【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Schubert Winterreise D911 Op.89
No.18 911-18 Der stürmische Morgen The Stormy Morning 風雪之晨 Mañana tormentosa 嵐の朝
舒伯特 冬之旅 作品911
Schubert Viaje de invierno
シューマン 冬の旅
Song Cycle 歌曲集 ciclo de lieder 連作歌曲集
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Schubert #Winterreise #冬之旅
Winterreise (Winter Journey) is a song cycle for voice and piano by Franz Schubert (D. 911, published as Op. 89 in 1828), a setting of 24 poems by Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being Die schöne Müllerin (D. 795, Op. 25, 1823).
Both were originally written for tenor voice but are frequently transposed) to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle An die ferne Geliebte (To the Distant Beloved) was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history.
24 songs (Op.89) D.911
No.1 911-1 Gute Nacht Good Night 晚安 Buenas noches おやすみ
No.2 911-2 Die Wetterfahne The Weathervane 風向標 La veleta 風見の旗
No.3 911-3 Gefrorne Tränen Frozen Tears 冰結之淚 Lágrimas heladas 凍った涙
No.4 911-4 Erstarrung Frozen 心死 Entumecimiento 氷結
No.5 911-5 Der Lindenbaum The Linden Tree 菩提樹 El tilo 菩提樹
No.6 911-6 Wasserflut Flood 洪流Torrente 溢れる涙
No.7 911-7 Auf dem Flusse On the Stream 河上 En el arroyo 川の上で
No.8 911-8 Rückblick Backwards Glance 回望 Mirada atrás 回想
No.9 911-9 Irrlicht Will o' the Wisp 鬼火 Fuego fatuo 鬼火
No.10 911-10 Rast Rest 休憩 Descanso 休息
No.11 911-11 Frühlingstraum Dream of Spring 春夢 ueño de primavera 春の夢
No.12 911-12 Einsamkeit Loneliness 孤寂 Soledad 孤独
No.13 911-13 Die Post The Post 郵差 La diligencia correo 郵便馬車
No.14 911-14 Der greise Kopf The Gray Head 白首 La cabeza cana 霜おく頭
No.15 911-15 Die Krähe The Crow 烏鴉 La corneja 烏
No.16 911-16 Letzte Hoffnung Last Hope 最後的希望 Última esperanza 最後の希望
No.17 911-17 Im Dorfe In the Village 村中 En el pueblo 村にて
No.18 911-18 Der stürmische Morgen The Stormy Morning 風雪之晨 Mañana tormentosa 嵐の朝
No.19 911-19 Täuschung Deception 幻象 Engaño まぼろし
No.20 911-20 Der Wegweiser The Signpost 路標 El poste 道しるべ
No.21 911-21 Das Wirtshaus The Inn 客棧 La posada 宿屋
No.22 911-22 Mut Have Courage! 勇氣 Valor 勇気
No.23 911-23 Die Nebensonnen The Sun Dogs 幻日 El Parhelio 幻の太陽
No.24 911-24 Der Leiermann The Hurdy-Gurdy Man 風琴奏者 El organillero 辻音楽師
Winterreise, Winter Journey is a song cycle for voice and piano by Franz Schubert (D. 911, published as Op. 89 in 1828), a setting of 24 poems by German poet Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being _Die schöne Müllerin_ (D. 795, Op. 25, 1823).
Both were originally written for tenor voice but are frequently transposed to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle _An die ferne Geliebte_ (_To the Distant Beloved_) was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history.
"Der stürmische Morgen" ("The Stormy Morning"): The storm is an image of his heart, wild and cold like the winter.
...
https://www.youtube.com/watch?v=_hIioDz6df0
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bach Goldberg Variations BWV 988
Variatio 12. a 1 Clav. Canone alla Quarta in moto contrario
巴哈 郭德堡變奏曲 作品988
巴哈 郭德堡变奏曲 作品988
Bach Variaciones Goldberg BWV 988
バッハ ゴルトベルク変奏曲
Piano 鋼琴 ピアノ Keyboard キーボード 大鍵琴 Harpsichord Cembalo チェンバロ Clavecín
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bach #Variation #Goldberg
Bach Goldberg Variations playlist
https://www.youtube.com/watch?v=VWLYG3cKves&list=PLu81SiUmmTCCpxMFAJmGSnXXdlBiU44Mp
《哥德堡變奏曲》(德語:Goldberg-Variationen,BWV 988),是約翰·塞巴斯蒂安·巴赫的一部晚期鍵盤作品,1741年出版。全曲32段,全部演出需40-80分鐘。作曲家本人給此曲定的原題是《為雙層羽管鍵琴所作的一段詠嘆調及其一些列變奏組成的鍵盤練習曲》
這部作品長期不受人們重視,直到20世紀前半葉。女大鍵琴家旺達·蘭多芙絲卡的公開演奏及錄音。之後,1955年加拿大鋼琴家格倫·古爾德將其選作自己的第一張錄音作品。而現在,這首曲子被視為巴赫作品中最重要的變奏曲。全作品包括主題,30個變奏,主題反覆。每三個變奏為一組,每組最後一曲為卡農曲(從一度至九度卡農),如V1-V2-V3(V3是一度卡農曲),V4-V5-V6(V6 二度卡農曲),V7-V8-V9(V9 三度卡農曲),V10-V11-V12(V12 四度卡農曲)等等。
The Goldberg Variations, BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work.
Variatio 12. a 1 Clav. Canone alla Quarta in moto contrario
This is a canon at the fourth in 3/4 time, of the inverted variety: the follower enters in the second bar in contrary motionto the leader.
In the first section, the left hand accompanies with a bass line written out in repeated quarter notes, in bars 1, 2, 3, 5, 6, and 7. This repeated note motif also appears in the first bar of the second section (bar 17, two Ds and a C), and, slightly altered, in bars 22 and 23. In the second section, Bach changes the mood slightly by introducing a few appoggiaturas (bars 19 and 20) and trills (bars 29–30).
Bach Goldberg Variations BWV 988
Aria
Variatio 1. a 1 Clav.
Variatio 2. a 1 Clav.
Variatio 3. Canone all'Unisono. a 1 Clav.
Variatio 4. a 1 Clav.
Variatio 5. a 1 ô vero 2 Clav.
Variatio 6. Canone alla Seconda. a 1 Clav.
Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga
Variatio 8. a 2 Clav.
Variatio 9. Canone alla Terza. a 1 Clav.
Variatio 10. Fughetta. a 1 Clav.
Variatio 11. a 2 Clav.
Variatio 12. a 1 Clav. Canone alla Quarta in moto contrario
Variatio 13. a 2 Clav.
Variatio 14. a 2 Clav.
Variatio 15. Canone alla Quinta. a 1 Clav.: Andante
Variatio 16. Ouverture. a 1 Clav.
Variatio 17. a 2 Clav.
Variatio 18. Canone alla Sesta. a 1 Clav.
Variatio 19. a 1 Clav.
Variatio 20. a 2 Clav.
Variatio 21. Canone alla Settima
Variatio 22. a 1 Clav. alla breve
Variatio 23. a 2 Clav.
Variatio 24. Canone all'Ottava. a 1 Clav.
Variatio 25. a 2 Clav.: Adagio
Variatio 26. a 2 Clav.
Variatio 27. Canone alla Nona. a 2 Clav.
Variatio 28. a 2 Clav.
Variatio 29. a 1 ô vero 2 Clav.
Variatio 30. a 1 Clav. Quodlibet
Aria da Capo
...
https://www.youtube.com/watch?v=gXYnvVXFZeI
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Schumann Myrthen 26 Songs Op.25
No.12 25-12 Lied der Braut II (Lass mich ihm am Busen hangen)
舒曼 桃金孃 桃金娘 作品25 26首 歌曲
Schumann Myrthen, veintiséis canciones
シューマン ミルテの花 26 連作歌曲
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Schumann #Myrthen #Song
No.1 25-1 Widmung
No.2 25-2 Freisinn
No.3 25-3 Der Nussbaum
No.4 25-4 Jemand
No.5 25-5 Sitz' ich allein
No.6 25-6 Setze mir nicht
No.7 25-7 Die Lotosblume
No.8 25-8 Talismane
No.9 25-9 Lied der Suleika
No.10 25-10 Die Hochländer-Witwe
No.11 25-11 Lied der Braut I (Mutter! Mutter!)
No.12 25-12 Lied der Braut II (Lass mich ihm am Busen hangen)
No.13 25-13 Hochländers Abschied
No.14 25-14 Hochländisches Wiegenlied
No.15 25-15 Aus den hebräischen Gesängen (Mein Herz ist schwer)
No.16 25-16 Rätsel
No.17 25-17 Zwei Venetianische Lieder I (Leis' rudern hin)
No.18 25-18 Zwei Venetianische Lieder II (Wenn durch die Piazza)
No.19 25-19 Hauptmanns Weib
No.20 25-20 Weit, weit
No.21 25-21 Was will die einsame Träne
No.22 25-22 Niemand
No.23 25-23 Im Westen
No.24 25-24 Du bist wie eine Blume
No.25 25-25 Aus den östlichen Rosen
No.26 25-26 Zum Schluss
...
https://www.youtube.com/watch?v=e8_ZOCuMSXs
Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bach Harpsichord Concerto No.4 in D, BWV 1055
巴哈 大鍵琴協奏曲 第四號 A大調
巴哈 大键琴协奏曲 第四号 A大调
バッハ チェンバロ 協奏曲第4番 イ長調
Concierto para clavecín No.4 en la mayor
Keyboard 鍵盤 キーボード Cembalo チェンバロ Piano ピアノ 鋼琴
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bach #Harpsichord #Keyboard
00:00 I Allegro assai
04:14 II Larghetto
09:56 III Allegro ma non tanto
...
https://www.youtube.com/watch?v=Ofo6F05mdG0
【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Richard Strauss Suite for 13 Winds in B-flat major Op.4
No.3 4-3 Gavotte
理察 史特勞斯 降B大調 管樂 組曲 作品4
理察 史特劳斯 降B大调 管乐 组曲 作品4
リヒャルト・シュトラウス 13 管楽器 のための 組曲 変ロ長調
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Richard #Strauss #Suite
Richard Strauss Suite in B-flat major
No.1 4-1 Praeludium
No.2 4-2 Romanze
No.3 4-3 Gavotte
No.4 4-4 Introduction und Fuge
The circumstances surrounding the composition and first performance of the Suite in B flat major, Op 4, were to prove enormously significant for Strauss’s career. Von Bülow decided to give the premiere of the new work in Munich in the winter of 1884 during an orchestral tour. Furthermore, since the players had already familiarized themselves with the music in Meiningen that autumn, he thought it would be appropriate if the composer himself conducted this performance according to his own interpretation. Never having directed an orchestra in public before, at short notice and with no rehearsal Strauss was thus launched headlong into his conducting career. Although marred somewhat by von Bülow’s legendary foul temper on the day of the concert (he seemed to be re-living bitter memories of his time in Munich and stamped around the warm-up room throughout the performance, unable to hear the music), Strauss’s unnerving directorial debut had been sufficiently successful to encourage von Bülow to offer him the post of assistant conductor at Meiningen six months later.
Similar in form and style to the Serenade, the opening Praeludium of the Suite has an even briefer ‘development’ section than that of the earlier work; it can only really be described as an intervening episode. Nevertheless, as in the Serenade, references are made here to rhythms and fragments of themes which have played an important role during the opening of the movement. The material of this episode also appears later as part of the coda, a feature which, together with evidence of Strauss’s increasing maturity in idiomatic writing for individual instruments and awareness of texture, mitigates any sense of formal weakness.
The Romanze is a gentle Andante in which a typically terse principal theme is contrasted with a distinctive transitional fanfare idea for horn and lyrical solos for clarinet and oboe forming the second subject. Much of this material was clearly inspired by the distinguished personnel of the Meiningen orchestra. The Gavotte which follows is a lively and appealing rhythmic tour de force, full of colour and the most beguiling and adroit attention to textural detail.
The lyrical second theme from the Romanze appears again in the Introduction of the final movement, after which comes the complex and carefully constructed Fugue. Opinion is divided as to whether or not this Fugue is too contrived. Whatever one’s ultimate view, there can be no doubting the expertise of the youthful composer who employs inversions, augmentations, diminutions, and stretti, and who combines the Fugue subject with episodic themes so successfully in such an audacious display of compositional technique. It is perhaps no wonder that Strauss later commented in connection with this work, ‘Happy days of my youth, when I could still work to order’.
...
https://www.youtube.com/watch?v=hJ34KUoxv7A
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bach Cello Suite No.4 in E flat major BWV1010
巴哈 無伴奏 大提琴 組曲 第4號 降E大調
巴哈 无伴奏 大提琴 组曲 第4号 降E大调
Bach Suites para violonchelo solo n.º 4 en mi bemol mayor
バッハ 無伴奏 チェロ 組曲 第4番
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bach #Cello #Suite
00:00 I Prélude
03:29 II Allemande
07:49 III Courante
11:01 IV Sarabande
15:23 V Bourrée I
18:01 VI Bourrée II
20:10 I Gigue
The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass).
As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types; the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. Gary S. Dalkin of MusicWeb International called Bach's cello suites "among the most profound of all classical music works" and Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God".
Due to the works' technical demands, étude-like nature, and difficulty in interpretation because of the non-annotated nature of the surviving copies, the cello suites were little known and rarely publicly performed until they were recorded by Pablo Casals in the early 20th century. They have since been performed and recorded by many renowned cellists and have been transcribed for numerous other instruments; they are considered some of Bach's greatest musical achievements.
Suite No. 4 in E♭ major, BWV 1010
Suite No. 4 is one of the most technically demanding of the suites, as E♭ is an uncomfortable key on the cello and requires many extended left hand positions. The key is also difficult on cello due to the lack of resonant open strings. The prelude primarily consists of a difficult flowing quaver movement that leaves room for a cadenza before returning to its original theme.
The very peaceful sarabande is quite obscure about the stressed second beat, which is the basic characteristic of the 34 dance, since, in this particular sarabande, almost every first beat contains a chord, whereas the second beat most often does not.
...
https://www.youtube.com/watch?v=3V-BveibyJ0
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Chopin Mazurka
No.31 Op.50 No.2 50-2 A flat major 第31號 降A大調 n.º 31 la bemol mayor 第31番 変イ長調
蕭邦 馬祖卡 馬厝卡 舞曲
萧邦 马祖卡 马厝卡 舞曲
Chopin Mazurca
ショパン マズルカ
ピアノ 鋼琴 钢琴 Piano
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Chopin #Mazurka #馬厝卡
Mazurka Op.50 (30-32)
No.30 Op.50 No.1 50-1 G major 第30號 G大調 n.º 30 sol mayor 第30番 ト長調
No.31 Op.50 No.2 50-2 A flat major 第31號 降A大調 n.º 31 la bemol mayor 第31番 変イ長調
No.32 Op.50 No.3 50-3 C sharp minor 第32號 升C小調 n.º 32 do sostenido menor 第32番 嬰ハ短調
The Op. 50 mazurkas by Frédéric Chopin are a set of three mazurkas written and published in 1842.
A typical performance of all three mazurkas takes about eleven minutes.
...
https://www.youtube.com/watch?v=DgLvnZDb6Qg