Pianist Bill Charlap's album featuring his revered longstanding trio with bassist Peter Washington and drummer Kenny Washington. Street of Dreams is a celebration of New York City as it emerges from an unprecedentedly challenging period, as reflected in the eight impeccably curated songs on the album, a delightful mix of jazz classics and Songbook favorites. It’s also a reflection of the literal and metaphorical road travelled together by Charlap and the Washingtons during nearly 25 years as a trio. During that time they’ve become so deeply attuned that on Street of Dreams they seem to breathe as one, whether setting off into rollicking swing or fragile balladry. The album is thus a celebration of these three eloquent voices reconvening, so it’s apt that this homecoming takes place on Blue Note, which released so many of the trio’s acclaimed recordings throughout the first decade of this millennium including Written In The Stars, Stardust, Somewhere: The Songs of Leonard Bernstein, and Live at the Village Vanguard.
#jazz #BillCharlapTrio #Streetofdreams
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https://www.youtube.com/watch?v=t4g88TVMHDU
The melody found in "A Forma Di" #quellavecchialocanda #progressiverock #progrock #qvl #iltempodellagioia #aformadi #italianprogrock #italianprog #siwanrecords #1974 #rarerecords #collectibles
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https://www.youtube.com/watch?v=0T-TnP4ZHZ0
Originally produced in 1983, the first solo album of Munetaka Higuchi, a super drummer from Japan.
At that time, LOUDNESS were releasing albums at a tremendous pace, and this work was recorded during a very busy period with an American tour in front of him; he was also producing Mari Hamada's debut work.
This album has top-level Japanese musicians of the time performing:
Kyoji Yamamoto, CHAR, Kenji Kitajima, Hiroaki Matsuzawa, Yuki Nakajima, Ken Watanabe, Yoshihiro Naruse, Nobuo Yamada, Keiji Katayama, and others.
Like Cozy Powell, he doesn't focus on showcasing his technique, and he puts the emphasis on music first and foremost. I think it's the biggest reason why it's a great LP.
Perhaps the participating members are well aware of their intentions, and they are playing their respective roles, and each song boasts an independent degree of perfection.
樋口宗孝/破壊凱旋録 DESTRUCTION 83年作 初ソロ作 LOUDNES
#loudness #munetakahiguchi #樋口宗孝 #destruction #lawbreaker #japan #japanesemetal #japaneserock #japaneseheavymetal #hardrock #1983 #rock #heavymetal #classicrock #classicrock80s #33rpm #vinyl #recordcollection #vinylcommunity #recordcollection #vinyllife #vinyllove #vinylisbetter #vinylclub #vinylrecords #nowplaying #vinyl #vinylcollection #rock #recordcollector #vinylcommunity #recordcollection #vinylrecords
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https://www.youtube.com/watch?v=DuRHOF-oYZ0
Price: €191$ to €286$
Label: Fontana – SFJL.922, Fontana – SFJL922
Format: Vinyl, LP, Album
Country: UK
Released: 1969
Genre: Jazz
Style: Jazz-Rock, Free Jazz, Post Bop
Down Another Road is an album by composer/bassist Graham Collier recorded in 1969 and originally released on the British Fontana label.
Allmusic said "Collier is an original writer. His works are generally tonally centered and contain melody, but he encourages collective improvisation and stretched harmonies. His pieces carefully balance emotional depth and intellectual rigor, with wonderful harmonies and consistently high levels of performance. This one hits the mark with its carefully constructed compositions and magnificent improvisations". On All About Jazz Nic Jones noted "Collier's working methods, even at this relatively early stage of his career, already had something distinctive about them, and he was blessed in enjoying the services of musicians capable of bringing his ideas to fruition".
#jazz #rarelp #grahamcollier #britishjazz #modaljazz #jazzrecords #jazzvinyl #jazzvinylcollector #jazzvinylcollection #audiograil
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https://www.youtube.com/watch?v=3j7AygRT5HE