The CIA and MKULTRA in Canada The Sleep Room, directed by Anne Wheeler, recalls a series of barbaric experiments conducted on mental patients over a nine-year period beginning in 1955. Although these began as a well-meaning if desperate attempt to cure schizophrenia, the "psychic driving" technique invented by psychiatrist Ewen Cameron took on a science-fiction quality when it was revealed in 1977 that the Central Intelligence Agency had helped finance the work. The CIA thought it had potential as a brainwashing technique to be used on "enemies" of the United States during the Cold War. The story is fascinating on many levels. There is the gut-level drama of seeing unknowing mental patients subjected to "modern" torture involving massive electroshock therapy, drug injections, and chemically-induced, month-long comas meant to destroy their memories of themselves and their families — a human catastrophe that stripped more than 300 people of their identities. There's the tragedy of Ewen Cameron, a gifted and compassionate psychiatrist who somehow crossed a line and convinced himself that he had the right to destroy ill people's personalities because he, with the godlike powers he attributed to himself, would then endow them with "new" and healthy personalities. It is a story which touches the same primeval fears as the Frankenstein and Jekyll/Hyde myths. Then there is the tawdry political drama in which both the CIA and the Canadian government — which financed Cameron's experiments after the CIA abandoned him — have refused to the present day to admit wrongdoing (although they have paid out some money). The approximately 150 surviving victims, most still in mental hospitals, have waited in vain for an apology. Series producer Bernie Zukerman has said that he hopes the miniseries will finally force Ottawa to do the right thing. "There's a whole nest of relationships and assumptions around science and doctors that is embedded in this story," says Anne Collins, whose 1988 book In The Sleep Room inspired the miniseries.

Sean Stone exposes the long, often hidden relationship, between Washington politics and the media-entertainment complex. Along the way, he exposes the strange disappearance of the Hollywood ‘writer with no hands’ as well as dark side of Hollywood’s pedophile rings. Hollywood, D.C. How the Deep State uses Mockingbird Media & Hollywood Propaganda In this documentary from RT America, Sean Stone explores the military-industrial complex's use of Hollywood for storytelling, and journalists for propaganda. Featuring Oliver Stone, Greg Palast, Professor Peter Kuznick and Jay Dyer.

In the summer of 1963, a young girl found herself caught up in a clandestine covert operation to eliminate Fidel Castro. This wouldn’t be a shot heard around the world, but rather, a silent shot of super cancer causing poison, derived from a monkey simian virus called SV-40. This tale has everything from murder, espionage, a tragic love story, to bioweapons and the genesis of gain-of-function research, weaponized in COVID-19. https://rumble.com/v3mroia-kill-shot-the-cias-sv40-cancer-weapon-full-story-w-shannon-joy.html https://forbiddenknowledgetv.net/kill-shot-the-cias-sv40-cancer-weapon-full-film-2023/

Sean Stone exposes the long, often hidden relationship, between Washington politics and the media-entertainment complex. Along the way, he exposes the strange disappearance of the Hollywood ‘writer with no hands’ as well as dark side of Hollywood’s pedophile rings. Hollywood, D.C. How the Deep State uses Mockingbird Media & Hollywood Propaganda In this documentary from RT America, Sean Stone explores the military-industrial complex's use of Hollywood for storytelling, and journalists for propaganda. Featuring Oliver Stone, Greg Palast, Professor Peter Kuznick and Jay Dyer.