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Created On
1 Mar 2020 07:08:33 UTC
Transaction ID
Cost
Safe for Work
Free
Yes
La nuée d'orage.
This piece is a part of the @sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.
Source Link: https://digitalcollections.nypl.org/items/510d47da-4580-a3d9-e040-e00a18064a99
```Title
La nuée d'orage.
Names
Avery, Samuel Putnam, 1822-1904 (Collector)
Bracquemond, Félix (1833-1914) (Etcher)
Collection
Samuel Putnam Avery Collection
Bracquemond, Félix
Eaux-fortes originales, pointes sèches, essais de procédés, etc.
Dates / Origin
Date Created: 1852 - 1882
Library locations
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection
Shelf locator: MEZAC
Topics
Geese
Clouds
Storms
Genres
Prints
Notes
Content: Admission is granted through application to the Office of Special Collections.
Content: Collection presented to The New York Public Library in 1899 by S.P. Avery.
Content: Forms part of Prints by Felix Bracquemond in Samuel Putnam Avery Collection.
Content: Holdings checked in departmental copy of Henri Beraldi, Les graveurs du XIXe siecle, v. 3.
Content: Original etchings and drypoints by Bracquemond, including many trial proofs with additions in ink, watercolor and gouache. Subjects include illustrations for Gautier's Capitaine Fracasse, selected fables of La Fontaine, and Rabelais; birds and animals (bats, crows, ducks, geese, lapwings, magpies, moles, partridges, rabbits, roosters, storks and teal); landscapes along the Seine; views of Paris; several scenes of the Siege of Paris in 1871, two showing snowmen by the sculptors Falguiere and Moulin; Madame Bracquemond sketching a portrait.
Content: S.P. Avery Collection.
Content: Title from H. Beraldi, Les graveurs du XIXe siecle, v. 3, p. 45.
Citation/reference: B219(VI/[XII])
Physical Description
Extent: Etching and drypoint, with white and gray gouache ; state noted with standard reference number.
Type of Resource
Still image```
Source Link: https://digitalcollections.nypl.org/items/510d47da-4580-a3d9-e040-e00a18064a99
```Title
La nuée d'orage.
Names
Avery, Samuel Putnam, 1822-1904 (Collector)
Bracquemond, Félix (1833-1914) (Etcher)
Collection
Samuel Putnam Avery Collection
Bracquemond, Félix
Eaux-fortes originales, pointes sèches, essais de procédés, etc.
Dates / Origin
Date Created: 1852 - 1882
Library locations
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection
Shelf locator: MEZAC
Topics
Geese
Clouds
Storms
Genres
Prints
Notes
Content: Admission is granted through application to the Office of Special Collections.
Content: Collection presented to The New York Public Library in 1899 by S.P. Avery.
Content: Forms part of Prints by Felix Bracquemond in Samuel Putnam Avery Collection.
Content: Holdings checked in departmental copy of Henri Beraldi, Les graveurs du XIXe siecle, v. 3.
Content: Original etchings and drypoints by Bracquemond, including many trial proofs with additions in ink, watercolor and gouache. Subjects include illustrations for Gautier's Capitaine Fracasse, selected fables of La Fontaine, and Rabelais; birds and animals (bats, crows, ducks, geese, lapwings, magpies, moles, partridges, rabbits, roosters, storks and teal); landscapes along the Seine; views of Paris; several scenes of the Siege of Paris in 1871, two showing snowmen by the sculptors Falguiere and Moulin; Madame Bracquemond sketching a portrait.
Content: S.P. Avery Collection.
Content: Title from H. Beraldi, Les graveurs du XIXe siecle, v. 3, p. 45.
Citation/reference: B219(VI/[XII])
Physical Description
Extent: Etching and drypoint, with white and gray gouache ; state noted with standard reference number.
Type of Resource
Still image```
Author
Content Type
Unspecified
image/jpeg
Language
English
More from the publisher
Controlling
IMAGE
EGYPT
Edfou
**This piece is a part of the @sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.**
Egypt and Nubia: Volume I - No. 32, View from under the Portico of the Temple of Edfou, Upper Egypt, 1838. Louis Haghe (British, 1806-1885). Color lithograph; The Cleveland Museum of Art, Gift of J. Byers Hays 1953.513
Transaction
Created
1 year ago
Content Type
Language
image/tiff
English
Controlling
IMAGE
ALL P
power-to-the-people2
This piece is a part of the @sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.
Source Link: https://digitalcollections.nypl.org/items/c9e83030-6be8-0135-6bb0-0550f5bf58c1
```Title
All power to the people, BU. X.405
Collection
Art and Artifacts Division Button Collection
United States Social Political Button Collection
Dates / Origin
Date Created: 1965 - 1975 (Approximate)
Library locations
Schomburg Center for Research in Black Culture, Art and Artifacts Division
Shelf locator: Sc Art Buttons
Topics
Newton, Huey Percy, 1942 1989
Black Panther Movement
Genres
Buttons (Information artifacts)
Type of Resource
Three dimensional object```
Transaction
Created
1 year ago
Content Type
Language
image/jpeg
English
Controlling
IMAGE
EGYPT
Statues-of-Memnon
**This piece is a part of the @sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.**
Egypt and Nubia, Volume II: Statues of Memnon at Thebes, during the Inundation, 1848. Louis Haghe (British, 1806-1885), F.G. Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.5 x 60.3 cm (17 1/8 x 23 3/4 in.); image: 35.1 x 51.7 cm (13 13/16 x 20 3/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.252
By the mid 19th century, the complexities of printing in numerous colors had been mastered, culminating in one of the high points of European printmaking. The plates drawn by Haghe, which copy the watercolors that David Roberts made in Egypt, are exquisite examples of color lithography. Egypt was a distant, mysterious country for Europeans and Haghe, a Scottish topographical and architectural artist who spent the year of 1838 traveling across this ancient land. The resulting prints—the first comprehensive series of views of the monuments, landscapes, and people of the Near East—were especially appreciated for their brilliant color and large scale.
```
Accession_number
2012.252
Addeddate
2019-01-19 04:03:34
Credit
Bequest of John Bonebrake
Culture
England, 19th century
Dimensions
Sheet: 43.5 x 60.3 cm (17 1/8 x 23 3/4 in.); Image: 35.1 x 51.7 cm (13 13/16 x 20 3/8 in.)
Identifier
clevelandart-2012.252-egypt-and-nubia-volu
Medium
color lithograph
Provenance
[Otto Schreiber] (no date)
Scanner
Internet Archive Python library 1.8.1
Source_url
https://clevelandart.org/art/2012.252
Transaction
Created
1 year ago
Content Type
Language
image/tiff
English
IMAGE
RED_C
RedCrossbillinHemlock8214997309jpg
This piece is a part of the @sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.
Transaction
Created
1 year ago
Content Type
Language
image/jpeg
English
Controlling
IMAGE
ILLUS
creatures-21
This piece is a part of the @sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.
Source Link: https://gallica.bnf.fr/ark:/12148/btv1b22000982/f21.planchecontact.r=La%20d%C3%A9couverte%20australe%20par%20un%20homme%20volant,%20ou%20Le%20d%C3%A9dale%20fran%C3%A7ais
```Title :
[Illustrations de La Découverte australe par un homme volant, ou Le Dédale français] ; [[]Illustrations de La Découverte australe, ou Les Antipodes] / [Non identifié] ; Nicolas-Edmé Restif de la Bretonne, aut. du texte
Author :
Rétif de La Bretonne, Nicolas-Edme (1734-1806). Auteur du texte
Publication date :
1781
Subject :
Scènes
Type :
image
Type :
still image
Language :
french
Language :
French
Format :
21 est. : taille douce
Format :
image/jpeg
Description :
Thème : Littérature
Description :
Illustration
Rights :
public domain
Identifier :
ark:/12148/btv1b22000982
Source :
Bibliothèque nationale de France
Relationship :
http://catalogue.bnf.fr/ark:/12148/cb384980150
Provenance :
Bibliothèque nationale de France
Date of online availability :
15/10/2007 ```
Transaction
Created
1 year ago
Content Type
Language
image/jpeg
English
Controlling
IMAGE
THE G
The-great-beauty
This piece is a part of the @sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.
Source Link: https://digitalcollections.nypl.org/items/34bc5530-2867-0131-fbee-58d385a7bbd0
```Title
The great beauty of Yûsuf, Zulaykhâ's servant, causes several women of Memphis to faint or to cut their hands rather than their pomegranates, fol. 48v
Collection
Qisas al-Anbiyâ
Dates / Origin
Date Created: 1580 (Approximate)
Place: Qazvin?
Date Created: 1580 (Approximate)
Library locations
Spencer Collection
Shelf locator: Spencer Coll. Pers. ms. 46
Topics
Joseph (Son of Jacob) -- In the Qurʼan
Pomegranate in art
Loss of consciousness
Musical instruments in art
Stringed instruments
Wounds and injuries
Genres
Manuscripts, Persian
Physical Description
Extent: 17.2 x 14.3 cm
Type of Resource
Still image
Languages
Persian```
Transaction
Created
1 year ago
Content Type
Language
image/tiff
English
Controlling
IMAGE
ORPHE
Orpheus
This piece is a part of the @Sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.
---
This piece is part of an exploration of the https://www.clevelandart.org online archives, there are many materials here, I'm presenting some of these here as my personal favorites.
Original Link:
https://www.clevelandart.org/art/1926.25
> Drawn in vivid layers of pastel crayon, this work depicts the head of the poet and musician Orpheus. The story of the god of music, whose music carried on after his death through his lyre and head, fascinated Redon, who related to Orpheus's dedication to his art. The subject also aligned with Redon's broader interest in dreams and spirituality around this time and he represented Orpheus several times throughout his career, in various media. Here, the god's head floats as if in stasis while Mount Parnassus—the home of Apollo and the Muses—soars from behind.
Transaction
Created
1 year ago
Content Type
Language
image/tiff
English
Controlling
IMAGE
SPACE
Bernal_Agriculture1
This piece is a part of the @sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.
---
Original source:
https://settlement.arc.nasa.gov/70sArtHiRes/70sArt/art.html
This is part of a series commissioned by NASA.
>A Bernal sphere is a type of space habitat intended as a long-term home for permanent residents, first proposed in 1929 by John Desmond Bernal.
>Bernal's original proposal described a hollow non-rotating spherical shell 10 mi (16 km) in diameter, with a target population of 20,000 to 30,000 people. The Bernal sphere would be filled with air
Transaction
Created
1 year ago
Content Type
Language
image/jpeg
English
Controlling
IMAGE
PORTR
woman-portrait
This piece is a part of the @Sol-art-archive a public domain collection of art and materials designed to be reused and remixed in work however the artist sees fit.
---
This piece is part of an exploration of the https://www.clevelandart.org online archives, there are many materials here, I'm presenting some of these here as my personal favorites.
Original Link:
https://www.clevelandart.org/art/1962.259
> This portrait represents a woman in her later middle years holding a handsome rosary made of coral with gold medals. Her identity remains unknown, but the richness and elegance of her black woolen gown with fur-trimmed cuffs and her coif of white sheer linen attests to her comfortable social standing. The prominence of her rosary is perhaps meant to suggest her personal devotion. In addition to a stylistic affinity to the work of this prominent Colognese painter, recent scholarship also points to the colorful patterned cloth background and the specific medals on the rosary as additional evidence the portrait was painted in Cologne.
Transaction
Created
1 year ago
Content Type
Language
image/tiff
English