Join odysee here for a fuller experience and receive an LBC joining bonus ! (and I get one too !!)... https://odysee.com/$/invite/@DiggingintheCrates "Sunday" (video directed by Andreas Neumann) is from the new album ‘Post Pop Depression,' available everywhere now. Vinyl and Merch: http://found.ee/PPD_OnlineStore iTunes: http://found.ee/PPD_iTunes Amazon: http://found.ee/PPD_Amazon The official Iggy Pop socials http://iggypop.comhttp://iggypop.com/ http://www.facebook.com/iggypop http://twitter.com/iggypop http://www.instagram.com/iggypopofficial 'A lot of geezers my age don't work out of their comfort zone anymore because once you become legendary you don't want people challenging you.' - Iggy Pop The first Iggy Pop album co-created with producer Homme, Post Pop Depression began with a succinctly worded text from Iggy to Joshua, and was realized in seclusion with Homme's enlisted aid of his Queens Of The Stone Age bandmate and Dead Weather-man Dean Fertitia and Arctic Monkeys drummer Matt Helders. Post Pop Depression is a singular work that stands proudly alongside the best works of either of its principles, from The Stooges to Queens Of The Stone Age, bearing its creators' undeniable sonic DNA while sounding like nothing they've done before. It's a record that wouldn't exist without either Pop or Homme-and one that probably shouldn't in theory if you really think about it-but it does, and we and rock n roll are all the better for it. Music video by Iggy Pop performing Sunday. (C) 2016 IGHO, LLC. Under exclusive license to Loma Vista Recordings. Distributed by Concord Music Group, Inc. http://vevo.ly/a2IOeo

Check out more Alternative Rock of 2023: https://odysee.com/@DiggingInTheCrates:6?view=content&t=Alternative+Rock+of+2023 Join odysee here for a fuller experience and receive an LBC joining bonus ! (and I get one too !!)... https://odysee.com/$/invite/@DiggingintheCrates

Check out more Songs from 1955: https://odysee.com/$/discover?t=Songs%20from%201955 Join odysee here for a fuller experience and receive an LBC joining bonus ! (and I get one too !!)... https://odysee.com/$/invite/@DiggingintheCrates The Jacks also known as the Cadets. The members were Aaron Collins (the brother of Betty and Rosie Collins who recorded as The Teen Queens), Willie Davis, Austin "Ted" Taylor, baritone Lloyd McGraw and bass singer Will "Dub" Jones. Ted Taylor, who left the group in early 1956 for a solo career, was replaced first by Prentice Moreland (who attended only one session and delivered the line "Great googa-mooga, let me outtahere," on "Stranded in the Jungle") and then by Pete Fox from The Flairs. Joe Bihari the boss man of the Modern Records empire in Los Angeles came up with the idea of having one group with a split personality, envisioning The Jacks as a ballad harmony group utilizing the writing talents of Aaron Collins, and The Cadets as an uptempo and novelty song quintet. As a rule, Dub Jones or Aaron Collins sang lead on the Cadets recordings, while tenor Willie Davis fronted the Jacks. Ted Taylor was also featured on three early songs. The band on most of the group's sessions was lead by tenor saxophonist Maxwell Davis. The Jacks/Cadets also backed up other artists, notably Young Jessie on "Mary Lou" and Richard Berry on "Jelly Roll" and "God Gave Me You." The Jacks first side was a cover of a tune by The Feathers called "Why Don't You Write Me". It proved to be a national hit record and introduced the sound of the group to a wide audience. The flip side, Charlie Calhoun's "Smack Dab In The Middle" was recorded as by The Cadets originally in keeping with the 'two groups in one' philosophy. When the ballad side began to break big in the pop field, a second pressing was hastily issued with a ballad now on the flip side - "My Darling". Two sides with the group backing up singer Donna Hightower were failures, as was their next single, but surprisingly the bouncy "How Soon" got some airplay and sales and the next ballad release "Why Did I Fall In Love" did well across the country but was not nearly as successful as the first recording by the group. By this time Bihari and Modern had given up on the Jacks part of the equation, and from that point on the group was exclusively known as The Cadets. The quintet's identity as The Cadets started as the musical cover group for the Modern label. Their first outing was a version of Nappy Brown's "Don't Be Angry", and the second release was a cover of The Marigolds "Rolling Stone". Then followed backup for Young Jesse and Dolly Cooper, an late blooming "Annie" song ("Annie Met Henry") and a double cover of Elvis ("Heartbreak Hotel") and The Willows ("Church Bells May Ring"). The next release was also a cover, but this time things were different. The cover of The Jayhawks "Stranded In The Jungle" took off like a rocket and went to the top of the R & B charts and also scored big on the pop charts. The Cadets never again achieved this measure of success issuing a string of covers such as Peppermint Harris "I Got Loaded" and "I'll Be Spinning" originally by Johnnie & Joe. By the turn of the new decade the Cadets had been ready to call it a career, but a new lineup of two members of the Cadets and two members of the Flairs became a new vocal group called The Flares (note the different spelling). The Flares were Aaron Collins, Willie Davis, Thomas Miller, and George Hollis and they signed to record for the Felsted label, a New York based label headed by Walt McGuire. "Loving You" and "Jump And Bump" were the first two releases and they went nowhere. The third recording was a charm - "Foot Stomping (parts one and two)" on Felsted #8624. This was a typical early sixties dance record with an energetic sound and it was a great seller getting into the top twenty pop records of the country. They followed it up with another two part record called "Rock And Roll Heaven" on a new label named Press, but that record failed to chart as did all subsequent releases by the group. There were six more recordings by The Flares on Press and none of them went anywhere. It was 1964 and the English Invasion was on and the end of the road for The Jacks / Cadets / Flares was at hand. So ended the story of the group that had a multi faceted appeal and saw some limited success during their years as a recording unit. They were certainly unique during their time as representatives of the music of America. Prentice Moreland, Aaron Collins, Ted Taylor and Lloyd McGraw are deceased. Willie Davis is considering a new version of The Jacks / Cadets possibly including Pete Fox. Dub Jones still lives in Los Angeles but, at last report, was not interested in returning to the stage.