Cantata "Jesus nahm zu sich die Zwölfe", BWV 22 (1723)
I. Arioso (Tenor-Bass) - Chorus: "Jesus nahm zu sich die Zwölfe und sprach" [0:00] II. Aria (Alto): "Mein Jesu, ziehe mich nach dir" [4:50] III. Recitativo (Bass): "Mein Jezu, ziehe mich, so werd ich laufen" [9:56] IV. Aria (Tenor): "Mein alles in allem, mein ewiges Gut" [12:00] V. Chorale: "Ertöt uns durch dein Güte" [15:44]
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Paul Graener (1872-1944)
Symphony in D minor, Op.39, "Schmied Schmerz" (1911)
I. Larghetto [00:00] – Allegro (appassionato) [03:46]
II. Adagio [16:38]
III. Allegro energico [22:38] – Meno mosso [29:41]
Audio from: https://www.youtube.com/watch?v=VnmbvzCRHW0
Score from: https://imslp.org/wiki/Symphony_in_D_minor%2C_Op.39_(Graener%2C_Paul)
...
https://www.youtube.com/watch?v=74_Z7S6-1qU
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Leone Sinigaglia (1868-1944)
Variations on a Theme by Brahms, Op.22 (1902)
[from Brahm's Op. 62 no. 4, "Dein Herzlein mild", for mixed chorus]
Thema [00:00]
Var. 1 [00:36]
Var. 2 Con eleganza [01:10]
Var. 3 Andantino mosso [01:40]
Var. 4 Con fuoco [02:22]
Var. 5 Allegro comodo [02:44]
Var. 6 Alla Mazurka [03:08]
Var. 7 Un poco agitato [03:27]
Var. 8 Andantino mosso [03:52]
Var. 9 Molto espressivo, con moto [04:24]
Var. 10 Vivacissimo [04:59]
Var. 11 Andante mesto [05:20]
Var. 12 Allegretto animato e grazioso [05:58]
Var. 13 Andantino mosso [06:15]
Var. 14 Grave e passionato [06:50]
Var. 15 Agitato ed impetuoso [07:30]
Var. 16 Finale (Lo stesso tempo) [07:50]
Performers: https://www.youtube.com/playlist?list=OLAK5uy_nk3ue_NGc2-GNvMQB_R-AVOSXt0GQQptk
Score from: https://imslp.org/wiki/Category:Sinigaglia,_Leone
...
https://www.youtube.com/watch?v=LZUPJVyUSyM
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Paul Graener (1872-1944)
Musik am Abend, Op.44 (first ed. 1915)
Three movements for small Orchestra
I. Andantino [00:00]
II. Larghetto [04:50]
III. Allegretto [08:17]
Performers: https://www.youtube.com/playlist?list=OLAK5uy_kjtpQ_bsrnZKR-TNNZjL-HplD-g-BGDbM
Score from: https://imslp.org/wiki/Category:Graener,_Paul
...
https://www.youtube.com/watch?v=DdAUlt_fNzU
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John Stanley (1712-1786)
8 solos for a German Flute, Violin or Harpsichord, Op.1
[Here played as Flute Sonatas]
Solo No.1, in D minor
I. Adagio [00:00:00]
II. Allegro [00:01:44]
III. Minuet. Andante – Variation [00:03:34]
Solo No.2, in G minor
I. Andante Staccato [00:07:16]
II. Allegro [00:08:35]
III. Allegro [00:11:31]
Solo No.3, in G major
I. Largo [00:13:37]
II. Allegro [00:14:47]
III. Adagio [00:17:10]
IV. Allegro [00:19:10]
Solo No.4, in D major
I. Adagio [00:20:40]
II. Allegro [00:23:31]
III. Adagio [00:26:16]
IV. Minuet. Allegro [00:26:51]
Solo No.5, in C major
I. Siciliana [00:29:32]
II. Allegro [00:33:23]
III. Minuet. Andante [00:26:57]
IV. Gavot. Allegro [00:38:12]
Solo No.6, in D major
I. Largo [00:39:14]
II. Allegro Andante [00:42:08]
III. Largo [00:44:26]
IV. Minuet. Allegro [00:45:24]
Solo No.7, in D minor
I. Largo [00:49:38]
II. Allegro [00:51:16]
III. Siciliana [00:53:00]
IV. Gavot (with 4 Variations). Allegro [00:54:48]
Solo No.8, in E minor
I. Allegro [00:58:18]
II. Adagio [01:01:15]
III. Minuet. Allegro [01:02:49]
Performers: https://www.youtube.com/playlist?list=OLAK5uy_lEeuhIsOUtYElNrqpZsJH3H_dCWA-FpRI
Score from: https://imslp.org/wiki/Category:Stanley,_John
...
https://www.youtube.com/watch?v=NePE9eL0NDY
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Giovanni Benedetto Platti (1697-1763)
12 Cello Sonatas, IP 18 (first ed. 1725 ca.)
Sonata No.10, in C minor
I. Largo [00:00]
II. Allegro [02:09]
III. Adagio [04:17]
IV. Presto [06:18]
Sonata No.11, in B flat major
I. Andante [08:08]
II. Allegro [10:32]
III. Largo [12:28]
IV. Presto [14:07]
Sonata No.12, in F major
I. Largo [16:16]
II. Allegro [18:30]
III. Siciliana [20:24]
IV. Presto [22:37]
Performers: https://www.youtube.com/playlist?list=OLAK5uy_lcinzttDDT9S-ypBleYTwNUmhMiWgW7Ho
Score from: https://imslp.org/wiki/Category:Platti,_Giovanni_Benedetto
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https://www.youtube.com/watch?v=mrEru9THM48
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Ludvig Norman (1831-1885)
Viola Sonata, Op.32 (1869)
in G minor
I. Allegro appassionato [00:00]
II. Andante cantabile [12:26]
III. Scherzo. Allegro feroce [20:05]
IV. Finale. Allegro moderato [24:37]
Performers: https://www.youtube.com/playlist?list=OLAK5uy_l70BM0ckei7nII64fgINKSWjKABN1JJs8
Score from: https://imslp.org/wiki/Category:Norman%2C_Ludvig
...
https://www.youtube.com/watch?v=C4rO6FhDFVY
➡️ This video is a kind donation by Thomas van Dun (his channel here: https://www.youtube.com/channel/UC-EAnv3oI9OCK1sZcfuVkBQ) ⬅️
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Camille Saint-Saëns (1835-1921)
Piano Trio No.2, Op. 18 (1891-92)
in E minor
I. Allegro non troppo [00:00]
II. Allegretto [11:36]
III. Andante con moto [17:43]
IV. Grazioso, poco allegro [22:00]
V. Allegro [26:34]
Performers: https://www.youtube.com/playlist?list=OLAK5uy_mH4J94O9z2eGB08cua7qpxMZXos8nOiYI
Score from: https://imslp.org/wiki/Piano_Trio_No.2%2C_Op.92_(Saint-Sa%C3%ABns%2C_Camille)
***
Here's what Thomas wrote on his original video:
'Begun in Algiers in March 1892 and completed in Geneva the following July, Saint-Saëns’ Trio no. 2 was given its premiere at the Salle Érard on 7 December by Isidore Philipp (piano), Henri Berthelier (violin) and Jules Loëb (cello). The composer had found the work difficult to compose due to troublesome social commitments: “What prevents me from writing music […] is all those unwelcome visitors, people always wanting me to come for lunch or dinner; I took a violent stand and sent them all packing, so here I am at work again.” The score is unusually structured in five movements. Two longer Allegros enclose the Andante, which forms the central section, and two jauntier interludes (an Allegretto with a surprising quintuple time signature, and a Gracioso, poco allegro in a waltz rhythm). The trio opens with a passionate first movement, described by Saint-Saëns as “black with notes and black in mood”. The skipping badinage of the Allegretto is interrupted by two eloquent, virtuosic episodes. In the Andante con moto, the dialogue between the instruments is underpinned by a haunting motif. The composer Charles Lecocq described the fourth movement as: “The child of the household who pops out to show the tip of his pink snub nose. We would like to chase him away, but he is so sweet that we end up listening to him while patting his head.” He particularly admired the rhapsodic finale, “a marvel of construction, although it doesn’t seem like it, because it all unfolds so naturally that it feels like an improvisation.” Saint-Saëns was to thank his friend later for his perceptive insights into his intentions.' - [Bru Zane Mediabase]
...
https://www.youtube.com/watch?v=xMHKWW7Xtos