#classical_music#Schubert#symphony Symphony No. 6 in C minor by Franz Schubert; Bavarian Radio Symphony Orchestra; Alphonse Dressel You have the opportunity to support the channel https://www.donationalerts.com/r/radsiaral
#classical_music#Charpentier
Françoise PETIT, harpsichord
Choir of the Musical Youth of France
Paris Concert Chamber Orchestra
Director: Louis MARTINI
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https://www.youtube.com/watch?v=jmM6cnEPgvc
#Вивальди#концерт#скрипка#флейта#классическая_музыка#Vivaldi#concert#violin#flute#classical_music
Vivaldi Concerto In E Minor For Violin, Strings And Continuo, Opus 11, No 2 Il Favorito
I MUSICI A DECADE OF ELOQUENCE VIVALDI
Allegro—Andante—Allegro
Roberto Michelucci, violin
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Brahms Violin Concerto in D Major, Op.77
#классическая_музыка #Брамс #концерт #classical_music #Brahms
#concert
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https://www.youtube.com/watch?v=Pu8_o046Od0
#Tchaikovsky #The_Swan_Lake #Чайковский #Лебединое_озеро
Antal Dorati; London Philharmonic Orchestra, 1938
1. Introduction 00:00
2. Dance of the Queen of the Swans 03:09
3. Waltz 07:56
4. Dance of the Little Swans; Spanish Dance 11:10
5. Mazurka 14:33
6. Dance of the Cygnets 17:11
7. Finale (Final Scene) 21:43
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Channel of Resonant Sound Therapy Sessions: https://www.youtube.com/channel/UCciD2_eZsltcUBIAGCw5xkw
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#Mozart#Chamber_music#Classical_music#Symphony#Musical_composition
Publication date 1930
Wolfgang Amadeus Mozart:
Symphony no.34 in C KV 338 (1780)
1 allegro vivace
2 andante di molto
3 allegro vivace
Mitglieder des Orchesters der Staatsoper, Berlin conducted by Leo Blech
Leo Blech (Aachen, 21.04.1871 - Berlin, 25.08.1958): German opera composer and conductor of Jewish origin. Studied piano with Ernst Rudorff and composition with Woldemar Bargiel at the Hochschule für Musik in Berlin. Later took private lessons with Engelbert Humperdinck.
1893-1896: conductor Stadttheater Aachen
1899-1906: Neues Deutsches Theater, Prague
1906-1937: Königliches Schauspielhaus = later: Staatsoper Unter den Linden, Berlin
1937-1941: in exile in Riga, because of the Nazis. Conducted the Latvian National Opera and Ballet Theatre. Göring arranged for an exit visa to neutral Sweden, fearing Blech's popularity at home and abroad.
1941-1949: Royal Opera, Stockholm
1949-1953: Städtische Oper, Berlin
He composed several operas, a.o. Aglaja (1893); Cherubina (1894); Das war ich (1902); Aschenbroedel (1905); Versiegelt (1908) and Die Strohwitwe (operetta, 1920). He also composed orchestral works, chamber music and songs.
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Weber Concertino for clarinet and orchestra, Op 26
#классическая_музыка #classical_music #Weber_Concertino #Вебер_Концертино
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#Mozart#Chamber_music#Classical_music#String_Quintet#musical_composition
Publication date 1954
Walter Gieseking
Wolfgang Amadeus Mozart's Twelve Variations in E-flat Major, K. 353, is a stunning example of the composer's creativity and skill. It is a work that showcases Mozart's ability to take a simple theme and transform it into a series of beautiful and intricate variations.
The piece was composed in 1781 and is based on a theme by the French composer Pierre Rode. It consists of an introduction, the theme itself, and twelve variations, each of which presents a unique interpretation of the original melody.
The introduction sets the stage for the piece, establishing the key and mood of the work. The theme is then presented in its simplest form, a short melody that is elegant and understated.
The variations that follow are what make this piece so remarkable. Each variation takes the original theme and transforms it in a different way, exploring different textures, harmonies, and techniques.
Some of the variations are playful and light-hearted, while others are more contemplative and introspective. One variation features a dazzling display of virtuosity, with fast runs and intricate finger work, while another explores the delicate interplay between the right and left hands of the piano.
Despite the variety of approaches, all of the variations are tied together by the underlying theme, creating a sense of coherence and unity throughout the piece.
Mozart's Twelve Variations in E-flat Major, K. 353, is a masterful work that demonstrates the composer's incredible versatility and creativity. It is a piece that is both technically challenging and musically satisfying, and it has become a favorite among pianists and music lovers alike.
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