”Part 1 of 6. Before they can be brought to trial they must be exposed to the world.” The antidote to the worldwide web of lies spun by the Stockholm bureaucracy is the Blue-Yellow pill. WATCH Sweden’s ”Loose Change,” — the real life ”Girl With Dragon Tattoo” and ”Fast Cash”. Free to republish/re-upload in whole or in part. Although the film is protected under Fair Use it will not stop the system from still claiming copyright violations in order to have it removed. Thus, be sure to promptly download it and re-upload on secure platforms. Share far and wide! If edited please also include the link to the complete film. In a time of censorship when material of historical importance is being scrubbed from the internet and even blurry low resolution copies with jarring sound becomes tantamount to gold it is important to gather what still remains, so that the audio visual evidence of the tragedy that befell Sweden during the first decades of the 21st century isn’t memory-holed out of existence by the forces of tyranny. ”State of Sweden” covers all major Swedish domestic groups who in their own way have been adversely affected by the anarcho-tyranny. Importantly, the film does not represent any one particular organization, but stands on its own. The facts speak for themselves, regardless who champions them. The only agenda with the production is to reveal the unvarnished truth. No one gets a pass because of their status, culture, religion, gender, sexual orientation, age or ethnicity. Disclaimer: Contrary to what fake news outlets may claim the film advocates holding the criminal elements accountable solely through peaceful means. Contrary to what fake news may claim the film does not spread lies nor does it promote hatred, it exposes it. The actual extremists are the apologists and pushers of the genocidal policies which is destroying Sweden—a nation that was at peace for hundreds of years until the globalists slated it for destruction. Because the fake news establishment media are arrogant and above all lazy they will not watch the film in whole, or at most simply skim through it. Basing their flimsy responses on such conduct, they will thus (deliberately or not) miss parts that will in turn automatically destroy their lies. Everything in the film ties together and one cannot credibly dismiss any one particular part without also adequately explaining the rest in the same context. All that remains for the fake news pundits is therefore the emotional appeal, in which they are left to defend rapists, murderers and other criminals as well as the attempted genocide of a people. Thus, they are effectively left with zero moral standing. As the saying goes, ”the cover up always gets you.” This is also why the film needs to be so long. It sets up those who rely on the lie for a major downfall. That the subject matter for one of the world’s longest documentaries is about the rampant latter day Swedish criminality may come as no surprise to those already familiar with the so-called state of Sweden a.k.a. svenska tillståndet — the reality which lurks behind the Potemkin curtain known as Sverigebilden, the Sweden image which is the way the criminal establishment would like to portray itself to the rest of the world, and its own people. The film is a distress call, as evident by the title, and it needs to become loud enough in order to be able to reverse much of the tragedy that has befallen the people of Sweden, and the world, as a direct result of the criminal Swedish establishment having been allowed to go unchecked for too long. This is in turn not only the longest Swedish film ever made, but the most important film about Sweden ever made. No other film is currently offering an equally exhaustive overview (and consequently review) of the state of Sweden and its worldwide crimes. Yet, it remains only cursory. The length of the documentary also works to illustrate the rapidly escalating and seemingly never ending nightmare that the Swedish establishment has forced its indigenous population into. The documentary compresses what would normally require years to comprehend into a 12 hour dramatic overview. To argue that the film should be shorter is like suggesting that Assange should not have released all 250,000 cables with the reasoning that it was too much. It is not a film that is intended to be watched in one sitting, the viewer decides when intermission is necessary. Rather than deeming the length of the film as a problem it should be regarded as a 12 hour long merciless torture of the criminal Swedish establishment. The film refuses to tone itself down, and uncompromisingly presents enough information and perspectives to completely shatter the opinion corridor once and for all. Because, once a person has watched the film from beginning to end they will undoubtedly feel the need to talk to somebody about the shocking revelations. This is inevitable.