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3 Feb 2021 06:53:56 UTC
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Family Ties in Victorian England
Author: Claudia Nelson
File Type: pdf
The Victorians were passionate about family. While Queen Victorias supporters argued that her intense commitment to her private life made her the more fit to mother her people, her critics charged that it distracted her from her public responsibilities. Here, Nelson focuses particularly on the conflicting and powerful images of family life that Victorians produced in their fiction and nonfictionthat is, on how the Victorians themselves conceived of family, which continues both to influence and to help explain visions of family today.Drawing upon a wide variety of 19th-century fiction and nonfiction, Nelson examines the English Victorian family both as it was imagined and as it was experienced. For many Victorians, family was exalted to the status of secular religion, endowed with the power of fighting the contamination of unchecked commercialism or sexuality and holding out the promise of reforming humankind. Although in practice this ideal might have proven unattainable, the many detailed 19th-century descriptions of the outlook and behavior appropriate to fathers and mothers, sons and daughters, and other family members illustrate the extent of the pressure felt by members of this society to try to live up to the expectations of their culture. Defining family to include the extended family, the foster or adoptive family, and the stepfamily, Nelson considers different roles within the Victorian household in order to gauge the ambivalence and the social anxieties surrounding themmany of which continue to influence our notions of family today.ReviewDraws on fiction and nonfiction writings in a study contrasting how family life was imagined and experienced during the period.ullulThe Chronicle of Higher EducationIn this volume, Nelson discusses representations of family life in Victorian fiction and non-fiction. Chapters are organized around familial roles, such as husband and wife, mother and father, and children and siblings, in addition to extended, foster, and stepfamilies. She addresses both the historical facts of Victorian domestic life and conflicting images in texts of the time, in an attempt to understand views of family life and domestic duties and how positive and negative ideas served the desires of the country. Some illustrations are included.ullulReference & Research Book NewsIn this well-written, well-researched sociological study of the Victorian family, Nelson links life and literature, showing literary attempts to inculcate virtue as defined by the culture and the individual author. Drawing in court cases and life stories of Victorians both well known and obscure, the author argues that Victorian literature offers a middle-class viewpoint that the working classes are morally inferior and shows the extent to which family, supposed to be the bedrock on which Victorian society was built, nonetheless appeared vulnerable. Employing the extended family, stepparenting, and adoption, Victorian writers could present poor parenting without attacking the assumption that all women are maternal. Not surprisingly, Nelson finds girls and womens training and roles different from those of men and boys--boys raised to support families and given leisure and freedom, girls removed from school as young as seven (if they were needed to care for siblings) and expected to cater to the needs of brothers throughout life. This fascinating, timely, and eye-opening study adds to Nelsons outstanding Invisible Men Fatherhood in Victorian Periodicals, 1850-1910. Highly recommended. All readers all levels.ullulChoiceBy including a wide range of experiences, Nelson offers a well-rounded picture of Victorian family life.Nelson is a gifted writer with a firm grasp on both historical and literary issues and, considering the number of topics she had to cover in a brief text, she has done an admirable job of synthesis. This book will be helpful to introductory courses on Victorian literature or history, particularly ones stressing gender issues.ullulJournal of British StudiesBook DescriptionA vivid look at the Victorian British family emphasizing interpersonal relationships, using both non-fiction and fiction sources.
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Author: Sean Egan
File Type: epub
When considered in a broader social context, The Clash stand as one of the most important musical acts in rock history. Original punks who transcended the musics minimalist origins, The Clash lived and breathed the idea that they could change the world with their art. In The Clash The Only Band That Mattered, respected music critic Sean Egan examines The Clashs career and art through the prism of the uniquely interesting and fractious UK politics of the 1970s and 80s, without which they simply would not have existed. Tackling such subjects as The Clashs self-conscious tussles with their record label, the accusations of selling out that dogged their footsteps, their rivalry with the similarly leaning but less purist Jam, the paradoxical quality of their achieving multiplatinum success, and even whether their denunciations of Thatcherism were proven wrong, Egan has come up with new insights into a much discussed group. Clash fans, Clash haters, social historians, and political students will all find themselves entertained by his thought-provoking conclusions.**ReviewEconomic decay in Britain during the 1970s and the overt commercialization of rock led to the creation of punk rock, and no punk band enjoyed as much critical acclaim as the Clash. The Sex Pistols may have attracted most of the controversy, but the Clash, led by lead vocalist and rhythm guitarist Joe Strummer and vocalist and lead guitarist Mick Jones, was in a category by itself. Literate and angry, the Clash combined potent street poetry and powerful rhythms to create politically charged songs with a strong leftist ideology that attacked class warfare, nuclear annihilation, and generational ennui. It thought it could change the world with such songs. Egan chronicles the history of the only band that mattered, offering intelligent commentary on individual songs. Although the Clash disbanded in 1986, and Strummer died in 2002, the Clash remains an influential bandBilly Bragg, Bono, Green Day, and the White Stripes are among their musical offspringand several of their albums are considered iconic works in the rock canon. (Booklist) The Clash . . . demonstrates what many other authors have failed to do that the Clashs intelligent, working-mans music provided an outlet for a groundswell of the punk generations intellectual rebelliousness. . . .VERDICT [This] title [is a] fine purchase for large public libraries and deep music collections for an intriguing take on punk history. (Library Journal) As rock historyanalysis tomes go, The Clash The Only Band That Mattered is essential reading. For those who dont especially appreciate The Clash but who would like a better understanding of the society and economy of Margaret Thatcher-era Britain, the book is equally highly recommended. (Musoscribe) About the Author Sean Egan has contributed to, among others, Billboard, Book Collector, Classic Rock, Record Collector, Tennis World, Total Film, Uncut, and RollingStone.com. He has written or edited two dozen books, including works on The Beatles, Jimi Hendrix, The Rolling Stones, Manchester United, Coronation Street, and Tarzan.
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