This work was completed in 1916 while Holst was working as Director of Music at Morley College in London. The original composition was scored for two pianos, however Holst changed this to a full orchestral version after hearing the work of other composers such as Igor Stravinsky and Arnold Schoenberg.
The suite was premiered at the Queen’s Hall in London in 1918 to a small audience, with generally positive reviews. While this work is considered the most well-known of Holst’s compositions, the composer did not consider this work to be one of his best creations.
Gloria in excelsis Deo, RV 589, Gloria Chorus by Antonio Vivaldi
Vivaldi composed three adaptations of the 4th century hymn Gloria in excelsis Deo. The second of these was likely composed in 1715. The second hymn adaptation is comprised of twelve movements.
Slovak Suite, No. 32 by Vítězslav Augustín Rudolf Novák
Czech composer Vítězslav Novák completed his Slovak suite in 1903. The suite is based on Slovak folk tunes and the composers experience of the Moravian landscape.
The work is comprised of five movements:
I. At Church
II. Children’s scene
III. The Lovers
IV. The Ball
V. The Night
String Quartet No. 12 in F major, Op. 96 ‘American Quartet’ by Antonín Dvořák
Dvořák completed this string quartet during the summer of 1893 while on a holiday in Spillville, Iowa. Dvořák decided on Spillville through a man called Josef Jan Kovařík. Josef was a student of violin at the National Conservatory in New York, the same conservatory at which Dvořák served as director from 1892 to 1895. Josef and his family lived in a Czech community in Spillville.
Notes made by Dvořák at the time indicated he completed the quartet in only 13 days. The notes also indicate the work contains short motifs that are meant to capture the sounds of his life in America, with sounds of a train in the fourth movement, and the call of a scarlet tanager in the third movement.
The first performance of the quartet was at a private gathering in June of 1893 in Spillville, with Dvořák playing first violin and members of the Kovařík family playing the other parts. The first public performance took place in January of 1893 in Boston.
The work is comprised of four movements:
I. Allegro ma non troppo 00:00
II. Lento 09:04
III. Molto vivace 16:50
IV. Finale: vivace me non troppo 20:29
Enigma Variations, Op. 36, Variation 2 ‘H.D.S-P.’ by Sir Edward Elgar
Elgar composed his collection of 14 Enigma variations in 1899. He wrote that each variation represented a musical picture of a member of the close circle of friends the composer had. The 2nd variation ‘H.D.S-P’ is said to represent the pianist Hew David Steuart-Powell.
Fantasia on a Theme by Thomas Tallis by Ralph Vaughan Williams
Composed in 1910 for a commission from the Three Choirs Festival in Gloucester. It is based on a melody by English Renaissance composer Thomas Tallis structured in the Phrygian mode.
Fantaisie-Impromptu in C♯ minor, Op. posth. 66 by Frédéric Chopin
Chopin completed this piece for piano in 1834, however it was not published until 1855 after Chopin’s death. It is unclear why Chopin did not publish the work during his lifetime, with conflicting theories arguing that Chopin considered the work too derivative of Beethoven, or that Chopin sold the rights to the work in 1835.
Suite bergamasque, No. 1 ‘Prélude’, L. 75 by Claude Debussy
Debussy completed his Suite Bergamasque in 1905, after initial work which started in 1890. The suite is comprised of four movements. The suite is likely based on poems by French poet Paul Verlaine.
Sicilienne, Op. 78 by Gabriel Fauré
French composer Gabriel Fauré had originally been commissioned to compose incidental music for the play “Le Bourgeois gentilhomme’ in 1892. The company went bankrupt in 1893 before the play was performed or before the music was complete. Five years later Fauré adapted part of the music for cello and piano ensemble.
Planets Suite: Jupiter, Op. 32 by Gustav Holst
This work was completed in 1916 while Holst was working as Director of Music at Morley College in London. The original composition was scored for two pianos, however Holst changed this to a full orchestral version after hearing the work of other composers such as Igor Stravinsky and Arnold Schoenberg.
The suite was premiered at the Queen’s Hall in London in 1918 to a small audience, with generally positive reviews. While this work is considered the most well-known of Holst’s compositions, the composer did not consider this work to be one of his best creations.