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Children-Of-The-Sea-Black-Sabbath
Children of the Sea, Black Sabbath
USS Franklin (CV-13) Listed 13 degrees after being hit, and survived.
The Franklin originated as a United Earth starship in Earth Starfleet service in the 22nd century, notably as the first Warp 4 prototype. (TOS movie: Star Trek Beyond)
This ship was one of a number of vessels named Franklin, for various persons and places that share that name, including Benjamin Franklin, a statesman of Earth history. Another ship in service in the year 2159 also shared this name, the Strider-class USS Franklin. (ST video game: Legacy)
After service to Earth as the prototype Warp 4 vessel, this vessel was eventually adopted into Federation Starfleet service, commanded by Balthazar M. Edison, following the founding of the United Federation of Planets. (TOS movie: Star Trek Beyond)
On 01 July 2164, Uraei accessed Starfleet Command and generated an order to have Mosel Thomas assigned to the Franklin. Thomas had been part of Admiral Ko Ji-hoon and Professor Aaron Ikerson's conspiracy attempt against Uraei. (ST - Section 31 novel: Control)
The Franklin disappeared in 2164 during a mission in the Gagarin Radiation Belt. Popular speculation ranged from the ship being captured by Romulans to being captured by a giant green hand. In truth, the Franklin was displaced by a wormhole, and crash-landed on the planet Altamid. Only Edison and two others survived. (TOS movie: Star Trek Beyond)
Kelvin timeline
In the Kelvin timeline, the Franklin was rediscovered in 2263 by Captain James T. Kirk and the survivors of the USS Enterprise crashed on the planet Altamid. By then, it was the home of Jaylah, who had placed it under a holographic cloak to hide the ship from Edison, who by then was known as Krall.
Repairing the Franklin, Kirk and the crew of the late starship Enterprise left Altamid and defeated Krall as he attempted to destroy Yorktown Station with a bio-weapon. After the incident, the ship crashed into Yorktown Station, with the surviving crew members disembarking there. The ship was later recovered by Starfleet and officially decommissioned.(TOS - Boldly Go comic: "Issue 5"; TOS movie: Star Trek Beyond)
The Franklin was the first starship of Earth's Starfleet to reach warp four. Among its armaments were pulsed phase cannons and spatial torpedoes, with polarized hull plating for defense. Among its vehicles were some shuttlepods and a PX-70 motorcycle. Some uniforms, jackets and medical equipment were left aboard. Also a collection of music, which included "Sabotage", was kept in a music player. (TOS movie: Star Trek Beyond)
"Children of the Sea" is a song by heavy metal band Black Sabbath, from their ninth studio album, Heaven and Hell (1980).
"Children of the Sea" was the first song written by the band following the 1979 departure of original lead singer Ozzy Osbourne. The song's melody and lyrics were composed by new singer, Ronnie James Dio, and the music was written largely by guitarist Tony Iommi.
After first meeting Iommi in 1979, Dio arrived at the guitarist's Los Angeles house for a jam session, and on that occasion the duo wrote the song. "Tony had this great riff he played me but nothing to go with it," recalled Dio. "I said, 'Gimme a minute' and went into the corner and started writing down the words." Iommi recalled the moment as a turning point in Black Sabbath's career, saying "It was exciting and challenging because we were doing things that quite frankly would have been beyond us with Ozzy. He wasn't that sort of singer." Iommi claims to still possess a very early demo recording of the song with Osbourne on vocals, though with a different melody and lyrics.
Once Dio had joined the band, a new demo recording of the song was produced featuring Geoff Nicholls on bass. The band's longtime bassist, Geezer Butler, was going through a divorce and wasn't able to commit to the band. "In the end though, Geezer sorted himself out and Geoff stayed with us to play keyboards", said Iommi.
The song was recorded live at Deeside Leisure Centre on 20 May 1980 and appears as the B-side of the single "Neon Knights".
"Children of the Sea" was ranked the 18th best Black Sabbath song by Rock - Das Gesamtwerk der größten Rock-Acts im Check.
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Bob-Seger-with-Jim-Warren
Jim Warren (born November 24, 1949, in Long Beach, California) is an American artist best known for book cover illustrations and surrealistic fantasy art. He has worked in surrealistic fantasy since about 1969. He has collaborated on paintings with marine life artist Wyland, and artist Michael Godard. Warren currently lives in Clearwater, Florida.
A self-taught artist, Warren uses traditional oil paint and brushes on stretched canvas.
Warren was born in Long Beach to Don and Betty Warren, and began painting as a child. His choice of an artistic career path was made in high school.
The Art of Jim Warren: An American Original (Art Lover Products, 1997). ISBN 978-0-9658775-0-3.
Painted Worlds (Paper Tiger Books, 2002)
The Art of Jim Warren, 2015
"Against the Wind" is a song written and recorded by the American singer-songwriter Bob Seger for his eleventh studio album of the same name. It was released as the second single from the album in April 1980 through Capitol Records. Seger recorded the ballad during a two-year process that begat his eleventh album; it was recorded with producer Bill Szymczyk at Criteria Studios in north Miami, Florida. Sonically, "Against the Wind" is a mid-tempo soft rock tune with piano backing. It was recorded with Seger's Silver Bullet Band, and features backing vocals from Eagles co-frontman Glenn Frey.
"Against the Wind" explores the space between care and indifference from friends and loved ones. It centers on maturation and memories, like many other Seger songs, and carries a tender, mellow tone. Seger pulled from his high school years as a cross-country runner to form the song's title–a metaphor for growing old. "Against the Wind" became one of Seger's most successful singles, reaching number five on the Billboard Hot 100. It also charted in Canada, Australia, and Belgium. It received high marks from music critics, with many praising Seger's songwriting. The song has been celebrated by generations of contemporary country artists, with covers ranging from Garth Brooks to Brooks & Dunn.
Seger references a "Janey" in the opening lyrics of the song; this refers to Janey Dinsdale, with whom he had a long-term relationship from 1972 until 1983. In Rolling Stone, Seger elaborated on the song's meaning:
Janey says to me all the time, 'You allow more people to walk on you than anybody I've ever known.' And I always say it's human nature that people are gonna love you sometimes and they're gonna use you sometimes. Knowing the difference between when people are using you and when people truly care about you, that's what "Against the Wind" is all about. The people in that song have weathered the storm, and it's made them much better that they've been able to do it and maintain whatever relationship. To get through is a real victory.
In the tune, Seger second-guesses his career choice, particularly aspects of touring, which he describes as "moving eight miles a minute for months at a time." He mulls that he may have "lost [his] way," focusing too much attention on "breaking all of the rules that would bend." It famously includes the line "Wish I didn't know now what I didn't know then", which Seger later admitted bothered him for a while in a grammatical sense. The song "ends with a renewed determination to keep going"; as the song begins its outro, Seger concedes he is "older now, but still running against the wind."
Its tone has been described as reflective and bittersweet. New York Times columnist Jon Pareles once characterized "Against the Wind" as a song about "crumbling hopes and the recognition of limits," while music critic Maury Dean considered its topic "all the burdens we'll ever have to face." Robert Hilburn, writing for the Los Angeles Times, described the song a "heartfelt expressions of the search for innocence and integrity in a world where both qualities seem in short supply." Though no music video was made for "Against the Wind" at the time of its release, a lyric video commemorating its fortieth anniversary saw release on YouTube in 2020. The clip showcases its songwriting atop "classic Seger imagery — animated horses, motorcycles, and vast American highways.
Bob Seger – lead vocals, acoustic guitar, background vocals
The Silver Bullet Band
Drew Abbott – electric guitar
Chris Campbell – bass
David Teegarden – drums
Additional musicians
Glenn Frey – background vocals
Paul Harris – piano, organ
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Carry-On-Wayward-Son-Kansas
"Carry On Wayward Son" is a song by American rock band Kansas, released from the band's fourth studio album Leftoverture (1976). Written by guitarist Kerry Livgren, the song became the band's first Top 40 single, reaching No. 11 on the US Billboard Hot 100 in early 1977.
The song has since remained a classic rock radio staple and a signature song for the band.
While Kansas' previous three albums had split songwriting duties between lead vocalist Steve Walsh and band member Kerry Livgren, the latter essentially provided all the material for the band's fourth album release, Leftoverture. According to Livgren, "On the very first day of rehearsals, Steve...said that he had nothing – not a single song. I don't relish that kind of pressure, but with hindsight it really brought out the best in me." Although based in Atlanta, Kansas had returned to their Topeka, Kansas hometown to work up material for what would be the Leftoverture album, the band rehearsing in a vacant store in a strip mall the material Livgren was working up on a Lowrey organ at the parental home where he was staying. "Carry On Wayward Son" was written after the band had completed rehearsals. Livgren, who perceived the song as being "beamed down" to him in toto, in 2004 stated: "It's an autobiographical song. Parallel to my musical career I've always been on a spiritual sojourn, looking for truth and meaning. It was a song of self-encouragement. I was telling myself to keep on looking and I would find what I sought." Livgren was born again on July 25, 1979, and since 1980 recorded primarily as a Christian rock artist.
When it came out, there was nothing like it. [It has] so many musically interesting parts. It wasn't rubber-stamped; it was unique to itself. It's a great sing-along. It had a lot of things going for it. When we recorded it, we knew we had a great song.
...we didn't realize what it would turn into. It's become part of rock-&-roll culture. But then it seemed like a fluke. It was the right song at the right time.
Kansas guitarist Rich Williams on the song's impact and enduring appeal
Drummer Phil Ehart recalled that Livgren mentioned a new song as Kansas was packing up to leave Topeka for Studio in the Country, the Louisiana facility where Leftoverture was recorded from December 1975, with Livgren presenting "Carry On Wayward Son" to his bandmates only after they had reached the studio. According to Livgren "It was the last night we were in Topeka. I came into the studio on the last day and said, ‘I think you better hear this one’. The guys looked at each other and said, ‘We gotta do this’." In 2004, Ehart recalled, "It was the last, last [song] to be submitted for...'Leftoverture'...I can't even remember if we dropped something else to get [it] on there...[When] we recorded it, we didn't really think it would be a hit [as] it was about six minutes long...We were on the road [in December 1976 when] our manager...said: 'Well, you're not gonna believe this, but we actually have a hit song.' We said, 'What?' He said, 'Yeah. "Carry On Wayward Son" is shooting up the charts.' And it barely made it on the album!"
Kansas other guitarist Rich Williams indicated in 2004 that the success of "Carry On Wayward Son" was not a total surprise to the band: "As far as knowing what a hit was, we didn't have any idea. But we knew there was something special about ['Carry On Wayward Son']. It was very easy to listen to but still very different."
Steve Walsh – lead vocals, keyboards, organ
Robby Steinhardt – backing vocals
Kerry Livgren – guitar, piano
Rich Williams – acoustic and electric guitar
Dave Hope – bass
Phil Ehart – drums
Written by: Kerry Livgren
Carry on my wayward son
There'll be peace when you are done
Lay your weary head to rest
Don't you cry no more
Once I rose above the noise and confusion
Just to get a glimpse beyond this illusion
I was soaring ever higher
But I flew too high
Though my eyes could see, I still was a blind man
Though my mind could think, I still was a mad man
I hear the voices when I'm dreaming
I can hear them say
Carry on, my wayward son
There'll be peace when you are done
Lay your weary head to rest
Don't you cry no more
Masquerading as a man with a reason
My charade is the event of the season
And if I claim to be a wise man, well
It surely means that I don't know
On a stormy sea of moving emotion
Tossed about, I'm like a ship on the ocean
I set a course for winds of fortune
But I hear the voices say
Carry on, my wayward son
There'll be peace when you are done
Lay your weary head to rest
Don't you cry no more
No!
Carry on, you will always remember
Carry on, none can equal the splendor
Now your life's no longer empty
Surely heaven waits for you
Carry on, my wayward son
There'll be peace when you are done
Lay your weary head to rest
Don't you cry (Don't you cry no more)
No more
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Riders-on-the-Storm-The-Doors
"Riders on the Storm" is a song by American rock band the Doors. It was released in June 1971, as the second single from L.A. Woman, their sixth studio album and the last with lead singer Jim Morrison. The song reached number 14 on the U.S Billboard Hot 100, number 22 on the UK Singles Chart, and number seven in the Netherlands.
Written by: Jim Morrison, John Paul Densmore, Robert A Krieger, Raymond D Manzarek
"Riders on the Storm" has been classified as a psychedelic rock, jazz rock, art rock song, and a precursor of gothic music. According to guitarist Robby Krieger and keyboardist Ray Manzarek, it was inspired by the country song "(Ghost) Riders in the Sky: A Cowboy Legend", written by Stan Jones and popularized by Vaughn Monroe. The lyrics were written and brought to rehearsal by Morrison, of which a portion of it refers to hitchhiker killer Billy "Cockeyed" Cook, subject of the 1953 film, The Hitch-Hiker. Manzarek noted that some lines express Morrison's love to his companion Pamela Courson. The track is notated in the key of E Minor; the main keyboard riff descends throughout the pitches of Dorian Mode scale, and features a progression of i–IV–i7–IV.
It is popularly believed that "Riders on the Storm" is the song that longtime Doors producer Paul A. Rothchild disparaged as "cocktail music", precipitating his departure from the L.A. Woman sessions, which was corroborated by guitarist Robby Krieger. Rothchild himself denied that claim, stating that he actually applied the epithet to "Love Her Madly". Following Rothchild's departure, longtime engineer Bruce Botnick was selected to take over production duties, alongside the Doors themselves.
"Riders on the Storm" was recorded at the Doors Workshop in December 1970 with the assistance of Botnick. Later in January 1971, after Morrison had recorded his main vocals, the group gathered at Poppi Studios to complete the mixing of L.A. Woman, at which Morrison then whispered the lyrics over them to create an echo effect. It was the last song recorded by all four members of the Doors, as well as the last song recorded by Morrison to be released in his lifetime. The single was released in June 1971, entering the Billboard Hot 100 the week ending July 3, 1971, the same week Morrison died.
Heidegger's influence
Speaking with Krieger and Manzarek, the German philosopher Thomas Collmer argued that the line "Into this world we're thrown" recalls philosopher Martin Heidegger's concept of "thrownness"—human existence as a basic state. In 1963, at Florida State University in Tallahassee, Morrison heard a lecture which influenced him, which discussed philosophers who dealt critically with the philosophical tradition, including Friedrich Nietzsche and Heidegger. In 2009, Simon Critchley dedicated his column in The Guardian to Heidegger's thrownness, and explained it using the aforementioned verse of the song. The connection between the thrownness into the world and a dog's life was anticipated by the anti-Heideggerian author Ernst Bloch in his main work The Principle of Hope (1954–1959).
Album: L.A. Woman
Released: 1971
Riders on the Storm
The Doors
Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out on loan
Riders on the storm
There's a killer on the road
His brain is squirmin' like a toad
Take a long holiday
Let your children play
If you give this man a ride
Sweet memory will die
Killer on the road, yeah
Girl, you gotta love your man
Girl, you gotta love your man
Take him by the hand
Make him understand
The world on you depends
Our life will never end
Gotta love your man, yeah
Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out on loan
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
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