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28 May 2020 21:14:53 UTC
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Robert Wimer | Lasciatemi morire | Day 280 - Listen, Help A Critter & Donate
Lasciatemi morire, a song by Claudio Monteverdi, could be considered, by some, to be the very first emo song as the title translates "Let me die".
Lasciatemi morire was one of the first Italian songs I ever learned in college. Jeff Nolte, my second voice teacher, taught me that when you are learning a song, it's important to understand the text so you can convey the emotion of the piece. He emphasized that technique is one thing, but if you combine good technique with emotional content, you have a golden performance that will be memorable. This song, at the time, was a tough one for me to perform. The translation is,..well a bit somber, and, for me, I couldn't just turn that on at will. This was another lesson from my teacher, that you had to remain in emotional control, otherwise it could hurt your voice. "You have to walk a tightrope", was his wise words. I will miss you Jeff.
Only 84 days left...
Lyrics:
Lasciatemi morire,
Lasciatemi morire;
E che volete voi che mi conforte
In così dura sorte,
In così gran martire?
Lasciatemi morire.
translation:
Let me die,
Let me die;
And what you would think could comfort me
In such a harsh fate,
In such a great martyrdom?
Let me die.
Song requests: http://bit.ly/1Nj1Hlf
Help @ GoFundMe: http://bit.ly/1UyZEvu
#undertheoverpass
You can follow / catch up, make song requests and help support this odyssey at the links above. I will keep this GoFundMe cause open throughout the year and close it out once this is over and present the check to the shelter where it will help a lot of critters. Check out the critters at http://greenhillsanimalshelter.org.
...
https://www.youtube.com/watch?v=JtDAcYlf5JY
Lasciatemi morire was one of the first Italian songs I ever learned in college. Jeff Nolte, my second voice teacher, taught me that when you are learning a song, it's important to understand the text so you can convey the emotion of the piece. He emphasized that technique is one thing, but if you combine good technique with emotional content, you have a golden performance that will be memorable. This song, at the time, was a tough one for me to perform. The translation is,..well a bit somber, and, for me, I couldn't just turn that on at will. This was another lesson from my teacher, that you had to remain in emotional control, otherwise it could hurt your voice. "You have to walk a tightrope", was his wise words. I will miss you Jeff.
Only 84 days left...
Lyrics:
Lasciatemi morire,
Lasciatemi morire;
E che volete voi che mi conforte
In così dura sorte,
In così gran martire?
Lasciatemi morire.
translation:
Let me die,
Let me die;
And what you would think could comfort me
In such a harsh fate,
In such a great martyrdom?
Let me die.
Song requests: http://bit.ly/1Nj1Hlf
Help @ GoFundMe: http://bit.ly/1UyZEvu
#undertheoverpass
You can follow / catch up, make song requests and help support this odyssey at the links above. I will keep this GoFundMe cause open throughout the year and close it out once this is over and present the check to the shelter where it will help a lot of critters. Check out the critters at http://greenhillsanimalshelter.org.
...
https://www.youtube.com/watch?v=JtDAcYlf5JY
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You can follow / catch up, make song requests and help support this odyssey at the links above. I will keep this GoFundMe cause open throughout the year and close it out once this is over and present the check to the shelter where it will help a lot of critters. Check out the critters at http://greenhillsanimalshelter.org.
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Lyrics:
Wheels on the bus go round and round
Round and round, round and round
The Wheels on the bus go round and round
All 'round the town
The wipers on the bus go swish, swish, swish
Swish, swish, swish, swish, swish, swish
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The people on the bus go up and down
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The horn on the bus goes beep, beep, beep
Honk, honk, honk, beep, beep, beep
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And the baby on the bus go waa, waa, waa
Waa, waa, waa, waa, waa, waa.
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Song requests: http://bit.ly/1Nj1Hlf
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Take My Life and Let It Be | Day 202
DONATE TO THE GREEN HILLS ANIMAL SHELTER
While the TV themes were fun to do, it's time to get back to the hymns that I love so much.
The story behind the hymn:
Frances Ridley Havergal (1836-1879) was an unusually gifted and passionate saint. The daughter of a church rector, she was raised in Worcester, England and attended schools in England and Germany. In her love of learning, she grew to become an able scholar (even becoming proficient in both Hebrew and Greek) and a talented singer and pianist.
The deepest desire of her heart, however, was in “personal spiritual influence upon others” (Benson). This led her to value most of all her ability to write; for that reason she expended the majority of her life’s labors in writing prose and poetry that would be spiritually beneficial to the saints.
Havergal suffered poor health and was taken by the Lord at just 42 years of age. But the Lord prospered her ministry; her writings had a large impact in her own day, and several continue to be read and sung today.
The story of “Take My Life” gives a good picture of the kind of passion and joy she had in ministering to others. She once recounted the story behind it:
Perhaps you will be interested to know the origin of the consecration hymn, “Take my life.” I went for a little visit of five days. There were ten persons in the house, some unconverted and long prayed for, some converted but not rejoicing Christians. He gave me the prayer, “Lord, give me all in this house!” And He just did! Before I left the house every one had got a blessing. The last night of my visit I was too happy to sleep, and passed most of the night in praise and renewal of my own consecration, and these little couplets formed themselves and chimed in my heart one after another, till they finished with, “Ever, ONLY, ALL for Thee!”
In her own words, the hymn is a “consecration hymn” in which the singer commits all of her possessions and being to the Lord for his purposes. It expresses what each of us ought to feel and long for, even if at times we see so much disparity between the words and our actual state that we have to sing most of it in hope and faith.
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Take my life and let it be
Consecrated, Lord, to Thee.
*Take my moments and my days,
Let them flow in endless praise.
Take my hands and let them move
At the impulse of Thy love.
Take my feet and let them be
Swift and beautiful for Thee.
Take my voice and let me sing,
Always, only for my King.
Take my lips and let them be
F
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