George Butterworth
English composer George Butterworth completed this short orchestral work in 1913. It is based on folk songs from the British Isles, in particular the song “The Banks of Green Willow”. Butterworth would die during the Battle of the Somme three years later, sadly depriving the world of the music he had yet to give.
Violin Concerto in D Major, Op. 61 by Ludwig van Beethoven
This work was composed in 1806 by the 36-year-old Beethoven while working in Vienna. At this point in his lifetime, Beethoven was gaining widespread recognition for his incredible skills as a pianist and composer. It is also during this year that he revealed to the general public that he was experiencing significant hearing difficulties, which would eventually lead to almost complete deafness by 1814.
The work is comprised of three movements:
I. Allegro ma non troppo (D major)
II. Larghetto (G major)
III. Rondo. Allegro (D major)
The piece was first performed on the 23rd of December 1806 in the Theatre an der Vien as part of a fund-raising concert for Franz Clement, a violinist and colleague of Beethoven. The performance was met with only mild success, leading to only minimal performances for the next few decades. The piece would be revived by Felix Mendelssohn in 1844 and is now considered one of the most notable of Beethoven’s compositions.
In 1806 Vienna was ostensibly under the control of Napoleon Bonaparte and the French Empire. After the Battle of Trafalgar the year before, British forces had essentially crippled the French navy - leading to Napoleon focusing on dominating the majority of Europe through land-based incursions.
To prevent Napoleon from taking the role of Holy Roman Emperor, the sixteen German Imperial states of the Empire dissolved the union in 1806 and formed their own ‘Confederation of the Rhine’. The Holy Roman Empire had stood for nearly over 1,000 years since the crowning of Charles the Great (Charlemagne) in the year 800 AD.
Symphony No. 4 in B♭ major, Op. 60 by Ludwig van Beethoven
Beethoven completed his fourth symphony in 1806, with the first performance being given in March of the same year at a private event held at the town house of Prince Lobkowitz.
In the summer of 1806, Beethoven was invited to reside at the country estate of Prince Lichnowsky in Silesia (present day Poland). Lichnowsky was a frequent patron of Beethoven, with the composer dedicating seven compositions to the Prince, in particular the piano sonata No. 8 in C minor ‘Pathetique’.
While at the country estate, Lichnowsky would visit the estate of Count Franz von Oppersdorff, accompanied by Beethoven. The Count was an admirer of Beethoven’s work and offered commission for Beethoven to compose a new symphony. While it seems that Beethoven had already begun work on the fourth symphony before the commission, he would dedicate the work to Oppersdroff, with the count retaining exclusive performance rights on the symphony for the first six months of completion.
The work is comprised of four movements:
I. Allegro – Allegro vivace
II. Adagio
III. Scherzo and trio
IV. Finale
The Four Seasons, Concerto No. 2 in G minor, RV. 315, “Summer” by Antonio Vivaldi
Composed in 1716 by Vivaldi while working as impresario of the Teatro San Angelo in Venice. It is one of the earliest examples of ‘program music’ – music with a narrative element. Vivaldi published four sonnets to accompany each of the four concertos in this group.
This piece is comprised of three sections:
I. Allegro non molto
II. Adagio a piano – Presto e forte
III. Presto
Mass in B minor, BWV 232 ‘Kyrie eleison’ by Johann Sebastian Bach
Bach completed his last Mass in 1749, as he would die a year later. It is the largest Mass Bach composed, and it includes references to earlier works by the composer. The ‘Kyrie eleison (prayer)’ is performed in the first section of the Mass – the Kyrie and Gloria.
Piano Sonata No. 17 in D minor, Op. 32, No. 2 ‘The Tempest’ by Ludwig van Beethoven
Beethoven completed this sonata for piano in 1802 while working in Vienna. The title ‘The Tempest’ was not attributed by Beethoven, but was later given to the work based on the account of Anton Schindler claiming that Beethoven told him the work was partially based on the Shakespeare play of the same name.
The work is comprised of three movements:
I. Largo – Allegro 00:00
II. Adagio 08:38
III. Allegretto 19:01
Cello Concerto in E minor, Op. 85 by Sir Edward Elgar
Elgar completed his cello concerto in 1919 and given its first performance by the London Symphony orchestra in October 1919 to a generally poor reception. This unfortunately led to the concerto not receiving many repeat performances until its return to popularity in the 1960’s.
The work is comprised of four movements:
I. Adagio – Moderato
II. Lento – Allegro molto
III. Adagio
IV. Allegro – Moderato – Allegro, ma non-troppo – Poco più lento – Adagio
The Carnival of the Animals: Tortoises by Camille Saint-Saëns
Camille Saint-Saëns composed his musical suite ‘The Carnival of the Animals’ in 1886 while on leave in Austria. The original work was intended for small collection of instruments taking priority in each respective movement of the suite, however the popularity of the work has since seen the entire suite adapted for orchestra.
If this piece is played quickly, you can hear the Can-can.
Violin sonata in D major, HWV. 371 by George Frideric Handel
Handel completed this sonata in 1750, and would be the last work for chamber ensemble that Handel would compose. Handel had a serious carriage accident later in the year while returning from Germany back to London. This, combined with going blind in one eye due to a botched cataract operation, led to a reduced level of composition in Handel’s later years.
The work is comprised of four movements:
I. Afetuoso 00:00
II. Allegro 02:49
III. Larghetto 05:39
IV. Allegro 07:48